Boulle Dubois Cartel
Restoration of a Louis XV period brown tortoiseshell Boulle Dubois cartel clock, the dial of which bears an engraving with the monogram of Louis XV.
cartel
Louis XV Cartel
This is the first cartel clock restoration undertaken by Raphael, focusing on this Louis XV cartel clock in Boulle marquetry of brown tortoiseshell and brass. Restoring a cartel clock is a complex task requiring considerable time and meticulous attention to detail. The curved shapes make gluing delicate. Large sections of the brass elements generally need to be reattached. Condition report: This cartel clock presented widespread soiling, an oxidized and tarnished varnish, as well as several lifting and missing pieces in the brass and tortoiseshell marquetry. In addition, there were signs of detachment […]
Regency Cartel
The restoration of five Boulle marquetry clocks, begun a few months ago, is now complete. Here is a Regency clock and its console, inlaid with tortoiseshell and brass on an oak frame. Measuring Time: Since time immemorial, humankind has sought to measure time. First came the gnomon, a simple stick planted in the ground, the ancestor of the sundial. Then came the clepsydra, where water flows, and later the hourglass, based on the same principle. Through these methods, people organized their social, religious, and […]
Louis XV Cartel
We are continuing our series on cartel clocks, which began a few months ago. Here are some images of the restoration of this Louis XV cartel clock in brown tortoiseshell and brass marquetry on an oak frame. Condition report: The structure is in a state of significant deterioration, and re-gluing the joints appears necessary. All the marquetry is detached or shows signs of glue dehydration. Furthermore, the clock has been heavily sanded, which has resulted in the disappearance of all traces of engraving on the brass elements. […]
Regency tabletop sign
Restoration of a Boulle marquetry wall clock in brown tortoiseshell and brass, adorned with chased and gilded bronze mounts. It features a monumental rooster (royal emblem), a central mascaron with a satyr's head, caryatids, and two doves beneath a draped dome. The movement bears the signature GRIBELIN. Nicolas Gribelin, son of Abraham Gribelin, Valet de Chambre-Clockmaker to the King, was born in Blois on November 27, 1637. At the end of the 17th century, he was among the most renowned clockmakers of his time.
Regency Cartel
Minor restoration/conservation work was carried out on this lovely Regency clock signed by the Dumont brothers in Besançon. Some minor repairs and replacements of missing brass and flakes were performed before the shellac finish was applied. The bronze mounts were removed and steam cleaned before being reattached.
Louis XV cartel clock stamped by Duhamel and Lamy, clockmakers to Monseigneur the Dauphin
Restoration of an 18th-century Louis XV period cartel clock, finished in Martin varnish with a red lacquer background and polychrome oil-painted decoration. François Duhamel crafted the case. The movement bears the signature of Michel Lamy, clockmaker to the Dauphin. François Duhamel, a Parisian cabinetmaker, was born in 1723 and received his master's certificate on February 3, 1750. He lived until February 2, 1801. He resided on the rue du Faubourg-Saint-Antoine and specialized in clock cases. Thus, in 1775, after the death of his colleague Antoine Foullet, who specialized in […]
Regency tabletop sign
Restoration of a Regency mantel clock in brown tortoiseshell and brass marquetry on an oak frame. Without its bronze mounts, this type of furniture loses its splendor. When it is restored to its original fittings, its symbols take on their full meaning, as its function is to tell the time. The Fame on the escapement and the eagle on the door are perfect examples. Originally, Fame was a Greek goddess who personified public reputation. The Greeks called her Pheme (Φήμη), the Romans Fama. Daughter of Gaia, this […]
Regency Cartel signed Clément Fiacre Paris
Restoration of a cartel clock in red tortoiseshell and brass marquetry. The movement is stamped by Clément Fiacre in Paris. Clément Fiacre, one of the most important clockmakers of his time, received his master's certificate on January 16, 1714. He settled in Paris and quickly gained renown. Established on Rue Saint-Denis around the mid-1740s, he created his work in the Regency style, where wood was richly worked, notably through tortoiseshell and brass marquetry. He also produced veneers in rosewood, amaranth, and other woods.
