Regency chest of drawers with crossbow

Ebénisterie Mathieu Vath

Conservation work on this Regency period commode. It is distinguished by its serpentine shape and its rosewood veneer, adorned with gilt bronze mounts, on an oak and softwood frame. Our first task was to stabilize the veneered surfaces by injecting protein-based adhesive. Next, the gaps were filled with grafts of new rosewood, sawn, scraped, and sanded. These grafts, then French polished, were allowed to oxidize naturally under UV light. Finally, we prepared them to the correct thickness on the backing and then glued them in place with hot glue. […]

Doll's Head Clock by Baltazard Martinot

Ebénisterie Mathieu Vath

For our first project of the year, we needed to stabilize, consolidate, and restore the clock, while preserving its finish and harmonizing the overall design. Above all, we wanted to preserve the history and identity of the object, without dismantling it in any way. A masterpiece of Parisian clockmaking from the Grand Siècle, this remarkable clock, known as a "doll's head" clock, exemplifies Parisian clockmaking of the late 17th century, during the reign of Louis XIV. Its form is architecturally structured: a circular body, flanked by projections, supports a rich crown of gilt bronze. Indeed, this type appeared around 1670-1680 […]

Regency commode in sarcophagus form

Ebénisterie Mathieu Vath

Minor restoration was required for this Regency commode, known as a "sarcophagus commode." Indeed, a few veneer repairs and a refinishing of the varnish were enough to restore its former glory. The sarcophagus commode? The first commodes were designed by André-Charles Boulle. Then, a few years later, during the Regency period, commodes with curved sides and tops appeared. Throughout the 18th century, they were known as "Regency-style" commodes. Similarly, it wasn't until 1720 that commodes with two rows of drawers reappeared.

Regency commode with faun and lion masks

Ebénisterie Mathieu Vath

Restoration is complete for this important and rare Regency period commode, known as a "tomb-shaped" commode, a "Regency-style" commode, or a "moustache" commode. Curved on all sides, it features four drawers in three rows. It is topped with Vieux Rance marble from Belgium. It's worth noting that at the beginning of the 18th century, Rance was a French village. Molded in a corbel shape, the marble follows its contours. Veneered entirely in kingwood, this wide commode is enlivened by its powerful curves. Furthermore, brass fluting adorns the front and sides. Most notably, it bears […]

Regency Cartel

Ebénisterie Mathieu Vath

Restoration of a Regency clock case in Boulle marquetry on a brown tortoiseshell background. Since Antiquity, humankind has sought to master time and create a "timekeeper." Egyptian obelisks, water clocks, sundials, hourglasses. But it was in the 15th century that the first mechanical weight-driven clocks were made, with a single hand, but generally equipped with striking mechanisms. In the 16th century, the two-hour day, instead of 24, was adopted almost everywhere. Each city, however, retained its own meridian time until the advent of railways and […]

Louis XV secretary stamped C.Chevallier

Ebénisterie Mathieu Vath

Restoration of a Louis XV period drop-front secretary, also known as a cabinet, stamped by Charles Chevalier, with curved sides and a front without an intermediate rail. Constructed of oak and softwood, it is veneered with marquetry of maple, boxwood, blue-stained maple, holly, hornbeam, and barberry on a rosewood ground framed by violet wood. The drop-front opens with its original three-point lock, revealing a compartment containing seven shelves in four rows and four drawers. The whole contains […]

Directoire Commode

Ebénisterie Mathieu Vath

Restoration of a curious Directoire commode in solid walnut and walnut, mahogany, and maple veneer, featuring marquetry of a Medici vase and a Louis XIV-inspired ballet dancer, in brass on an ebony ground. The drawers have walnut bottoms with an ebony stringing surmounted by a quarter-round brass and wood molding, surrounded by a mahogany molding. The uprights are three-quarter-fluted columns terminating in toupie feet. The locks are in the shape of trefoils. A conservation project for this […]

Transitional chest of drawers stamped SAUNIER

Ebénisterie Mathieu Vath

Restoration of a Transition-style two-door commode, inlaid with bottomless cube marquetry. Its frame combines oak for the uprights and rails, softwood for the side panels, and walnut for the two doors. The bottomless cubes themselves blend rosewood, violet wood, and tobacco-stained maple. Furthermore, a green-stained maple and boxwood inset borders the entire piece. In addition, the uprights and door frames are veneered with violet wood and rosewood. The […]

Louis XIV commode

Ebénisterie Mathieu Vath

Restoration of a Louis XIV period commode veneered in olive burl, ash, and walnut, likely from the Dauphiné region. This type of D-shaped commode, along with the Mazarine commode, is among the very first commodes popularized under Louis XIV. The first French furniture resembling the commode did not appear until around 1700. The oldest known and datable Parisian commodes are those delivered by André-Charles Boulle to Versailles around 1708. Their very simple decorations are inspired by Dutch designs. They are often the work of Protestant cabinetmakers, who were very fond of […]

