Restoration. Conservation. Creation
Restoration of a small Louis XIV period walnut and violet wood veneer box. Repair of missing veneer, re-gluing of joints, and reconstruction of the drawer and missing interior elements. Polished wax finish. To see previous restorations: https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/
Here are some images of the restoration of a clock case that some of you may have seen during the work at the Mans'Art fair this year. This Louis XV period clock case is inlaid with tortoiseshell and brass, and the frame is oak. The bronze mounts bear the hallmark of the Crowned C. The Crowned C was established by an edict of 1745, which required bronze workers to mark their pieces with a small distinctive letter, a C surmounted by a crown, thus subjecting them to a tax. This tax applied to […]
Restoration of a Louis XV corner cabinet in marquetry of various woods (maple, hornbeam, boxwood, and holly). Except for the green leaves, the colors of some flowers and ribbons have faded. This marquetry is executed on a rosewood background framed by a boxwood stringing and a rosewood frieze. The frame of this corner cabinet is made of solid oak assembled with dovetail joints. Condition report: As you can see in the following photos, the surface of the varnish was heavily sun-faded, the glues of the marquetry on the doors were in […]
Restoration of a late 18th-century games table (circa 1785) veneered in mahogany burl and inlaid with brass stringing, ebony, and Ferréol (a South American wood named after a 17th-century governor of Guyana). The legs are solid mahogany, and the interior is veneered with ebony and bone dyed green and natural. The tabletop is partially covered in leather and partially veneered in mahogany burl. The interior features two niches, each with a drawer […]
Restoration of a Transitional period commode constructed of fir and oak and veneered with rosewood, violet wood, and a frieze of hornbeam stringing stained green in the Greek key pattern. The sides are veneered with satinwood and violet wood. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, when he moved to rue Saint Nicolas. His production is […]
Restoration of a Louis XIV period commode, known as a Mazarine commode, veneered in brass and ebony on a softwood frame. This commode features bow-shaped drawers, including two full-length drawers surmounted by two half-drawers separated by an intermediate stile. The fronts are made of softwood, while the sides and backs are walnut. The brass decoration supporting the pendant drawer pulls features a finely inlaid motif of scrolls, foliage, foliage, and arabesques, framed by a geometric brass cartouche and simulating keyhole escutcheons. It […]
This week I'm presenting a Louis XIV commode from the first half of the 18th century, veneered in Rio rosewood and adorned with chinoiserie bronze mounts. Height: 85.7 cm, Width: 125 cm, Depth: 60.5 cm. The frame is made of softwood, constructed from planks joined edge-to-edge. The sides, top, and bottom are dovetailed. The back is constructed from several planks nailed into the rebates of the sides. The drawer bottoms and sides are made of planks of […]
Here is a very pretty Louis XVI period commode veneered in rosewood and amaranth with marquetry of boxwood, pearwood, maple, hornbeam, walnut, blackened pearwood, lemonwood… It is built of oak and softwood. It is stamped twice with the mark of Jean-Baptiste II TUART. But its maker is probably Jean LAPIE. From a dynasty of Parisian cabinetmakers and merchants, whose father, Jean-Baptiste I, obtained his master's certificate in 1741 and was active until around 1760, Jean-Baptiste II, born around 1720, was not a master cabinetmaker but a master furniture maker and haberdasher […]
A little restoration for this Louis XVI jardinière in mottled mahogany veneer and solid mahogany for the feet. Simply regluing the joints, which had become slightly loose, restoring the varnish yellowed with age using a French polish, and re-gilding the bronze mounts were enough to give it a new lease on life. To see previous restorations: https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/
Restoration of a Louis XVI period lady's writing desk stamped by Martin Carlin JME. The frame is solid oak, with the fall front and lower door made of softwood. The exterior is entirely veneered with Honduran mahogany, except for the upper edge, which is embellished with a thin strip of amaranth. The interiors are veneered with rosewood, amaranth, and stringing of boxwood and ebony. Of particular interest: the upper interior compartment has never been restored and retains its original finish, a magnificent polish that has preserved the […]
