Louis XVI secretary stamped Schlichtig

Ebénisterie Mathieu Vath

This Louis XVI style secretary desk, stamped JG Schlichtig, is made of rosewood veneer, satinwood (on the sides) and amaranth, on an oak and softwood frame. It opens with two lower doors, a central drop-front, and a top drawer. The interior of the piece includes six drawers and three niches. Given its small size, 1.20 meters, it can be described as a lady's secretary desk. Jean-Georges Schlichtig († February 1782) was a Parisian cabinetmaker of German origin, admitted as a master on October 2, 1765. He established himself successively […]

Louis XVI commode stamped JL Cosson

Ebénisterie Mathieu Vath

This Louis XVI period half-moon commode, stamped by the cabinetmaker Jacques Laurent Cosson, likely dates from a production between 1780 and 1790. It is an exceptional example of painted furniture from the end of the Ancien Régime, belonging to a very small group of which only seven examples are currently known. This small and highly sought-after group of 18th-century French painted furniture is now recognized as one of the most inventive areas of Parisian cabinetmaking on the eve of the Revolution. This commode, with its curved, half-moon shape, rests […]

Directoire armchairs

Ebénisterie Mathieu Vath

Restoration of a pair of Directoire period armchairs (circa 1795–1805), made of solid mahogany, except for the veneered stretchers. These chairs display the clean, balanced lines characteristic of the Directoire style, a transitional period between the strictures of the Louis XVI style and the codes of the Consulate. Assembled using mortise and tenon joints, they are made of solid mahogany. The straight armrests are extended by turned supports, typical of the late Directoire. The legs are turned in a baluster shape and slightly tapered at the bottom. The rectangular backs are framed with simple molding, […]

Louis XV Cartel

Ebénisterie Mathieu Vath

This is the first cartel clock restoration undertaken by Raphael, focusing on this Louis XV cartel clock in Boulle marquetry of brown tortoiseshell and brass. Restoring a cartel clock is a complex task requiring considerable time and meticulous attention to detail. The curved shapes make gluing delicate operations, and it is generally necessary to reattach large sections of the brass elements. Condition report: This cartel clock presented widespread soiling, an oxidized and tarnished varnish, as well as several lifting and missing pieces in the brass and tortoiseshell marquetry. […]

Louis XVI chest of drawers by Jean-Francois Leleu

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period commode with a projecting central front, stamped JF LELEU. Made entirely of oak, it is veneered with amaranth, rosewood, boxwood, stained maple burl, and tobacco-grey maple. It is decorated with marquetry featuring a frieze of posts on the top drawer, Greek key motifs, and fleurons within a mosaic of hexagons known as "marquetry à la reine" on the central projection. It has three drawers, two of which conceal drawers with crossbars. The front uprights are […]

Regency-style wardrobe stamped MIGEON

Ebénisterie Mathieu Vath

Restoration of a Regency-style cabinet, probably dating from the 1740s, stamped by Pierre IV Migeon. Constructed of oak and softwood, this cabinet, which could also be considered a bookcase, is entirely veneered in kingwood, rosewood for the top, and walnut for the interiors. The doors are veneered with a butterfly-wing pattern, while the side doors feature a square motif, typical of Migeon's decorative vocabulary. The ogee cornice is edged with a half-round brass molding. The uprights […]

Augsburg Cabinet, 17th century

EEbénisterie Mathieu Vath

Restoration of a small table cabinet (Height: 14.3 cm – Width: 17.3 cm – Depth: 13 cm), likely a traveling model, made of solid wood with intarsia on all sides, opening with a drop-front concealing eight drawers (the bottom one simulating two drawers). Its composition is particularly rich, incorporating eight different wood species. The frame, made of fir and cherry for the visible parts, is inlaid with large central panels of sycamore maple. These are framed by bands of plum wood, themselves bordered by a double band […]

Regency commode with bridge "with dragons"«

Ebénisterie Mathieu Vath

Restoration of a Regency period commode, topped with a 30 mm thick Rance marble slab, molded with a corbelled edge following its contours. This commode, curved in plan and elevation on the front and sides, is veneered with snakewood and satinwood. It has four drawers (simulating six) arranged in three rows. Its voluminous feet evoke the clawed paws of a dragon. The commode is adorned with brass fluting and chased and gilded bronze mounts: chased waterleaf frames framing the drawers, thick drop handles with shell motifs, wide plates […]

8-foot Boulle desk

Ebénisterie Mathieu Vath

Here is a restoration carried out earlier this year by Raphaël. A long but successful undertaking. I had the opportunity to revisit this desk recently, and it has responded perfectly to the significant variations in temperature and humidity. The remainder of this restoration report was written by Raphaël. A "Mazarin" Desk. This desk dates from the Louis XIV period and is covered with Boulle marquetry composed of brass on a red tortoiseshell ground. The case is supported by eight console legs, each paired by an X-shaped stretcher. It opens […]

Regency Cartel

Ebénisterie Mathieu Vath

The restoration of five Boulle marquetry clocks, begun a few months ago, is now complete. Here is a Regency clock and its console, inlaid with tortoiseshell and brass on an oak frame. Measuring Time: Since the dawn of time, humankind has strived to measure time. From the gnomon, a simple stick planted in the ground—a precursor to the sundial—to the flow of water in the clepsydra, and then to the hourglass using the same principle, all these methods have allowed people to organize their social lives, […]

Louis XV Cartel

Ebénisterie Mathieu Vath

We are continuing our series on cartel clocks, which began a few months ago. Here are some images of the restoration of this Louis XV cartel clock in brown tortoiseshell and brass marquetry on an oak frame. Condition report: The structure is in a state of significant deterioration, and re-gluing the joints appears necessary. All the marquetry is detached or shows signs of glue dehydration. Furthermore, the clock has been heavily sanded, which has resulted in the disappearance of all traces of engraving on the brass elements. […]

Regency tabletop sign

Ebénisterie Mathieu Vath

Restoration of a Boulle marquetry mantel clock, composed of brown tortoiseshell and brass, adorned with chased and gilded bronze mounts. The clock features a monumental rooster (royal emblem), a central mascaron with a satyr's head, caryatids, and two doves beneath a draped dome. The movement is signed GRIBELIN. Nicolas Gribelin, son of Abraham Gribelin, Valet de Chambre-Clockmaker to the King, was born in Blois on November 27, 1637. By the end of the 17th century, he had established himself as one of the most renowned clockmakers of his time.