RELIGIOUS CLOCK, Sarrabat Paris

Ebénisterie Mathieu Vath

Restoration of a "religious" clock from the third quarter of the 17th century, which chimes on the hours and half-hours. The dial and movement are signed "Sarrabat à Paris." Religious clocks were among the first clocks produced during the reign of the Sun King. Indeed, their use developed from 1660 onwards, thanks to the regulator pendulum developed by Huygens. This particular clock features Boulle marquetry of red tortoiseshell, brass, and pewter, set on a walnut frame. It is further adorned with gilt bronze mounts and ebony moldings. Thus, […]

Regency chest of drawers stamped ID

Ebénisterie Mathieu Vath

Restoration of a Regency commode, veneered in rosewood on a conifer frame. It was only after three weeks of work that I noticed a strange mark. It had been right in front of me from the start, and I hadn't seen it. It is indeed quite rare to see a stamped Regency commode. But yes, the mark was definitely there. And it's not a modest one: this ID stamp is attributed to Jacques Denizot. Jacques Denizot (1684–1760) was a Parisian cabinetmaker who remains relatively unknown. […]

Louis XIV commode

Ebénisterie Mathieu Vath

Restoration of a Louis XIV commode constructed of fir and Rio rosewood veneer. The front is slightly convex, as are the uprights and rails. It features brass fluting. The remarkably crafted varnished bronze mounts have retained their original varnish. The restoration consisted of rehydrating all veneered surfaces by infiltrating glue. Missing areas were filled with rosewood veneers that were sawn, scraped, sanded, cut to the correct thickness as a backing, and UV-oxidized before being glued with hot glue. As you can see on […]

Mazarine Chest of Drawers

Ebénisterie Mathieu Vath

Restoration of a Louis XIV period commode, known as a Mazarine commode, veneered in brass and ebony on a softwood frame. Its drawers are serpentine: two full-length drawers surmounted by two half-drawers separated by an intermediate stile. Their fronts are made of softwood, their sides and bottoms of walnut. The brass decoration supporting the pendant handles features fine marquetry of scrolls, foliage, foliage, and arabesques. A geometric brass cartouche frames it and simulates keyhole escutcheons. The commode rests on four supports with […]

Louis XVI commode stamped JB.Tuart

Ebénisterie Mathieu Vath

Here is a very pretty Louis XVI period commode, veneered in rosewood and amaranth, with marquetry of boxwood, pearwood, maple, hornbeam, walnut, blackened pearwood, lemonwood… It is built of oak and softwood. It is stamped twice with the mark of Jean-Baptiste II TUART. But its maker is probably Jean LAPIE. Jean-Baptiste II Tuart came from a dynasty of Parisian cabinetmakers and merchants. His father, Jean-Baptiste I, obtained his master craftsman's certificate in 1741 and remained active until around 1760. Born around 1720, Jean-Baptiste II was not a master cabinetmaker, but a master woodworker […]

Regency chest of drawers

Ebénisterie Mathieu Vath

Originating in the late 17th century but only acquiring its name in the early 18th century, this is the first classic model of a commode. Although typically Louis XIV in style, it may not have existed before the Regency period. With rounded corner pilasters with slightly convex faces, deep copper fluting, veneer, and geometric bronze mounts, it features three rows of drawers. It perpetuates the spirit of Louis XIV furniture throughout much of the 18th century. Bibliography: Furniture […]

Transitional dresser

Ebénisterie Mathieu Vath

Restoration of a transitional period commode with a projecting front, veneered in rosewood and palisander. The Greek key-patterned moldings, stained green, are made of hornbeam, and the front features a butterfly wing design. It opens with two large drawers with concealed crossbars, and three drawers in an upper row. The uprights, with simulated fluting, are veneered in ebony and boxwood. It rests on four cabriole legs adorned with hoof-shaped feet. Over the centuries, its structure has […]

Transition cylinder desk

A few years ago, I had the pleasure of restoring this magnificent Transition period (1780) roll-top desk. Its frame is made of oak and fir. Most notably, it is veneered with rosewood, arranged in a butterfly pattern on the fall front. Around this, a delicate border of boxwood and green-stained hornbeam stringing is edged with a narrow band of amaranth. The back is veneered in satinwood. Finally, the central marquetry, on a tobacco-stained sycamore background, depicts musical instruments. Two doves are flying above, a musical score within […]

Transitional chest of drawers stamped LARDIN

Ebénisterie Mathieu Vath

Restoration of a Transition period commode, constructed of fir and oak and veneered with rosewood. It is framed by hornbeam stringing, white and green-stained, with a satinwood band edged in amaranth. The central medallion is made of satinwood veneer assembled in a herringbone pattern. The maker's mark and the JME (Journée des Métiers d'Art) are located at the base of the left rear leg. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750. He established himself on the rue de Charenton, at the sign "Au Bois de Boulogne," and worked there until 1770. He then moved […]