Restoration of a Regency commode veneered in rosewood and palisander. The commode arrived in very poor condition; the joints were completely detached, there was significant veneer loss, major structural deformations on the sides, and a patina heavily soiled by multiple layers of dark wax. The bronze mounts and locks had been added during a 19th-century restoration. A standard restoration for this type of furniture was carried out; the sides and joints were re-glued as best as possible, and the missing veneer was […]
Restoration of this unusual piece of furniture from Austria/Hungary. I must admit I had some difficulty placing it geographically. It was clear that it wasn't from France but rather from Eastern Europe. But where? Fortunately, engravings provide valuable clues; the clothing depicted corresponds well to the late 17th and early 18th centuries. The landscapes consist of mountains and villages; the vegetation is composed of deciduous and coniferous trees, and several medieval castle ruins can be seen. […]
Restoration of a Napoleon III period sewing table inlaid with mother-of-pearl, brass, and ebony. As you can see from the photos, this sewing table was in very poor condition. Only the affection and sentimental value of its owner saved it. Indeed, the time required for the restoration of this table was far too great compared to the object's value. Almost all of the brass inlay on the base was missing, there was a lot of missing veneer, and there was a […]
Restoration of a late 18th-century Directoire roll-top desk veneered in mahogany burl on all four sides. It bears the mark CD or GD, a mark unknown to me. Any information regarding it would be greatly appreciated! Constructed entirely of oak (not a single piece of poplar, not even for the drawer pulls or panels), the upper section opens with a cylinder, revealing four small drawers surmounted by a niche, as well as a sliding writing surface covered in gilt tooling and two side pull-outs also covered in gilt tooling […]
To end the year on a high note, here's a restoration that occupied a large part of my time this year and which reached its owner a few weeks ago. It's the restoration of an eight-legged writing desk, commonly known as a "Mazarin" desk. Constructed of solid oak and softwood, the sides and drawer bottoms are made of light walnut. The marquetry covering it consists of Caret tortoiseshell (Eretmochelys imbricata) on a vermilion red ground, and brass. All of this is framed by delicate ebony stringing. It is […]
This week, we're restoring a Louis XVI commode with a projecting front, veneered in Rio rosewood, amaranth, and violet wood, with marquetry stringing in boxwood and ebony forming a ribbon wrapped around the wood, the background of the engravings filled with red wax. The tapered legs and canted uprights have faux fluting in ebony and boxwood. There's no maker's mark to attribute this beautiful piece and the high quality of wood chosen for its construction. Regarding the restoration, the work isn't very […]
A small restoration for this very pretty Louis XVI style inkwell, stamped L.CUENIERES jne. Louis Cueunières jeune, established at 10 rue Villehardouin in Paris in 1870, specialized in the restoration of antique furniture and the reproduction of period pieces. This inkwell was in fairly good condition. Apart from a few small pieces of missing ebony, it was simply dirty. A few ebony grafts, a good cleaning, and a touch-up of the varnish with a French polish were enough to restore its former luster. To see previous restorations: https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/ You can find this piece at […]
Originating in the late 17th century but only acquiring its name in the early 18th century, this is the first classic model of a commode. Although typically Louis XIV in style, it may not have existed before the Regency period. With rounded corner pilasters with slightly convex faces, deep copper fluting, veneer, and geometric bronze mounts, it features three rows of drawers. It perpetuates the spirit of Louis XIV furniture throughout much of the 18th century. Bibliography: Furniture […]
For a change of pace this week, a bit of what's called "rustic" furniture. It's a welcome change from veneer, and to be honest, it's not unpleasant. I'm even quite pleased to have this kind of piece to restore because, unfortunately, many of these pieces, having lost their market value, end up in the landfill or are simply burned. Moreover, these aren't pieces that require a huge amount of work. For this Louis Philippe two-part sideboard, the restoration consisted of replacing the chestnut planks […]
This slightly curved commode, composed of three drawers and veneered with bottomless cubes of walnut, plum, and cherry, has a marquetry top depicting a bouquet of flowers on an amaranth ground. Plum or Quetchier wood is easily recognizable by its sapwood markings, which create a lighter pattern and lend an irregularity to the decoration. The frame is made of fir and walnut. It is difficult to define a precise style for this commode. Although Louis XV, it clearly foreshadows the arrival of the style's more restrained appearance […]