Regency Cartel

Ebénisterie Mathieu Vath

Restoration of a Regency clock case in brown tortoiseshell and brass marquetry, featuring a bronze Atlas and a clock face. The piece exhibited significant structural and decorative alterations requiring complete intervention according to the principles of conservation-restoration. Condition report: This clock case, probably dating from the early 18th century, showed the marks of time: lifting of the marquetry, detachment of the tortoiseshell, oxidation of the brass, and numerous losses. The bronze depicting Atlas, bent under the weight of the celestial vault, was blackened, its expression frozen by decades of dust […]

Flat Greek-style desk stamped DUBOIS

Ebénisterie Mathieu Vath

One desk, one stamp, three cabinetmakers? The desk we are about to discover, a masterpiece of French cabinetmaking, embodies the culmination of 18th-century Neoclassical taste. The question that immediately arises upon contemplating this exceptional piece is: why three cabinetmakers for a single desk? The answer lies in the complex interplay of succession, talent, collaboration, and opportunism that characterized the craftsmanship of the period. This flat desk, known as a "Greek-style" desk, is a perfect example of the Louis XVI style. Made from a blend of […]

8-foot Regency style pedestal desk with Democritus masks

Ebénisterie Mathieu Vath

Restoration of a Regency period double-sided flat-fronted desk with a drawer unit, veneered entirely in kingwood. The sides feature a diamond-point frieze, and the drawer fronts have an inverted slab pattern. Each side opens with four drawers in the frieze, and a central drawer on one side. The top is edged with a molding and gilt leather tooled in small pieces, resting on eight cabriole legs ending in goat hooves. Most notably, it features two bronze mounts emblematic of the period […]

Regency corner

Ebénisterie Mathieu Vath

Restoration of a Regency period corner cabinet veneered in Rio rosewood on a softwood frame. The piece had little damage apart from missing fluting and mahogany grafts on the top and bottom rails. The work therefore consisted of replacing the mahogany grafts with rosewood veneer that was sawn, scraped, and sanded before being glued with hot glue. The brass fluting was recreated and adjusted to fit perfectly into its original positions. A French polish finish was applied […]

Louis XV commode by JB Fromageau

Ebénisterie Mathieu Vath

Restoration of a Louis XV commode stamped by Jean-Baptiste Fromageau. Constructed of oak and conifer, this commode is inlaid with rosewood within violet wood frames. Curved at the front and flared at the sides, it features four drawers in three rows and is topped with a grey Saint Anne marble slab. Jean-Baptiste Fromageau, son of a master cabinetmaker, was born around 1725. After obtaining his master craftsman's certificate on November 5, 1755, he set up his workshop on Rue Traversière before establishing himself on Rue du Faubourg Saint-Antoine. The Dauphiné Almanac […]

Regency style pedestal desk

Ebénisterie Mathieu Vath

Restoration of a desk veneered on all sides with yew burl and amaranth, decorated with geometric boxwood stringing. It opens with five drawers in the front and five simulated drawers in the back. The two lower drawers follow the contour of the front and slide down at a 45-degree angle. The top is veneered in amaranth and edged with a bronze molding. It rests on four cabriole legs and terminates in curious acanthus leaf bronze mounts. The frame is entirely oak, except for the drawers, which are made of […]

Regency-style chest of drawers stamped by Michel Mallerot

Ebénisterie Mathieu Vath

The restoration of a commode from the first half of the 18th century, curved in height and bombé in plan, opening with four drawers in three rows, known as a "tomb-shaped" or "Regency" commode, belongs to a much smaller group of commodes called "bridge" and "moustache" commodes. The frame of this commode is typical of Regency models, with oak uprights, high-quality softwood for the majority of the structure, and walnut for the inset drawers. The veneer consists of only two types: kingwood and satinwood. The […]

Louis XVI commode stamped J. LAPIE

Ebénisterie Mathieu Vath

Restoration by Lise, during her internship at the workshop, of a Louis XVI commode stamped by Jean Lapie, constructed of oak, fir, and beech, veneered in rosewood with hornbeam and amaranth stringing, and adorned with gilt bronze mounts. And since Lise submitted an excellent internship report, I am publishing it almost in its entirety. Jean Lapie (known as "The Younger"), son of the potter Nicolas Lapie, was born around 1734. Brother of the cabinetmaker Nicolas-Alexandre Lapie (known as "The Elder") and cousin of Jean-François Lapie, he obtained his master's degree in Paris […]

Regency table lamp

Ebénisterie Mathieu Vath

Restoration of a Regency mantel clock in brown tortoiseshell and brass marquetry on an oak frame. Without its bronze mounts, this type of furniture loses its splendor. But when it regains its bronze fittings, knowing that the function of this type of furniture is to tell the time, the symbols that compose them take on their full meaning. Fame on the escapement and the eagle on the door are perfect examples. Fame is originally an allegorical Greek deity personifying public recognition […]

Art Nouveau desk with Primroses by Louis Majorelle

Ebénisterie Mathieu Vath

Restoration of an Art Nouveau desk stamped by Louis Majorelle in Nancy around 1905. It is made of solid walnut and veneered with primrose flower marquetry. The work consisted of replacing missing veneer, cleaning, and restoring the waxed finish. Louis Majorelle was born in September 1859 in Toul and died in January 1926 in Nancy at the age of 66. Son of the renowned furniture designer Auguste Majorelle, he demonstrated a particular interest in craftsmanship and drawing from a very young age. […]

La Rochelle chest of drawers in "Isles wood"«

Ebénisterie Mathieu Vath

A look back at the restoration of this rare port chest of drawers, crafted from solid woods brought back from both the Orient and the West Indies, combining four precious woods: mahogany, satinwood, Palo Santo, ebony, and, most notably, a fifth wood, Royal ebony. This chest of drawers opens with three wide drawers in three rows of Palo Santo, interspersed with Ceylon ebony crossbars, and is topped with a solid framed top composed of parquet flooring, primarily enlivened by Royal ebony crossbars against a mahogany background (some sections are mottled or […]

Regency commode with faun and lion masks

Ebénisterie Mathieu Vath

Restoration completes this important and rare commode, known as a "tomb-shaped" or "Regency" commode, also called a "moustache" commode, dating from the Regency period. Curved on all sides, it opens with four drawers in three rows. Topped with a Belgian Vieux Rance marble slab (it's worth noting that Rance was a French village at the beginning of the 18th century), molded with a corbel-like profile following its contours, this wide commode, veneered in a single layer of kingwood, boasts powerful curves, is adorned with brass fluting on the front and sides, and is covered with exceptional finely chased bronze mounts.

