Wedding wardrobe from Bayeux with swans

Ebénisterie Mathieu Vath

Lightening the finish on a Bayeux wedding armoire. It is distinguished by its motifs of swans, figures, and hunting and musical attributes. Made of quarter-sawn oak, also known as "merrain," it comes from the Caen plain and dates from the first half of the 19th century. We lightened the wax finish to remove the multiple layers of tinted wax that darkened the entire piece. This work revealed the magnificent honey-blond hue of the oak and enhanced the exceptional carving of […]

Writing table stamped JF LELEU

Ebénisterie Mathieu Vath

Restauration d’une table à écrire Louis XVI estampillée de Jean François Leleu. Elle est entièrement bâtie en chêne. Sur toutes ses faces, elle est plaquée de croisillons d’érable teinté gris, avec des filets d’amarante, de buis et de bois noirci, et des fleurons en buis sur fond de bois de rose. Les quatre pieds sont ornementés d’un médaillon de feuille d’acanthe sur fond de sycomore teinté vert. Des clochettes agrémentent le haut et le bas du fleuron ainsi que le haut des pieds. Sur le plateau les croisillons sont concentrés […]

Louis XVI commode

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period commode from eastern France. It is made of solid oak and fir, veneered with end-grain laburnum, walnut, plum, amaranth, rosewood, palisander, boxwood, and green-stained hornbeam. The handles and keyhole escutcheons were added later. Indeed, the original fittings have disappeared: only the handle holes remain. This is a piece of furniture that has never been restored. Moreover, the veneer is almost 4 mm thick in places. Furthermore, one can see […]

Hedouin commode with crowned C

Ebénisterie Mathieu VATH

Extensive restoration of this superb Louis XV period commode, stamped on all four uprights by Jean-Baptiste Hedouin. The frame and drawers are made of solid oak, fir, and walnut. It is veneered with satinwood for the frieze edges and features geometric marquetry in violet wood. Two types of violet wood are used: one with a very tight grain and veining for the lozenges, the other more intricate for the borders, uprights, and rails. The gray Ardennes marble is molded and shaped into the forms […]

Louis XVI commode stamped JA BRUNS

Ebénisterie Mathieu VATH

This week marks the completion of the restoration of a Louis XVI commode stamped JA BRUNS. Its frame is oak, except for the side panels, backs, drawer fronts, and two drawer bottoms, which are made of softwood. It is veneered with rosewood in a butterfly pattern and amaranth for the edges. The false fluting is in boxwood and ebony. A green-stained maple fillet outlines the Greek key corners. A few satinwood additions from previous restorations are visible. The marble top is Sainte-Anne gray. This commode […]

Label signed "Louis David Carré in Paris"«

Ebénisterie Mathieu VATH

After several weeks of work, the restoration of this clock is finally complete. It is a Louis XV period clock in brown tortoiseshell and brass marquetry, with rosewood restorations. The dial is by Louis David Carré, nephew of Julien Le Roy, who became a master craftsman on December 31, 1748. Lodged at the Louvre from 1744, he was elected a juror in 1775. The greatest treasure of this clock lies in its bronze mounts. They are truly magnificent, and above all, they are in very good condition. There is only […]

Louis XV slant-front desk

Ebénisterie Mathieu VATH

The restoration of a lovely slant-front desk, or as Riesener calls it in his memoirs, a "tomb-shaped secretary," began two weeks ago. Now that the restoration phase is complete and the varnishing has begun, I'm taking a moment to provide a brief summary. Description of the desk: Its frame is made of oak and fir, veneered with rosewood and violet wood. Furthermore, the drop-front features floral marquetry in boxwood, natural and stained maple, and hornbeam. In addition, the desk has a large drawer made of […]

Louis XV corner cabinet, stamped JM CHEVALLIER

Ebénisterie Mathieu VATH

Here is a corner cabinet stamped by Jean-Mathieu Chevallier. It is made of solid oak, veneered with rosewood and violet wood, with a boxwood inlay. Jean-Mathieu Chevallier was already established on Rue de Grenelle, under the sign of "La Croix Chevallier," when he received his master craftsman's certificate in 1743. He subsequently expanded his business considerably. He was notably in business with André-Charles Boulle, one of the sons of the famous cabinetmaker. Furthermore, he participated in furnishing the Hôtel du Duc de Talmont and the Château de […]