Very fashionable at the end of the 18th century, the cabaret table, or cabaret table, is characterized by a raised, basin-shaped top. Its slightly concave shape with a raised rim all around allows for the safe serving of various beverages such as teas, hot chocolates, and other drinks. This model, similar to those made by the cabinetmaker Canabas, is made of solid mahogany from Saint-Domingue with metal reinforcement under the legs. The biggest problem, in fact, was with the legs; they wobbled in all directions. The […]
This week, a curious and very pretty Louis XV period slant-front secretary/desk in Boulle marquetry and rosewood. And yes, it wasn't only under Napoleon III that the reuse of Boulle marquetry was fashionable. In fact, Boulle marquetry continued to have admirers throughout the 18th century. It was from the 1750s onwards that the renewed interest was most pronounced. Prominent merchants, such as Lazare Duvaux, began selling them occasionally at considerable prices to prestigious clients, […]
This small chest of drawers has a classic form typical of the Regency period. Still bearing the hallmarks of Louis XIV, the front is curved, the front uprights are rounded, and the sides remain straight. It opens with three drawers. Its uprights and the intermediate rails are decorated with brass fluting. The frame is entirely made of fir; the intermediate panels are dovetailed into the sides, and the back is composed of horizontal planks held in place by rabbeted nails. The drawers are constructed of walnut […]
A few years ago, I had the opportunity to restore this magnificent Transition period (1780) roll-top desk. It is framed in oak and fir. The fall front is primarily veneered with rosewood laid in a paillon pattern, framed by a light stringing of boxwood and green-stained hornbeam, bordered by a thin band of amaranth. The back is veneered in satinwood. The central marquetry, on a tobacco-stained sycamore ground, depicts musical instruments and two doves taking flight, each carrying a musical score in its beak. This […]
A Napoleon III period side table with a quadrangular structure veneered in blackened pearwood, adorned with rich Boulle marquetry in brass and red tortoiseshell forming an arabesque design composed of foliate scrolls, rocaille motifs, and small flowers. The whole is punctuated by beautiful gilt-bronze mounts featuring atlas figures with clasped hands, acanthus leaves, and an apron. The top is framed by a gadrooned molding supporting a black marble slab with rounded edges. It opens with a door with a lock […]
A console table veneered in ebonized pearwood and inlaid with Boulle marquetry of brass on tortoiseshell in arabesque designs. It opens with a door adorned with an oval medallion, revealing shelves in mahogany and mahogany veneer. Rich ornamentation of chased and gilded bronze: egg-and-dart friezes, caryatids in corner drops, interlaced friezes, acanthus leaf friezes, fruit, and florets. This Boulle piece requires extensive restoration. Some pieces of brass, stringing, and especially a great deal of tortoiseshell are missing. Given its value […]
Restoration of a Restoration period (1815–1830) drop-front secretary veneered in burr mahogany and topped with Carrara white marble. The front legs are rounded and the rear legs are square. The frame is made of oak and softwood. An inventory mark (I91) is found inside the lower drawer on the right side. The Restoration style? After Napoleon's defeat at Waterloo on June 18, 1815, power in France was taken over by the two brothers of Louis XVI: the Count of Provence, who would reign under the […]
Restoration of a Transition period commode built of fir and oak and veneered with rosewood, framed with stringing of white hornbeam and green-stained wood, with a satinwood band surrounded by amaranth. The central medallion is satinwood veneer assembled in a herringbone pattern. The maker's mark and the JME (Journée des Métiers d'Étranger) are located at the base of the left rear leg. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on the rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, the date […]
A beautiful restoration and, above all, conservation effort has been undertaken on this lovely Empire-period dressing table. Its frame is made of oak and poplar, veneered with mahogany burl. The drawer sides and bottoms are solid mahogany. It rests on four column legs ending in casters and joined by an H-shaped stretcher. The frieze opens with a drawer revealing a writing surface lined with blue morocco leather, a pen case, and two compartments for inkwells, as well as two large drawers on either side for essentials […]
This elegant mahogany-veneered shaving cabinet from the late 18th century rests on four tapered legs with casters and opens with three drawers in the front. The niche, with its blue Turquin marble top framed by fluted columns, is surmounted by two side drawers and a sliding marble shelf with a recessed panel that reveals a sliding mirror on a rack and pinion mechanism, pivoting and framed with ebony and brass stringing. Appearing during the reign of Louis XVI, this style of shaving cabinet is a toilet unit designed to hold a porcelain pitcher and basin […]