Regency Cartel signed Clément Fiacre Paris

Ebénisterie Mathieu Vath

Restoration of a cartel clock in red tortoiseshell and brass marquetry. The movement is stamped by Clément Fiacre in Paris. Clément Fiacre, one of the most important clockmakers of his time, received his master's certificate on January 16, 1714. He settled in Paris and quickly gained renown. Established on Rue Saint-Denis around the mid-1740s, he created his work in the Regency style, where wood was richly worked, notably through tortoiseshell and brass marquetry. He also produced veneers in rosewood, amaranth, and other woods.

Transitional dresser

Ebénisterie Mathieu Vath

Restoration of a transitional commode veneered in rosewood, amaranth, and green-stained Greek key pattern, on an oak frame. Congratulations to Lisa for this first restoration during her internship at the workshop. The work mainly involved the front rails, with the missing amaranth veneer being replaced by sawn, scraped, sanded, and applied to the back of the veneer before being glued with hot glue. The varnish was regenerated using Labovert's GAMMA polar solvent before […]

VASSOU stamped chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period chiffonier table in mahogany veneer and solid mahogany on oak and softwood frames, stamped by Jean-Baptiste VASSOU (1739-1807). A beautifully crafted piece with fine veneer and a lovely blue Turquin marble top. What exactly is a chiffonier table? The first mention of a "chiffonniere table" appears in 1755 in the journal of the haberdasher Lazare Duvaux (1703-1758). Then, in 1763, in the post-December inventory of Jean-François Oeben, we find mention of a "frame of a […]

Regency Cartel

Ebénisterie Mathieu Vath

Restoration of a Regency clock case in Boulle marquetry on a brown tortoiseshell background. Since Antiquity, humankind has sought to master and create a "timekeeper." Egyptian obelisks, water clocks, sundials, hourglasses. But it was in the 15th century that the first mechanical weight-driven clocks were made, with a single hand, but generally equipped with chimes. Then, in the 16th century, the counting of the day in two parts, 12 hours instead of 24, was adopted almost everywhere, even though each city kept its own meridian time until the advent of railways and […]

Transition sauté pan with Boudin stamp

Ebénisterie Mathieu Vath

Restoration of a Transitional commode stamped by the master cabinetmaker Léonard Boudin (1735 in Paris – 20/12/1807). It is constructed of solid oak and veneered with amaranth, rosewood, tobacco-stained maple, and marquetry of boxwood, hornbeam, and holly, decorated with panels featuring floral vases and covered pots on the front and sides. With a slight central projection on the front, opening to reveal two drawers without a central divider, its rounded uprights rest on cabriole legs. Many Transitional commodes of this type have […]

Louis XV cartel clock with crowned C

Ebénisterie Mathieu Vath

Restoration of a Louis XV cartel clock in tortoiseshell and brass marquetry, the movement of which is signed by Charles Voisin (born 1686-1760), Master Clockmaker in 1710. The distinctive feature of this clock is that the bronze mounts are stamped with the crowned C mark. The crowned C was established by an edict of 1745, which required bronze workers to mark their pieces with a small, distinctive letter, a C surmounted by a crown, thus subjecting them to a tax. This tax applied to both objects and furniture adorned with it. It is a […]

Regency commode with crowned R

Ebénisterie Mathieu Vath

Restoration of a Regency commode, probably from southeastern France, veneered with yew, plum, rosewood, walnut, cherry, amaranth, violet wood, boxwood, and green-stained maple on a softwood frame. Besides its highly unusual marquetry decoration, the commode's distinctive feature is its crowned R bronze mounts. The crowned R hallmark should not be confused with the crowned C hallmark, which corresponds to a tax levied from 1745 to 1749 on copper objects and is found on many […]

Cordié Transition-branded chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Transitional period chiffonier stamped by Guillaume Cordié and bearing the guild mark. It is veneered in rosewood and amaranth and framed in oak and softwood. The bronze fittings were added later. Guillaume Cordié, born around 1725, worked as a freelance craftsman before receiving his master's certificate on June 18, 1766. He established himself on the rue de Charonne and remained there until his death. His works, of fine quality and harmonious proportions, are mostly in the Transitional and Louis XV styles. It seems that he […]

Directoire Commode

Ebénisterie Mathieu Vath

Restoration of a curious Directoire commode in solid walnut and walnut, mahogany, and maple veneer, featuring marquetry of a Medici vase and a Louis XIV-inspired ballet dancer, in brass on an ebony ground. The drawers have walnut bottoms with an ebony stringing surmounted by a quarter-round brass and wood molding, surrounded by a mahogany molding. The uprights are three-quarter-fluted columns terminating in toupie feet. The locks are in the shape of trefoils. A conservation project for this […]

Transitional chest of drawers stamped SAUNIER

Ebénisterie Mathieu Vath

Restoration of a transitional two-door commode veneered with bottomless cube marquetry. The frame is oak for the uprights and rails, the side panels are softwood, and the two doors are walnut. The bottomless cubes are veneered with rosewood, violetwood, and tobacco-stained maple. The entire piece is framed with a stringing of green-stained maple and boxwood. The uprights and door frames are veneered with violetwood and rosewood. The sides […]

Transition chest of drawers stamped Fromageau

Ebénisterie Mathieu Vath

Restoration of a Transitional style commode, stamped by Jean Baptiste Fromageau, veneered in rosewood with an amaranth frieze and faux fluting. It is topped with a Royal red marble slab and features three drawers, one narrower at the top inlaid with a frieze of glyphs, while the two below are inlaid with Greek key patterns and have violet wood corners. The bronze mounts include ring pulls, keyhole escutcheons with knotted ribbons, and a drop-shaped finial.