Regency Cartel
Restoration of a Regency clock case in Boulle marquetry on a brown tortoiseshell background. Since Antiquity, humankind has sought to master time and create a "timekeeper." Egyptian obelisks, water clocks, sundials, hourglasses. But it was in the 15th century that the first mechanical weight-driven clocks were made, with a single hand, but generally equipped with striking mechanisms. In the 16th century, the two-hour day, instead of 24, was adopted almost everywhere. Each city, however, retained its own meridian time until the advent of railways and […]
Louis XV cartel clock with crowned C
Restoration of a Louis XV cartel clock in tortoiseshell and brass marquetry. Its movement is signed Charles Voisin (1686-1760), master clockmaker in 1710. A distinctive feature of this clock is that its bronze mounts bear the mark of a crowned C. The crowned C: An edict of 1745 required bronze workers to mark their pieces with a small, distinctive letter: a C surmounted by a crown. They were thus required to pay a tax. This tax applied to both objects and furniture adorned with bronze. This mark therefore proves the payment of a tax on bronzes and […]
Louis XV cartel clock signed Lévêque in Paris
Restoration of a Louis XV period cartel clock signed LEVEQUE A PARIS with its original movement. The surprise: this cartel clock is made of mahogany. As curious as it may seem, the tool marks, the quality of the workmanship, and the wood appear entirely authentic. With its shape and rocaille bronze mounts typical of the Louis XV style, it would therefore date from the second half of the 18th century. It would thus be a precursor to the arrival of mahogany in French furniture. The restoration consisted of removing the bronze mounts and […]
Regency Cartel
Here are some images of the restoration of a Regency period cartel clock in brown tortoiseshell and brass marquetry on an oak frame. The movement is signed CLOUZIER A PARIS. Jacques Clouzier (1692-1754) was admitted as a master watchmaker by presentation of his masterpiece on July 5, 1692. He is among the greatest Parisian watchmakers of the Louis XIV and Regency periods. He became a member of the watchmakers' guild in the 1700s. He worked on Rue Saint-Antoine until 1726, then on Rue des Prêtres-Saint-Paul. Active until his death in 1754, he collaborated with the greatest cabinetmakers and bronze workers, such as […]
Regency Cartel
Restoration of a large cartel clock (137 cm high) and its bracketed base, from the Regency period. Made of solid oak, it is veneered with Boulle marquetry of brown tortoiseshell and brass. It is further adorned with floral garlands, crosshatching, and foliage. Its chased and gilded bronze dial features interlacing patterns and birds. The Roman numerals are enameled, and a reserve bears the signature St Martin à Paris. The clock plate also bears the same name. Finally, on the capital, chased and gilded bronzes depict […]
Louis XV cartel clock with crowned C
Here are some images of the restoration of a clock case that some may have glimpsed during the work at the Mans'Art fair this year. Dating from the Louis XV period, it is inlaid with tortoiseshell and brass on an oak frame. The bronze pieces bear the hallmark of the Crowned C. The Crowned C is a reference to an edict of 1745 that required bronze workers to mark their pieces with a small distinctive letter, a C surmounted by a crown, thus subjecting them to a tax. This tax applied to both objects and furniture that […]
Small Boulle marquetry cartel clock
Restoration of a Napoleon III period marquetry clock in brown tortoiseshell on a black ground and brass. Despite dust, oxidation, and years spent in the depths of an attic, this small clock is in very good condition. Except for a missing piece of brass on the right side of the capital, it is complete. The gilding is still clearly visible beneath the layer of grime, and the structure is in perfect condition. The restoration was therefore straightforward: re-gluing all the marquetry under vacuum, then a light cleaning, and a varnishing with […]
Label signed "Louis David Carré in Paris"«
After several weeks of work, the restoration of this clock is finally complete. It is a Louis XV period clock in brown tortoiseshell and brass marquetry, with rosewood restorations. The dial is by Louis David Carré, nephew of Julien Le Roy, who became a master craftsman on December 31, 1748. Lodged at the Louvre from 1744, he was elected a juror in 1775. The greatest treasure of this clock lies in its bronze mounts. They are truly magnificent, and above all, they are in very good condition. There is only […]