Here are some images of the restoration of this Empire-era console table. But first, a little history: do you know what a console table is and what its use was? Primarily a decorative piece of furniture placed in the entrance hall of apartments or between two windows, the "console table"—as it was called during the reign of Louis XV—consists of a marble top supported by two scrolled legs and placed against the wall. During the reign of Louis XV, console tables were often elaborately crafted and adorned with highly detailed motifs. Sculptures and reliefs, arched legs […]
This is a significant restoration project for this Louis XV commode, originally veneered in rosewood and violet wood. It took me some time to determine if it was indeed violet wood, as the commode had undergone so much restoration that there was almost as much rosewood as violet wood. Fortunately, the drawers are still in fairly good condition and are indeed made of violet wood, so I conclude that the commode was […]
Restoration of an early 19th-century somno veneered in Cuban mahogany burl. It's fair to say it has already suffered considerably from previous restorations. The missing veneer and the dimensional shrinkage of the wood have been filled with wood filler and then disguised. The problem is, that's all you can see! You might be wondering what a somno is? Created during the Consulate, in the early years of Napoleon I's reign, the somno, or somneau, is a small piece of furniture made of […]
Restoration of a Louis XVI period commode from eastern France, made of solid oak and fir and veneered with end-grain laburnum, walnut, plum, amaranth, rosewood, palisander, boxwood, and green-stained hornbeam. The handles and keyholes were added at a later date. The original fittings are missing; only the holes for the handles remain. This is a piece of furniture that has never been restored. The veneer is almost 4 mm thick in some places, and […]
A little refresh for this lovely Tronchin-style table. Apart from a missing molding and a few small veneer chips on the legs, nothing too serious. A touch-up of the varnish was enough to give it a new lease on life. But do you know where this type of table comes from, and what it was used for? Although today attributed to Théodore Tronchin, a Genevan physician (1709-1781), who at the time published works on bone diseases linked to poor posture at one's desk, he cites the advantages that […]
96 x W 47.5 x H 74 cm. Open: 96 x 95.5 cm. Restoration of a games table with a folding top veneered in burr mahogany, commonly known as Cuban mahogany. In fact, according to the recent book "L'essence du bois" (The Essence of Wood) by Patrick George, Emmanuel Maurin, and Marie-Christine Troujy-Jaquemet, it seems more accurate to call this type of mahogany Saint-Domingue mahogany. The base is veneered in solid oak, and the top in poplar. The moldings are solid mahogany. The table rests on legs […]
This is the second time I've had the opportunity to work on this type of table, made by Louis Majorelle's workshop in the 1920s and 30s. You can find all the information about this type of table at the following link: https://ebenisterie-mathieuvath.fr/2019/08/29/table-majorelle/ As for the restoration, it's more of a preventative measure. Indeed, there's no major damage; a few veneer grafts and re-gluing a large portion of the edge veneer were enough to restore this lovely Rio rosewood-veneered table. An opportunity for me […]
Here is a secretary desk in the most understated style of the Directoire period. Its frame is made of solid beech and conifer, and it is veneered with mahogany and mottled mahogany. It is very simply adorned with bronze handles in the form of a lion's head holding a ring in its mouth. The keyhole escutcheons are in the shape of a shield. The interior comprises seven drawers, the middle one of which opens with a key. The drop-front opens with a period three-point lock. The lower section consists of three drawers, or has been transferred […]
Restoration of a walnut (for the legs and frame) and flame mahogany veneer pedestal table. It rests on three column-shaped uprights, surmounted by a circular black veined marble top adorned with bronze rings. The restoration involved tightening the cracked base, re-gluing the edge veneers, and adding some veneer grafts. The columns, which were heavily infested with wood-boring insects, were stripped and then treated with static anoxia. Static anoxia is an insecticidal treatment that works by depriving the body of oxygen, having […]