Louis XV commode stamped NA Lapie

Ebénisterie Mathieu Vath

Restoration of a Louis XV commode, stamped by Nicolas Alexandre Lapie, veneered in amaranth and satinwood on a beautifully crafted oak frame. The sides and drawer fronts are made of softwood, and the marble top is Campan griotte marble. Nicolas Alexandre Lapie, son of Nicolas Lapie, a pottery merchant in the Faubourg Saint-Antoine, and brother of the master cabinetmaker Jean Lapie, Nicolas Alexandre (known as the Elder) appears to have been born around 1730. He registered his master's letters at the Châtelet in Paris on the 17th […]

Regency chest of drawers with Spanish-style drawers

Ebénisterie Mathieu Vath

Restoration of a Regency period commode with a serpentine front and espagnolettes, curved on all sides, veneered in violet wood on a walnut frame, opening with four drawers in three rows and topped with a Belgian Griotte Red marble slab with ears and a corbelled edge. The pinched uprights are dark, as are the front rails, with fluting and brass reeding. Its high-quality bronze ornamentation features superb chasing and includes very rare espagnolettes (seen on six commodes: four by Etienne Doirat, one by François Lieutaud […]

Louis XVI secretary stamped TOPINO

Ebénisterie Mathieu Vath

Restoration of a Louis XVI secretary desk stamped by Charles Topino. Typical of Topino's style, this secretary is constructed of oak and softwood. The front opens with a drawer and a drop-front covered in red leather tooled in gilt, revealing two compartments and four drawers veneered in rosewood. The lower section opens with two doors revealing a shelf. These are decorated with marquetry depicting a vase and drapery on a tobacco-colored ground, while the drop-front is inlaid with musical instruments, ribbons, and foliage on […]

Transition chest of drawers stamped LEGRY

Ebénisterie Mathieu Vath

Restoration of a transitional commode stamped by Jean-Louis-François Legry. Its frame is made of oak and softwood, and it is veneered with amaranth, rosewood, satinwood for the sides, and ebony and boxwood stringing. This commode exemplifies the very end of the transition between the Louis XV and Louis XVI styles. The legs remain the only vestige of the Louis XV curves; they would soon give way to the straight legs of the Louis XVI style. Jean-Louis-François Legry, born in 1745, obtained his master's degree in Paris on […]

Transitional cylinder secretary, stamped SCHLICHTIG

Ebénisterie Mathieu Vath

Restoration of a Transitional period roll-top desk stamped by Jean-Georges Schlichtig. The frame is oak for the legs and rails, while the panels and drop-front are softwood. It is veneered in rosewood with marquetry of bottomless cubes in rosewood and tobacco-stained sycamore; the Greek key stringing is composed of hornbeam and holly. The back and interior drawers are veneered in satinwood. This type of roll-top desk was a common production for this cabinetmaker, who produced […]

Transitional chest of drawers stamped J.STUMPFF

Ebénisterie Mathieu Vath

Here are some images of the restoration of this commode stamped by Jean-Chrysostôme Stumpff. 1731 - January 17, 1806 – Received Master Craftsman status on August 27, 1766. Framed in oak and softwood, it is veneered with rosewood in a frieze of paillon, amaranth, and boxwood and green-stained maple. J. STUMPFF, originally from Schweigern, Swabia (Germany), married in 1760 in Paris, at the Swedish embassy, like most of his compatriots of the Reformed faith. His fellow cabinetmaker, Ferdinand Scherdfeger, was a witness. […]

RELIGIOUS CLOCK, Sarrabat Paris

Ebénisterie Mathieu Vath

Restoration of a 'religious' clock with a striking mechanism on the half-hour, signed (dial and movement) 'Sarrabat à Paris', third quarter of the 17th century. Religious clocks were the earliest form of clocks during the reign of Louis XIV, the Sun King. Their popularity increased from 1660 onwards, thanks to Huygens' discovery of the regulator pendulum. This particular clock features Boulle marquetry of red tortoiseshell, brass, and pewter on a walnut frame, decorated with gilt bronze mounts and ebony moldings. The lower molding is also ebony and rests on […]

Regency chest of drawers stamped ID

Ebénisterie Mathieu Vath

Restoration of a Regency commode veneered in rosewood on a conifer frame. It was only after three weeks of work on this commode that I noticed a strange mark. It had been there from the beginning, right in front of me, and I hadn't noticed it. Indeed, it's quite rare to see a stamped Regency commode. But yes, the mark was definitely there. And it's not a modest mark, since this ID stamp is attributed to Jacques Denizot. Jacques Denizot (1684–1760) is […]

Eight-foot desk known as the "Mazarin" desk«

Ebénisterie Mathieu Vath

Restoration of an iconic piece of Louis XIV furniture, the Mazarin desk, named after the famous minister who served the king between 1642 and 1661, and who gave his name to this type of eight-legged desk. The stretchers and the narrow space between the two drawer units are a reminder that this type of desk required the user to sit at an angle: one knee below the writing surface and the other outside. This position was dictated by the wearing of the sword, always on the left. This […]

Art Deco games table and pedestal table

Restoration of a 1930s pedestal table and games table veneered in Macassar ebony and maple. A few veneer grafts and a touch-up of the French polish finish were all it took to restore the luster to this beautiful set. Did you know: Macassar ebony (Dyospyros celebica) is a tree endemic to the island of Sulawesi in Indonesia. Macassar ebony is also called golden ebony or Coromandel. It is also found in Malaysia, where it is known as Kajol marte. It belongs to the Ebenaceae family. It takes its name from the main port […]

Louis XIV commode from the Dauphiné region

Ebénisterie Mathieu Vath

Restoration of a Louis XIV period commode in olive burl, rosewood, and boxwood, likely from the Dauphiné region. This type of commode (D-shaped), along with the Mazarine commode, was among the very first commodes popularized under Louis XIV. Indeed, the earliest French furniture resembling the commode only appeared in the 1700s; thus, the oldest known and datable Parisian commodes are those delivered by André-Charles Boulle to Versailles around 1708. Their very simple decorations are inspired by Dutch designs, often crafted by Protestant cabinetmakers […]

Regency commode stamped by Michel Mallerot

Ebénisterie Mathieu Vath

Restoration of a commode stamped by Michel Mallerot. With its serpentine front, it is entirely veneered in violet wood. It is built of fir with beech drawer bottoms and walnut drawer fronts. You don't know Michel Mallerot? That's understandable, as Michel Mallerot (1675–1753) is a Parisian cabinetmaker who remains relatively unknown, much like many cabinetmakers of the early 18th century. We owe his identification to the discovery of a handwritten pencil inscription "M. Mallerot" on a commode dating from the Regency period (formerly […]

