Cabinet from the late 17th century

Ebénisterie Mathieu VATH
Ebénisterie Matheu VATH
Upon his arrival at the workshop

Don't be fooled by the Directoire-style keyhole escutcheons on this cabinet, as it dates from the late 17th or early 18th century. The keyhole escutcheons are clearly not original. In fact, very few original elements remain on this piece of furniture apart from the drawers, the frame, and the base. The veneer on the front, sides, and top has been altered. It's quite clear that the locks have been changed and the escutcheons filled in.

This piece of furniture is entirely made of solid cherry, fir and poplar for the structure and veneered with cherry, walnut, violet wood and rosewood.

The main damage to this piece of furniture is to the marquetry. There are some missing pieces on the drawers, a large part of the veneer is peeling off, and the top is badly warped.

When I started restoring this piece of furniture, I wondered why there was no glue at all in certain places and why the wood was burned under the veneer and on the surface in some areas.

The answer was given to me when the top veneer was removed, and the explanation is simple. To glue marquetry with hot glue, cabinetmakers heated the wood near a "Sorbonne" ( The name cabinetmakers give to the fireplace where they melt glue, heat the gluing irons, and also heat the wood to be glued. The hearth of this fireplace is high: between 80 cm and 1 m above the ground. We can therefore conclude that the panels of this cabinet were left too long near the fire and began to burn the veneer underneath during the gluing process. This may not have been visible on the surface during manufacturing, but it began to appear during previous restorations and successive sanding, which thinned the veneer and thus revealed the burns.

Ebénisterie Matheu VATH
Burning of the core is visible after the veneer has been removed
Ebénisterie Matheu VATH
View of the dovetail joint assembly
Ebénisterie Matheu VATH
These tooth-iron marks, spaced approximately 12 grooves apart over two centimeters, allow us to date them to the late 17th – early 18th century.
Ebénisterie Matheu VATH
Traces of 19th-century tooth-irons
Ebénisterie Matheu VATH
Handwritten paper glued under the veneer of a drawer

To remedy the warping of the upper shelf, it was decided to remove the veneer and work on the fir panels. These were re-flattened, then resplit, planed to a thickness of 2 mm, and re-veneered in a sandwich construction onto 5 mm plywood to preserve the tool marks and outer bark.

Ebénisterie Matheu VATH
Veneer removal
Ebénisterie Matheu VATH
Veneering of the tabletop on a stretched block with grafts

The joints and structure were re-glued using fish glue. All veneered parts were re-glued by infiltration of the glue. The existing entrances and locks were reinstalled, as it is impossible to know precisely what was originally there. There was probably no lock entrance, or perhaps just a simple iron one.

Ebénisterie Matheu VATH
After restoration

Leave a Reply

Your email address will not be published. Required fields are marked *