Restoration of a chest of drawers veneered in Rio rosewood and satinwood stringing. It has two large drawers and two small ones in the upper section. Its frame is made of oak and fir. It is stamped J.BIRKLE on the left upright and also bears the mark JME. It shows some signs of restoration and an ink mark on one side of a drawer. Jacques Bircklé (1734-1803) – Cabinetmaker – master craftsman obtained on July 30, 1764. One of the suppliers to the Royal Furniture Repository under Louis XVI. Freelance craftsman before […]
The commode with a jumping habit seems to have been invented during the Regency period, between 1705 and 1730, by the cabinetmaker Charles Cressent, and subsequently became widespread in the Louis XV style. It consists of only two drawers or two rows of drawers. The body must be raised on cabriole legs of about half height, with the body occupying half the height of the piece and the other half the legs. The observer thus has the impression that the piece has legs allowing it to jump like a frog. The width offers straight, curved, or […]
Restoration of a drop-front secretary desk built in oak and veneered with mottled mahogany and mahogany from Saint-Domingue. Its design dates from the late 18th century. Its white Carrara marble top is surrounded by a partially openwork brass gallery. It opens with a drawer at the top, a drop-front in the middle, and three drawers at the bottom; all the original locks are secured with a clover-shaped key. All the panels on the front and sides are framed with brass quarter-round moldings. The drop-front is veneered in mahogany […]
You remember the Empire chest of drawers with the quivers. Well, here is the secretary desk with the quivers. It is built in exactly the same way as the chest: same construction, same solid woods used, and same mahogany veneers. As for the restoration, it is identical to that of the chest of drawers. The aim is to preserve as much as possible and restore the piece of furniture to its original function without altering its history. The work therefore consisted of reattaching the structure and the few detached veneer elements. And to […]
The restorer's trade holds many surprises. There are over 60,000 species of trees in the world. Suffice it to say that even though the same types of wood are often found in French furniture, sometimes you stumble upon something completely new. I must say, I found this wood odd. Violet wood? No. Rosewood? Perhaps, but a variety I don't recognize. Okay, I stripped a section to reveal the wood's true color. Hey, the varnish was very red, and finally this…
Extensive restoration and conservation work has been undertaken on this bench and its four armchairs from the Consulate period, stamped Jacob Frères, rue Meslée. The front and back legs are made of solid Cuban mahogany, while the crossbars are veneered. The armrests, supported by Egyptian heads, are made of light Saint-Domingue mahogany to create a contrast with the uprights. They are adorned with carved palmettes and rosettes in Cuban mahogany. They rest on tapered front legs ending in claw feet, and the rear legs are arched. […]
This week, here are some photos of the restoration of this Empire-style chest of drawers veneered in mahogany burl. This chest is truly unique due to the quality and originality of its bronze mounts. Indeed, they form quivers along with the side columns. The keyhole escutcheons are composed of two crossed laurel branches held together by a ribbon. Originally, they were mercury-gilded, as can be seen from the gilding stains on the back. Unfortunately, only a few partial traces remain on the front […]
Restoration of a Napoleon III period wall shelf veneered in blackened pearwood, rosewood, amaranth, amboyna burl, and marquetry with a music theme. Underneath the dust, aside from small losses in the blackened pearwood and rosewood, and slight dehydration, there was nothing too serious. A few veneer grafts, a vacuum-sealed glue application, a thorough cleaning, a coat of clear French polish, and voilà! All this without using sandpaper. Except for lightly sanding the varnish […]
Extensive restoration of this superb Louis XV period commode, stamped on all four uprights by Jean-Baptiste Hedouin. The frame and drawers are constructed of solid oak, fir, and walnut. The edges of the frieze and geometric marquetry in violet wood are veneered with satinwood. Two types of violet wood are visible: one with a very tight grain and veining for the lozenges, and a second, more intricate type for the marquetry edges, uprights, and rails. The […]
It would seem that the first liquor cellars appeared at the very end of the 18th century. But it was in the 19th century that the fashion for liquor cellars truly took off. The revolution transformed social classes and ways of socializing, leading to increased consumption of liquor, which contributed to the rise of this new social object. The emergence of liquor cellars is, of course, directly linked to the evolution of alcohol consumption in France, such as sweet Mediterranean wines, brandies, cognac, liqueurs, and more.