Regency Cartel

Ebénisterie Mathieu Vath

Here are some images of the restoration of a Regency period cartel clock in brown tortoiseshell and brass marquetry on an oak frame. The movement is signed CLOUZIER A PARIS. Jacques Clouzier (1692-1754) was received as a master clockmaker by awarding a masterpiece on July 5, 1692. He was one of the greatest Parisian clockmakers of the Louis XIV and Regency periods. He became a member of the clockmakers' guild in the 1700s, then worked on Rue Saint-Antoine until 1726 and later on Rue des Prêtres Saint-Paul. He remained active until his death […]

8-foot desk stamped Manet

Ebénisterie Mathieu Vath

Restoration of an eight-legged desk, commonly known as a "Mazarin" desk, from the Louis XIV period, late/early 17th century. Constructed of pear and solid softwood, the sides and drawer bottoms are also pearwood. It features two side cabinets, each opening with three drawers, a central drawer above a middle cabinet with rounded edges, and console-shaped uprights and eight legs joined by two X-shaped stretchers. The drawers are inlaid with pewter and blackened pearwood, depicting a late 17th-century design. […]

Louis XIV commode

Ebénisterie Mathieu Vath

Restoration of a Louis XIV commode constructed of fir and Rio rosewood veneer. The front is slightly convex, as are the uprights and rails. It features brass fluting. The remarkably crafted varnished bronze mounts have retained their original varnish. The restoration consisted of rehydrating all veneered surfaces by infiltrating glue. Missing areas were filled with rosewood veneers that were sawn, scraped, sanded, cut to the correct thickness as a backing, and UV-oxidized before being glued with hot glue. As you can see on […]

Roussel Stamped Chest of Drawers

Ebénisterie Mathieu Vath

Restoration of a Louis XV commode stamped by the Parisian cabinetmaker Pierre Roussel. This commode is constructed of oak and softwood panels. It is veneered with rosewood arranged in a herringbone pattern, framed by violet wood. The stringing is boxwood. The Roussel family: Son of Michel Roussel, a journeyman cabinetmaker originally from the Cotentin region, he was the only one to choose cabinetmaking rather than joinery, unlike his younger brothers Jacques, Michel, and Louis. Pierre Roussel obtained his master craftsman's certificate on August 21, 1745, and established himself in the Faubourg Saint-Antoine, on rue […]

Louis XV Cartel

Ebénisterie Mathieu Vath

Restoration of a Louis XV period clock and its lamp base in pure Rococo style. It is constructed of solid oak and veneered with brass and tortoiseshell. Do you know what Rococo style is? Rococo style belongs to the early period of the Louis XV style (1723-1750) and reached its peak around 1730. It is characterized by rich naturalistic decoration. It drew inspiration from artificial grottoes and elements of rock recreated in asymmetrical compositions. This decoration, which marks the beginning of the Baroque, is complemented by seashells, elements […]

Money changer's office

Ebénisterie Mathieu Vath

A few weeks ago, I presented you with a money changer's table. Well, here is its successor, the money changer's desk. Inspired by the eight-legged desks more commonly known as "Mazarin desks," the money changer's desk is a smaller version. Designed to be frequently transported, it must ensure the security of the valuables it contains and showcase the prosperity of its owner through its marquetry and veneer decorations, which vary in richness. For those interested in the origins of these pieces of furniture and the money changer's trade…

Louis XVI secretary stamped Montigny

Ebénisterie Mathieu Vath

A little restoration for this Louis XV period secretary desk stamped by Philippe-Claude Montigny. It is constructed of oak and softwood, and veneered with rosewood, amaranth, and boxwood. It consists of a top drawer, a drop-front, and two doors. The interior compartments contain six drawers. Philippe Claude Montigny (1734-1800) became a master craftsman on January 29, 1766. Son of Louis Montigny, a privileged craftsman of the King, he owned a workshop in the Contrescarpe district of Paris. He was also the brother-in-law of Fidelis Schey, a cabinetmaker […]

Louis XV/Transitional Commode

Ebénisterie Mathieu Vath

A true renaissance for this chest of drawers, which I call Louis XV/Transitional because its form and construction are entirely Louis XV. However, the handles and keyhole escutcheons are typically Louis XVI. And I can attest that these are indeed its original fittings. The nail holes match perfectly, and there are no other holes beneath the bronze mounts. So, even if this piece of furniture doesn't conform to what is commonly called the Transitional style, this chest of drawers is most certainly one of the first […]

Somno Empire

Ebénisterie Mathieu Vath

Restoration of an Empire-period somno in mahogany burl veneer. You might be wondering what a somno is? Created during the Consulate, in the early years of Napoleon I's reign, the somno, or somneau, is a small piece of furniture in the shape of a cylindrical or square table, with a closed section providing storage space. It is placed in the bedroom, often next to the bed to serve as a nightstand. It was during the Empire period that this table acquired the name "somno," from the Latin somnus […]

Louis XVI cooler

Restoration of a cooling table in solid mahogany for the legs and mahogany burl veneer with brass quarter-round moldings. The cooling table: It was in the 18th century, a century of thought, philosophy, and intimacy, that a fashion emerged among the wealthier classes of society: intimate dinners or suppers, without the intervention of household staff. Whether for romantic trysts or to plan the impending French Revolution, prying ears were not to be allowed. This trend influenced […]

Empire Chest of Drawers

Restoration of a mahogany burl veneer commode with three drawers. The uprights are straight and Corinthian pilasters, the front feet are claw feet, and the rear feet have three decreasing balls, known as a beaded arrangement. It is topped with a Belgian black granite slab and has retained all its original gilt bronze mounts, as well as its trefoil locks and key. Regarding the gilt bronze mounts, the Corinthian capitals are decorated with projecting bird heads, palmettes, acanthus leaves, flowers, and scrolls with a beautiful alternation of […]

Regency Cartel

Ebénisterie Mathieu Vath

Restoration of a large cartel clock (137cm high) and its console-style bracket from the Regency period. It is made of solid oak veneered with Boulle marquetry of brown tortoiseshell and brass. It is decorated with floral garlands, crosshatching, and foliage. The dial is made of chased and gilded bronze with an interlacing design and birds; the Roman numerals are enameled, and the signature St Martin à Paris is inset. The plate is signed with the same name. It is adorned with chased and gilded bronze mounts depicting on its capital […]