Empire Dressing Table

Ebénisterie Mathieu Vath

A beautiful restoration and, above all, conservation effort has been undertaken on this lovely Empire-period dressing table. Its frame is made of oak and poplar, veneered with mahogany burl. The drawer sides and bottoms are solid mahogany. It rests on four column legs ending in casters and joined by an H-shaped stretcher. The frieze opens with a central drawer, revealing a writing surface lined with blue morocco leather, a pen case, and two compartments for inkwells. Two large drawers on either side hold toiletries. […]

Table à la Tronchin

Ebénisterie Mathieu Vath

A little refresh for this lovely Tronchin-style table. Apart from a missing molding and a few small areas of missing veneer on the legs, nothing serious. A fresh coat of varnish was all it took to give it a new lease on life. But do you know where this type of table comes from, and what it was used for? This table owes its name to Théodore Tronchin (1709-1781), a Genevan physician. At the time, he published works on bone diseases caused by poor posture at the desk. He praised […]

Majorelle table and rosewood

Ebénisterie Mathieu Vath

This is the second time I've worked on this type of table, which came from Louis Majorelle's workshop in the 1920s or 30s. You can find all the information about this type of table at the following link: https://ebenisterie-mathieuvath.fr/2019/08/29/table-majorelle/ It's primarily a preventative restoration. In fact, there wasn't any major damage. So, a few grafts and re-gluing a large part of the edge veneer were enough to restore this lovely Rio rosewood table. This is therefore an opportunity to tell you about this wood, which is so […]

Louis XVI/Directory Secretary

Antiquités Guin

Restoration of a drop-front secretary desk with an oak frame, veneered in mottled mahogany and Santo Domingo mahogany. It likely dates from the late 18th century. Its white Carrara marble top is surrounded by a partially openwork brass gallery. It opens with a drawer at the top, a drop-front in the middle, and three drawers at the bottom. All the original locks are secured with a cloverleaf key. Furthermore, brass quarter-round moldings frame all the panels, both on the front and sides. The drop-front is veneered in mottled mahogany […]

Empire Chest of Drawers with Quivers

Ebénisterie Mathieu VATH

This week, here are some photos of the restoration of this Empire-style chest of drawers veneered in mahogany burl. Its originality lies primarily in the quality of its bronze mounts. Indeed, together with the side columns, they form quivers. Furthermore, the keyhole escutcheons feature two crossed laurel branches tied with a ribbon. Originally, the bronze mounts were mercury-gilded, as evidenced by the gilding stains on the back. Unfortunately, only a few traces remain on the visible surface. Moreover, it is all the more unique because I must […]

Napoleon III wall shelf

Ebénisterie Mathieu VATH

Restoration of a Napoleon III period wall shelf veneered in blackened pearwood, rosewood, amaranth, amboyna burl, and marquetry with a music theme. Underneath the dust, aside from small losses in the blackened pearwood and rosewood, and slight dehydration, there was nothing too serious. A few veneer grafts, a vacuum-sealed glue application, a thorough cleaning, a coat of clear French polish, and voilà! All this without using sandpaper. Except for lightly sanding the varnish […]

Hedouin commode with crowned C

Ebénisterie Mathieu VATH

Extensive restoration of this superb Louis XV period commode, stamped on all four uprights by Jean-Baptiste Hedouin. The frame and drawers are made of solid oak, fir, and walnut. It is veneered with satinwood for the frieze edges and features geometric marquetry in violet wood. Two types of violet wood are used: one with a very tight grain and veining for the lozenges, the other more intricate for the borders, uprights, and rails. The gray Ardennes marble is molded and shaped into the forms […]

Transitional dresser

Ebénisterie Mathieu VATH

Here is a very simple commode from eastern France, probably dating from the late 18th century. Its front is slightly curved and its uprights are chamfered. The bronze mounts are probably not original. The frame is made of solid softwood, the uprights of oak. The drawer bottoms are set in a rebate and slide on the drawer fronts, which is typical of provincial work. A small unusual feature: the commode has no top panel; the marble slab rests directly on the frame. At the level of […]

Napoleon III style Louis XVI work table

Ebénisterie Mathieu VATH

Here are some photos of the restoration of a small Louis XVI style work table from the late 19th century. Its legs are made of solid mahogany. Furthermore, its veneer combines rosewood and sapele, with blackened pearwood and boxwood for the fluting and stringing. Nothing too serious for this pretty little piece of furniture: just a few missing veneer patches and a small chip on the oak side of the drawer. A simple restoration: a few veneer grafts glued in place […]