Exquisitely crafted with its mahogany-veneered oak frame and solid mahogany legs, this desk is a perfect example of high-quality 19th-century furniture. The cabinetmaking is flawlessly executed, and the bronze mounts are in pristine condition. Everything is there; nothing is missing. The Krieger firm began its cabinetmaking business in the mid-19th century with Antoine Krieger (1804-1869) before adding a significant decorative department, which ensured the prestige of its business until around 1945. The Krieger firm produced all the […]
DIMENSIONS: H.71 W.104 D.52 This roll-top desk perfectly matches those made by Nicolas Petit's workshop between 1770 and 1791, the year of his death. Indeed, with a few exceptions, Nicolas Petit primarily produced this type of secretary in molded mahogany, resting on fluted legs and topped with white marble. Simple in style, they reflected the taste of the period. It comprises two drawers in the frieze, two side pull-out shelves, and a central pull-out shelf that locks when the drop-front is closed. The interior consists of […]
Here is a very simple chest of drawers from eastern France, probably dating from the late 18th century. The front is slightly curved and the uprights are chamfered. It should be noted that the bronze mounts are probably not original. The frame is made of solid softwood, and the uprights are oak. The drawer bottoms are set in rebates and slide on the drawer fronts, which is typical of provincial work. A small peculiarity: this chest of drawers does not have top panels, the […]
A few photos of the restoration of a small Louis XVI style work table from the late 19th century. The legs are solid mahogany, and it is veneered with rosewood, sapele, blackened pearwood, and boxwood for the fluting and stringing. Nothing too serious for this pretty little piece of furniture, which only had a few missing veneers and a small chip on the side of the oak drawer. A simple restoration: a few veneer grafts glued with hot glue, a light cleaning of […]
Don't be fooled by the Directoire-style keyhole escutcheons on this cabinet, as it dates from the late 17th or early 18th century. The keyhole escutcheons are clearly not original. In fact, very few elements remain original to this piece of furniture apart from the drawers, the frame, and the base. The veneer on the front, sides, and top has been altered. It's quite clear that the locks have been changed and the escutcheons filled in. This piece is entirely made of […]
Here are some photos of the restoration of a solid walnut commode, veneered with thuya burl inlay and Greek key stringing in amaranth and boxwood. The drawers and the interior and back panels are made of fir. Despite the curved stretcher, its shape, and its feet, this commode is indeed in the transitional style but from the Louis XVI period. In the title, I wrote "in the style of the Hache family" because it is certain that this commode originated in the Dauphiné region. But whether it is a product of the famous […]
This week marks the completion of the restoration of a Louis XVI commode stamped JA BRUNS. It is made of oak for all the structural elements, except for the side panels, drawer backs, drawer fronts, and the two drawer bottoms, which are made of softwood. It is veneered with rosewood in a butterfly pattern and amaranth for the edges. The false fluting is made of boxwood and ebony, and there is a green-stained maple stringing forming the corners at […]
After several weeks of work, the restoration of this clock is finally complete. It is a Louis XV period clock in brown tortoiseshell and brass marquetry, with rosewood restorations. The dial is by Louis David Carré, nephew of Jullien le Roy, who became a master craftsman on December 31, 1748. Lodged at the Louvre from 1744, he was elected a juror in 1775. The greatest treasure of this clock lies in its bronze mounts. They are truly magnificent, and above all, they are in very good condition. There is only […]
Here are some images of the restoration of a secretary desk stamped by Pierre Roussel (1723-1782). Having become a Master Cabinetmaker in 1745, Pierre Roussel set up shop on Rue de Charonne, in the Faubourg Saint-Antoine, under the sign "L'Image de Saint Pierre" (The Image of Saint Peter). Thanks to his skills as a cabinetmaker and especially as an exceptional marquetry artist, he quickly gained a great reputation. In 1762, he became a sworn member of his guild. By 1767, he was considered one of the best cabinetmakers of his time. Highly regarded by his colleagues, he became a representative of the cabinetmakers' guild in 1777 and then syndic two […]
Here is a charming Mazarine commode from the Louis XIV period. With a serpentine front and three drawers in three rows, it is topped with a marquetry top featuring a compass rose on an end-grain wood background. Constructed on a fir frame, it is covered with a beautiful olive veneer, with both end-grain and grain-grained veneer, rosewood, ash on the sides, and boxwood for the stringing and compass rose. The crossbeams are joined with straight dovetail joints on the sides, which has caused some minor imperfections.
This sewing box dates from the Napoleon III period. The frame is made of softwood. The veneer is composed of Rio rosewood, mahogany for the interior, and a green-stained boxwood and maple inlay. The great quality of this box is that the lid hasn't warped. This is often the major problem with this type of furniture, as people forget to lock them, causing the wood to warp. It then becomes very difficult to find the "trick" to ensure the box stays closed.
Here is a Louis XVI style table, which is probably an early 20th-century piece. It was likely made in the Faubourg Saint-Antoine, or perhaps at the École Boulle. I have seen apprentice furniture of this quality made by students during their training. Its frame is oak, while the veneer is rosewood and mahogany with a black inlay. The restoration was straightforward, apart from a lack of rosewood in the marquetry […]
The "boat" bed, with its characteristic curve, is a French invention that appeared during the Directory and was very fashionable during the Empire and the Restoration. It is easily recognizable here by its lion's paw feet. The varnish on this bed had worn away, making it impossible to distinguish between the two mahogany pieces. The mahogany is known as Cuban mahogany (Swietenia mahogani), from Cuba, a Spanish colony. Evidence of its importation into Spain, specifically Seville, dates back to 1519-1520. It was used by Philip II between 1563 and 1584 during the construction of the Palace […]
On the restoration side, there wasn't much to do: the brass fittings were reattached with fish glue and by infiltration, then stripped and varnished. The most difficult part of this type of furniture is the black stain. Over time, pear wood darkens, loses its color, and turns gray. It then needs to be stained, without, of course, obscuring the brass. To do this, I fill and polish the piece until the brass becomes a true mirror. Then, I apply a hot logwood stain, and then […]
A while ago I told you about this desk that was being restored. Well, here it is finished. The varnishing process took three weeks. This allowed enough time for the varnish to set properly, in order to achieve the best possible result. https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/ So here are some before and after photos.