Louis XV cartel clock with crowned c

Ebénisterie Mathieu Vath

Here are some images of the restoration of a clock case that some of you may have seen during the work at the Mans'Art fair this year. This Louis XV period clock case is inlaid with tortoiseshell and brass, and the frame is oak. The bronze mounts bear the hallmark of the Crowned C. The Crowned C was established by an edict of 1745, which required bronze workers to mark their pieces with a small distinctive letter, a C surmounted by a crown, thus subjecting them to a tax. This tax applied to […]

Louis XVI games table

Ebénisterie Mathieu Vath

Restoration of a late 18th-century games table (circa 1785) veneered in mahogany burl and inlaid with brass stringing, ebony, and Ferréol (a South American wood named after a 17th-century governor of Guyana). The legs are solid mahogany, and the interior is veneered with ebony and bone dyed green and natural. The tabletop is partially covered in leather and partially veneered in mahogany burl. The interior features two niches, each with a drawer […]

LARDIN transitional chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Transitional period commode constructed of fir and oak and veneered with rosewood, violet wood, and a frieze of hornbeam stringing stained green in the Greek key pattern. The sides are veneered with satinwood and violet wood. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, when he moved to rue Saint Nicolas. His production is […]

Mazarine Chest of Drawers

Ebénisterie Mathieu Vath

Restoration of a Louis XIV period commode, known as a Mazarine commode, veneered in brass and ebony on a softwood frame. This commode features bow-shaped drawers, including two full-length drawers surmounted by two half-drawers separated by an intermediate stile. The fronts are made of softwood, while the sides and backs are walnut. The brass decoration supporting the pendant drawer pulls features a finely inlaid motif of scrolls, foliage, foliage, and arabesques, framed by a geometric brass cartouche and simulating keyhole escutcheons. It […]

Chinese chest of drawers

Ebénisterie Mathieu Vath

This week I'm presenting a Louis XIV commode from the first half of the 18th century, veneered in Rio rosewood and adorned with chinoiserie bronze mounts. Height: 85.7 cm, Width: 125 cm, Depth: 60.5 cm. The frame is made of softwood, constructed from planks joined edge-to-edge. The sides, top, and bottom are dovetailed. The back is constructed from several planks nailed into the rebates of the sides. The drawer bottoms and sides are made of planks of […]

Louis XVI commode stamped JB.Tuart

Ebénisterie Mathieu Vath

Here is a very pretty Louis XVI period commode veneered in rosewood and amaranth with marquetry of boxwood, pearwood, maple, hornbeam, walnut, blackened pearwood, lemonwood… It is built of oak and softwood. It is stamped twice with the mark of Jean-Baptiste II TUART. But its maker is probably Jean LAPIE. From a dynasty of Parisian cabinetmakers and merchants, whose father, Jean-Baptiste I, obtained his master's certificate in 1741 and was active until around 1760, Jean-Baptiste II, born around 1720, was not a master cabinetmaker but a master furniture maker and haberdasher […]

Secretary LXVI stamped Martin Carlin

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period lady's writing desk stamped by Martin Carlin JME. The frame is solid oak, with the fall front and lower door made of softwood. The exterior is entirely veneered with Honduran mahogany, except for the upper edge, which is embellished with a thin strip of amaranth. The interiors are veneered with rosewood, amaranth, and stringing of boxwood and ebony. Of particular interest: the upper interior compartment has never been restored and retains its original finish, a magnificent polish that has preserved the […]

Marquises stamped C.SENE

Ebénisterie Mathieu Vath

Conservation work for these two marquise chairs, stamped by Claude I Sené. Claude I Sené (1724-1792), son of Jean Sené, obtained his master craftsman's certificate in 1743 in Paris and worked in the same workshop as his brother-in-law, the cabinetmaker Jean-Etienne Saint-Georges, on the rue de Cléry, under the sign "du Grand Saint-Georges." His output includes numerous Louis XV chairs but very few Louis XVI pieces. Claude Sené ceased practicing his trade in 1780. He was the father of two other illustrious chair makers, Jean-Baptiste Claude and Claude […]

Regency chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Regency commode veneered in rosewood and palisander. The commode arrived in very poor condition; the joints were completely detached, there was significant veneer loss, major structural deformations on the sides, and a patina heavily soiled by multiple layers of dark wax. The bronze mounts and locks had been added during a 19th-century restoration. A standard restoration for this type of furniture was carried out; the sides and joints were re-glued as best as possible, and the missing veneer was […]

Esterházy Chest of Drawers

Ebénisterie Mathieu Vath

Restoration of this unusual piece of furniture from Austria/Hungary. I must admit I had some difficulty placing it geographically. It was clear that it wasn't from France but rather from Eastern Europe. But where? Fortunately, engravings provide valuable clues; the clothing depicted corresponds well to the late 17th and early 18th centuries. The landscapes consist of mountains and villages; the vegetation is composed of deciduous and coniferous trees, and several medieval castle ruins can be seen. […]

Napoleon III worker

Ebénisterie Mathieu Vath

Restoration of a Napoleon III period sewing table inlaid with mother-of-pearl, brass, and ebony. As you can see from the photos, this sewing table was in very poor condition. Only the affection and sentimental value of its owner saved it. Indeed, the time required for the restoration of this table was far too great compared to the object's value. Almost all of the brass inlay on the base was missing, there was a lot of missing veneer, and there was a […]

Empire Gueridon

Ebénisterie Mathieu Vath

Restoration of an Empire-style mahogany burl veneer pedestal table. It was in rather poor condition upon arrival at the workshop; the bronze mounts were heavily soiled, there was significant structural delamination, and veneer was missing. The restoration therefore consisted of re-gluing the structural elements and the veneer. This operation was carried out under vacuum with the injection of a penetrating adhesive for the upper apron and the central shaft. The few old grafts, which had been done with the grain running in the wrong direction, were removed and replaced with a matching veneer […]

Directoire cylinder desk

Ebénisterie Mathieu Vath

Restoration of a late 18th-century Directoire roll-top desk veneered in mahogany burl on all four sides. It bears the mark CD or GD, a mark unknown to me. Any information regarding it would be greatly appreciated! Constructed entirely of oak (not a single piece of poplar, not even for the drawer pulls or panels), the upper section opens with a cylinder, revealing four small drawers surmounted by a niche, as well as a sliding writing surface covered in gilt tooling and two side pull-outs also covered in gilt tooling […]

Mazarin Boulle Office

Ebénisterie Mathieu Vath

To end the year on a high note, here's a restoration that occupied a large part of my time this year and which reached its owner a few weeks ago. It's the restoration of an eight-legged writing desk, commonly known as a "Mazarin" desk. Constructed of solid oak and softwood, the sides and drawer bottoms are made of light walnut. The marquetry covering it consists of Caret tortoiseshell (Eretmochelys imbricata) on a vermilion red ground, and brass. All of this is framed by delicate ebony stringing. It is […]

Louis XVI commode

Ebénisterie Mathieu Vath

This week, we're restoring a Louis XVI commode with a projecting front, veneered in Rio rosewood, amaranth, and violet wood, with marquetry stringing in boxwood and ebony forming a ribbon wrapped around the wood, the background of the engravings filled with red wax. The tapered legs and canted uprights have faux fluting in ebony and boxwood. There's no maker's mark to attribute this beautiful piece and the high quality of wood chosen for its construction. Regarding the restoration, the work isn't very […]

Eight-foot desk known as the "Mazarin" desk«

Ebénisterie Mathieu Vath

Extensive restoration work has been undertaken on this Mazarin desk, veneered in kingwood and rosewood. It is entirely veneered on fir with a solid rosewood base. The top features a marquetry of rosewood stars surrounded by kingwood butterfly wings in circular patterns. Why the name "Mazarin"? The eight-legged desk is one of the jewels of 17th-century furniture. It only acquired the name "Mazarin" from antique dealers in the 19th century to give it a more prestigious name.

Louis XV style desk

Ebénisterie Mathieu Vath

A major restoration was undertaken for this small Louis XV style desk, richly adorned with bronze mounts and veneered in rosewood. The restoration involved replacing the missing veneer while preserving as much of the remaining material as possible. This was achieved by using veneer that was sliced, scraped, sanded, oxidized, and varnished before being re-glued, thus avoiding the need to sand the piece before finishing. Rosewood is a very dark wood that lightens with age, developing a beautiful reddish patina that cannot be removed by any means.

Regency chest of drawers

Ebénisterie Mathieu Vath

Originating in the late 17th century but only acquiring its name in the early 18th century, this is the first classic model of a commode. Although typically Louis XIV in style, it may not have existed before the Regency period. With rounded corner pilasters with slightly convex faces, deep copper fluting, veneer, and geometric bronze mounts, it features three rows of drawers. It perpetuates the spirit of Louis XIV furniture throughout much of the 18th century. Bibliography: Furniture […]

Louis XV style flat desk

Ebénisterie Mathieu Vath

A second life for this Louis XV style desk veneered in Rio rosewood (Dabergia niera) and African mahogany (khaya). Besides the construction and visible tool marks, dating this desk is greatly facilitated by the presence of this African mahogany. Indeed, it was from the late 19th century that this type of mahogany began to arrive from the west coast of Africa and became prevalent in all furniture production at the beginning of the 20th century. The restoration consisted of re-gluing the structure […]

Louis XVI Powder Box/Writing Table

Ebénisterie Mathieu Vath

The dressing table, sometimes called a powder table, can be defined as a vanity unit in the form of a table or a small writing desk with drawers. Around 1730, shortly after the commode, this new type of furniture, often richly inlaid or veneered with precious woods, appeared in French furniture. This rather atypical powder table has the unique feature of also serving as a writing desk, or at least a desk for writing. Its four legs are made of solid mahogany, and the stretchers are also veneered in mahogany. The four surfaces are […]

Louis XVI commode stamped JA LECLERE

Ebénisterie Mathieu Vath

Jacques-Antoine Leclere (1744 – January 30, 1792) obtained his master craftsman's certificate in Paris on September 29, 1779. He worked on the rue du Faubourg-Saint-Antoine, then on the rue des Barres, and finally in the courtyard of the Jewish Quarter, a stone's throw from the Bastille. This cabinetmaker produced well-made Louis XV and Louis XVI pieces. He used rosewood, satinwood, mahogany, and also lacquer panels. His stamp can be found on secretaries, chests of drawers, and various small pieces of furniture. For example, a pair of Louis XVI half-moon commodes veneered […]

Transitional chest of drawers stamped A. HERICOURT

Ebénisterie Mathieu Vath

Congratulations to Arnaud for the restoration of this Transition period commode veneered in rosewood, amaranth, and satinwood for the sides, and green-stained maple for the stringing. The frame is made of oak and softwood. Antoine Héricourt (c. 1730–1792) obtained his master craftsman's certificate on October 20, 1773, after working for several years as a journeyman in the Faubourg Saint-Antoine. After obtaining his certificate, he settled on the rue du Faubourg Saint-Honoré and became a representative of his guild, then a syndic. His extensive production was highly prized by a French clientele and […]

Louis XVI Molitor Console

Ebénisterie Mathieu Vath

Restoration of a Louis XVI console table (1790-1795) stamped by Bernard Molitor. The structure is made of oak and solid mahogany for the legs. The panels of the lower shelf are beech. It is veneered with mahogany burl and ebony and brass stringing. Originally from Luxembourg, Bernard Molitor (1755 – November 17, 1833) obtained his master craftsman's certificate in Paris on October 26, 1787. He arrived in Paris in 1776 and worked in a small workshop located in the Arsenal district. It was after obtaining his master's certificate that he established himself on the rue de Bourbon-Saint-Germain. The austerity […]

Prie-Dieu

Ebénisterie Mathieu Vath

A first contact and a truly beautiful job by Rachèle on the restoration of this walnut prie-dieu dating from the late 19th century. The project was quite daunting. Left abandoned for years, it had been ravaged by wood-boring insects. The first task was to treat the piece with anoxic agents for 21 days. Then, as nothing was holding together anymore, each element was disassembled, which wasn't too difficult, and then glued back together […]

Transitional chest of drawers stamped LARDIN

Ebénisterie Mathieu Vath

Restoration of a Transition period commode built of fir and oak and veneered with rosewood, framed with stringing of white hornbeam and green-stained wood, with a satinwood band surrounded by amaranth. The central medallion is satinwood veneer assembled in a herringbone pattern. The maker's mark and the JME (Journée des Métiers d'Étranger) are located at the base of the left rear leg. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on the rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, the date […]