The restoration of a lovely slant-front desk, or as Riesener calls it in his memoirs, a "tomb-shaped secretary," began two weeks ago. With the restoration phase complete and the varnishing underway, I'm taking a moment to provide a brief summary of the project. The desk's frame is made of oak and fir, veneered with rosewood and violet wood, and the drop-front features floral marquetry of boxwood, natural and stained maple, and hornbeam. It includes a large drawer […]
A classic restoration of Boulle marquetry. This involved rehydrating the old glue through infiltration, crafting and gluing the missing brass pieces, and reconstructing the base, which was in poor condition but not beyond repair. The bronze mounts were cleaned and finished with a clear French polish. Proof that appearances can be deceiving. Even a piece of furniture in a severely deteriorated state can regain its former beauty.
During the turbulent period of the French Revolution, furniture production was considerably diminished, and most artisans experienced very difficult times. Overall, from the Consulate to the Directory, furniture and seating had little time to evolve. However, even though some decorative motifs inspired by Egypt had already appeared, it was after the Egyptian expedition (1798-1801) that they evolved into a unique style. The so-called "Return from Egypt" style, however, lasted only a short time: a decade at most, as it would […]
This week marks the completion of the restoration of a Louis XVI period secretary. Martin Ohneberg (Master in 1773), the cabinetmaker who crafted this piece, was an excellent marquetry artist and used very high-quality rosewood. He produced numerous pieces of furniture with very simple lines but exquisite marquetry, including an endless variety of drop-front secretaries. This particular one is veneered with rosewood and amaranth, and features a mosaic marquetry of maple blossoms on a red satinwood ground. The framing bands […]
A look back at the restoration of a 17th-century Louis XIII table. It is made of solid walnut and veneered with walnut, ebony, ivory, and boxwood. This table had spent a long time in an attic, and unfortunately, the tabletop suffered considerably. Many sections of veneer were missing. The restoration therefore began by removing what little veneer remained. It was very easy; it was completely detached. I simply had to lift it with a thin blade, and it came right off. After having […]
A look back at a fascinating restoration project (at least for me). So fascinating, in fact, that I forgot to take photos at the beginning! This cabinet dates from the 17th century and features two drawers in the cornice and two doors in the upper section. The base consists of two drawers in the frieze supported by eight turned feet and a top resting on ball feet. Inside are twelve drawers and two doors concealing an interior theater, as well as eleven more drawers. The feet, along with […]
Here is a table in pure Art Deco style. It is veneered with Macassar ebony and the legs are mahogany. This table was probably created around the 1920s. Indeed, Louis Majorelle is best known as one of the great cabinetmakers of the Art Nouveau style, but it is too often forgotten that he was one of the forerunners of the Art Deco style, this table being a perfect example. In terms of restoration, as always, the veneer requires the most work; there […]
A month ago, a lovely transitional commode arrived, which reminds me of the work of the cabinetmaker Charles Topino (circa 1742-1803) – he received his master craftsman's certificate on July 4, 1773. However, this commode does not bear his stamp, nor any stamp for that matter. This confirms that a stamp is not necessary to possess a piece of high-quality furniture. Furthermore, the marquetry could very well have come from Topino's workshop, as he sold panels of his marquetry to the haberdashers and his colleagues […]
Remember that slant-front desk? Well, it's finished. It was quite a task, but now it's regained its former glory. Only the drawer keyholes and the leather upholstery remain to be fitted before it's returned to its owner. A large part of the legs has been remade from sawn violet wood. This was cut to the correct thickness, scraped and sanded, then oxidized before being glued, so as not to have to sand the entire piece of furniture […]
A classic restoration for this type of furniture. The legs are slightly damaged, the varnish has yellowed and dulled. A few rosewood grafts, cleaning, stripping, and a beautiful French polish will be enough to give it a new lease on life. Not forgetting the cleaning of the bronze mounts.