Empire Dressing Table

Ebénisterie Mathieu Vath

A beautiful restoration and, above all, conservation effort has been undertaken on this lovely Empire-period dressing table. Its frame is made of oak and poplar, veneered with mahogany burl. The drawer sides and bottoms are solid mahogany. It rests on four column legs ending in casters and joined by an H-shaped stretcher. The frieze opens with a drawer revealing a writing surface lined with blue morocco leather, a pen case, and two compartments for inkwells, as well as two large drawers on either side for essentials […]

Barber shop Louis XVI/Directory

Ebénisterie Mathieu Vath

This elegant mahogany-veneered shaving cabinet from the late 18th century rests on four tapered legs with casters and opens with three drawers in the front. The niche, with its blue Turquin marble top framed by fluted columns, is surmounted by two side drawers and a sliding marble shelf with a recessed panel that reveals a sliding mirror on a rack and pinion mechanism, pivoting and framed with ebony and brass stringing. Appearing during the reign of Louis XVI, this style of shaving cabinet is a toilet unit designed to hold a porcelain pitcher and basin […]

Mahogany games table, late 18th - early 19th century

Ebénisterie Mathieu Vath

96 x W 47.5 x H 74 cm. Open: 96 x 95.5 cm. Restoration of a games table with a folding top veneered in burr mahogany, commonly known as Cuban mahogany. In fact, according to the recent book "L'essence du bois" (The Essence of Wood) by Patrick George, Emmanuel Maurin, and Marie-Christine Troujy-Jaquemet, it seems more accurate to call this type of mahogany Saint-Domingue mahogany. The base is veneered in solid oak, and the top in poplar. The moldings are solid mahogany. The table rests on legs […]

Majorelle table and rosewood

Ebénisterie Mathieu Vath

This is the second time I've had the opportunity to work on this type of table, made by Louis Majorelle's workshop in the 1920s and 30s. You can find all the information about this type of table at the following link: https://ebenisterie-mathieuvath.fr/2019/08/29/table-majorelle/ As for the restoration, it's more of a preventative measure. Indeed, there's no major damage; a few veneer grafts and re-gluing a large portion of the edge veneer were enough to restore this lovely Rio rosewood-veneered table. An opportunity for me […]

Empire Pedestal

Restoration of a walnut (for the legs and frame) and flame mahogany veneer pedestal table. It rests on three column-shaped uprights, surmounted by a circular black veined marble top adorned with bronze rings. The restoration involved tightening the cracked base, re-gluing the edge veneers, and adding some veneer grafts. The columns, which were heavily infested with wood-boring insects, were stripped and then treated with static anoxia. Static anoxia is an insecticidal treatment that works by depriving the body of oxygen, having […]

Regency commode stamped J.BIRCKLE

Ebénisterie Mathieu VATH

Restoration of a chest of drawers veneered in Rio rosewood and satinwood stringing. It has two large drawers and two small ones in the upper section. Its frame is made of oak and fir. It is stamped J.BIRKLE on the left upright and also bears the mark JME. It shows some signs of restoration and an ink mark on one side of a drawer. Jacques Bircklé (1734-1803) – Cabinetmaker – master craftsman obtained on July 30, 1764. One of the suppliers to the Royal Furniture Repository under Louis XVI. Freelance craftsman before […]

Louis XV commode

Ebénisterie Mathieu VATH

The commode with a jumping habit seems to have been invented during the Regency period, between 1705 and 1730, by the cabinetmaker Charles Cressent, and subsequently became widespread in the Louis XV style. It consists of only two drawers or two rows of drawers. The body must be raised on cabriole legs of about half height, with the body occupying half the height of the piece and the other half the legs. The observer thus has the impression that the piece has legs allowing it to jump like a frog. The width offers straight, curved, or […]

Louis XVI/Directory Secretary

Antiquités Guin

Restoration of a drop-front secretary desk built in oak and veneered with mottled mahogany and mahogany from Saint-Domingue. Its design dates from the late 18th century. Its white Carrara marble top is surrounded by a partially openwork brass gallery. It opens with a drawer at the top, a drop-front in the middle, and three drawers at the bottom; all the original locks are secured with a clover-shaped key. All the panels on the front and sides are framed with brass quarter-round moldings. The drop-front is veneered in mahogany […]

Empire secretary with quiver

Ebénisterie Mathieu VATH

You remember the Empire chest of drawers with the quivers. Well, here is the secretary desk with the quivers. It is built in exactly the same way as the chest: same construction, same solid woods used, and same mahogany veneers. As for the restoration, it is identical to that of the chest of drawers. The aim is to preserve as much as possible and restore the piece of furniture to its original function without altering its history. The work therefore consisted of reattaching the structure and the few detached veneer elements. And to […]

Empire Chest of Drawers with Quivers

Ebénisterie Mathieu VATH

This week, here are some photos of the restoration of this Empire-style chest of drawers veneered in mahogany burl. This chest is truly unique due to the quality and originality of its bronze mounts. Indeed, they form quivers along with the side columns. The keyhole escutcheons are composed of two crossed laurel branches held together by a ribbon. Originally, they were mercury-gilded, as can be seen from the gilding stains on the back. Unfortunately, only a few partial traces remain on the front […]

Small Boulle marquetry cartel clock

Ebénisterie Mathieu VATH

Restoration of a Napoleon III period marquetry clock in brown tortoiseshell on a black ground and brass. Despite dust, oxidation, and years spent in the depths of an attic, this small clock is in very good condition. Except for a missing piece of brass on the right side of the capital, it is complete. The gilding is still clearly visible beneath the layer of grime, and the structure is in perfect condition. The restoration was therefore straightforward: re-gluing all the marquetry under vacuum, then a light cleaning, and a varnishing with […]

Hedouin commode with crowned C

Ebénisterie Mathieu VATH

Extensive restoration of this superb Louis XV period commode, stamped on all four uprights by Jean-Baptiste Hedouin. The frame and drawers are constructed of solid oak, fir, and walnut. The edges of the frieze and geometric marquetry in violet wood are veneered with satinwood. Two types of violet wood are visible: one with a very tight grain and veining for the lozenges, and a second, more intricate type for the marquetry edges, uprights, and rails. The […]