Thanks to its stamp, it is possible to date this slant-front desk, or cantilevered desk, between 1738 and 1783. The life of Jean-Baptiste Hedouin is relatively unknown. After becoming a master craftsman, he set up his workshop on Rue Traversière-Saint-Antoine. All the furniture he produced was of high quality. His pieces, primarily in the Regency and Louis XV styles, almost all veneered in sheets or with grid patterns, were varied: wardrobes, flat and slant-front desks, bookcases… but it was the commodes that constituted the largest part of his output.
Here is a corner cabinet stamped by Jean-Mathieu Chevallier. It is made of solid oak and veneered with rosewood and violet wood with a boxwood inlay. Jean-Mathieu Chevallier was already established on the rue de Grenelle under the sign "à la Croix Chevallier" when he obtained his master craftsman's certificate in 1743. He subsequently expanded his business considerably, had business dealings with André-Charles Boulle, one of the sons of the famous cabinetmaker, and contributed to furnishing the Hôtel du Duc de Talmont, as well as the Château de Villegénis, which he had purchased […]
This week, a small Louis XVI style games table left the workshop. As you'll see, there wasn't much work to be done. It just goes to show that a simple cleaning, revarnishing, and a fresh coat of leather can breathe new life into a rather dull piece of furniture.
This week, two pieces of furniture left the workshop: a Napoleon III jardinière in rosewood veneer and a Louis XVI chiffonier in rosewood and violet wood veneer. If this piece had seven drawers, it would have been called a "semainier" (weekly chest of drawers). Here are some photos of their restoration.
This week, we're revisiting the restoration of a Louis XIV period commode, a commode known as a Mazarine commode. But where does the name "Mazarine" come from? Well, it seems that the first example was made for the famous Mazarine Library, quite simply. Moreover, the illustrious creator of the commode was none other than André Charles Boulle himself. For Louis XIV's bedroom at Trianon, he revolutionized a type of furniture in 1708: the commode, which takes its name from its "practical" aspect compared to the chests that were widely used at the time. Today, we're presenting […]
After a few hours of cutting, gluing, re-gluing, and cleaning the surfaces, we finally reach the finishing stage. For this cartel clock, we chose to French polish it because it's a finish that highlights the marquetry, protects it, and is easily reversible (like all my work). I always use a clear shellac varnish, whether on wood or other materials. The varnishing process is difficult to explain; it simply takes hours and hours […]
Here is an article that appeared in Le Perche on Wednesday, May 15, 2019.
After reattaching the structure, removing the brass, cleaning up any remaining animal glue, and removing any residue of superglue and neoprene adhesive, the next step is cutting out the new pieces of brass and tortoiseshell to fill the gaps. So, as usual, I take an impression of the missing piece. Then I glue this piece of paper onto a brass plate, which is itself glued with fish glue to a piece of 4mm plywood. This makes the brass plate easier to cut. To retrieve […]
Once the various structural elements were glued back together, I tackled the tortoiseshell and brass marquetry. As you'll see, on this clock it's in very, very bad condition; practically nothing is holding. So, all the brass has to be removed. The tortoiseshell, however, is holding well; it's only partially detached. The first step in restoring this marquetry is therefore to remove and set aside each brass element. The second is to clean off the old glue, […]
Here is my first client, patient… well, whatever you want to call him. It's a Boulle marquetry cartel clock in brown tortoiseshell, ebony, and brass. As you can see in the following photos, it's not in very good condition. There are many missing brass pieces, and the remaining brass is peeling off everywhere. At first glance, it's always difficult to precisely date a Boulle cartel clock: this one doesn't have a maker's mark. However, it does have corkscrew screws (typical of the 18th century […]
A drawing by Nicolas Bernard Lépicié, which you can admire at the Museum of Fine Arts in Orléans. Surely a future marquetry project. One can sense the living and working conditions of the men who created these pieces, imbuing them with their expertise and a part of themselves. In this way, they inscribed their lives and their stories within the larger narrative of history. This is the very essence of the restorer's craft. The furniture restorer is merely a custodian of memory. They ensure that the soul of the piece is preserved […]
Here's a short but very informative video on polishing. This finishing method was applied to the tool cabinet. https://ebenisterie-mathieuvath.fr/2019/02/19/armoire-a-outils/
