Louis XVI secretary stamped Schlichtig

Ebénisterie Mathieu Vath

This Louis XVI style secretary desk, stamped JG Schlichtig, is made of rosewood veneer, satinwood (on the sides) and amaranth, on an oak and softwood frame. It opens with two lower doors, a central drop-front, and a top drawer. The interior of the piece includes six drawers and three niches. Given its small size, 1.20 meters, it can be described as a lady's secretary desk. Jean-Georges Schlichtig († February 1782) was a Parisian cabinetmaker of German origin, admitted as a master on October 2, 1765. He established himself successively […]

Rochelaise table in rosewood and ebony

Ebénisterie Mathieu Vath

Restoration of a Louis XV salon table, made in La Rochelle in the mid-18th century. This piece is distinguished by its parquet top, alternating rosewood and ebony. It opens with a drawer integrated into the front apron, whose shaped moldings and cabriole legs with octagonal sides testify to exceptional craftsmanship. The table is made exclusively of solid rosewood for the base, the parquet top, and the drawer boxes, while solid ebony is used for the […]

Pair of Louis XV commodes

Ebénisterie Mathieu Vath

Here is the latest major restoration project undertaken by Raphaël, our apprentice. It involves a pair of Louis XV style commodes bearing an unknown stamp, CCS, which could be attributed to Charles Claude Saunier, an early work by the latter. Please find below the detailed account of the work carried out by Raphaël. Enjoy your reading. Restoration of a Pair of Louis XV Commodes This restoration project was carried out on a set of two commodes, designed according to the aesthetic and technical principles of the Louis XV style. This style […]

Louis XVI commode stamped JL Cosson

Ebénisterie Mathieu Vath

This Louis XVI period half-moon commode, stamped by the cabinetmaker Jacques Laurent Cosson, likely dates from a production between 1780 and 1790. It is an exceptional example of painted furniture from the end of the Ancien Régime, belonging to a very small group of which only seven examples are currently known. This small and highly sought-after group of 18th-century French painted furniture is now recognized as one of the most inventive areas of Parisian cabinetmaking on the eve of the Revolution. This commode, with its curved, half-moon shape, rests […]

Louis XVI chest of drawers by Jean-Francois Leleu

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period commode with a projecting central front, stamped JF LELEU. Made entirely of oak, it is veneered with amaranth, rosewood, boxwood, stained maple burl, and tobacco-grey maple. It is decorated with marquetry featuring a frieze of posts on the top drawer, Greek key motifs, and fleurons within a mosaic of hexagons known as "marquetry à la reine" on the central projection. It has three drawers, two of which conceal drawers with crossbars. The front uprights are […]

Transition Secretary

Ebénisterie Mathieu Vath

Restoration of a transitional rosewood and amaranth secretary desk with simulated fluting using boxwood and ebony. The frame is made of oak and softwood. As is often the case with secretaries, one of the main areas of damage is the hinges of the fall-front, which have cracked and damaged the frame and veneer. The work involved replacing the solid wood that provides support and proper alignment before replacing the missing amaranth veneer. The […]

Louis XV commode by JB Fromageau

Ebénisterie Mathieu Vath

Restoration of a Louis XV commode stamped by Jean-Baptiste Fromageau. Constructed of oak and conifer, this commode is inlaid with rosewood within violet wood frames. Curved at the front and flared at the sides, it features four drawers in three rows and is topped with a grey Saint Anne marble slab. Jean-Baptiste Fromageau, son of a master cabinetmaker, was born around 1725. After obtaining his master craftsman's certificate on November 5, 1755, he set up his workshop on Rue Traversière before establishing himself on Rue du Faubourg Saint-Antoine. The Dauphiné Almanac […]

Louis XVI Weekly Planner

Ebénisterie Mathieu Vath

Restoration of a Louis XVI chest of drawers veneered in rosewood, satinwood, and amaranth. It opens with a series of seven drawers framed by rounded uprights with simulated fluting made of boxwood and blackened pearwood. A chest of drawers? The chest of drawers is a piece of furniture that appeared in the mid-18th century, primarily intended for women. It is a chiffonier (which appeared during the Regency period, between 1715 and 1723) with seven drawers, one for each day of the week, designed to store the day's clean undergarments. The restoration...

Louis XVI commode stamped J. LAPIE

Ebénisterie Mathieu Vath

Restoration by Lise, during her internship at the workshop, of a Louis XVI commode stamped by Jean Lapie, constructed of oak, fir, and beech, veneered in rosewood with hornbeam and amaranth stringing, and adorned with gilt bronze mounts. And since Lise submitted an excellent internship report, I am publishing it almost in its entirety. Jean Lapie (known as "The Younger"), son of the potter Nicolas Lapie, was born around 1734. Brother of the cabinetmaker Nicolas-Alexandre Lapie (known as "The Elder") and cousin of Jean-François Lapie, he obtained his master's degree in Paris […]

Louis XVI wardrobe

Ebénisterie Mathieu Vath

Restoration by Raphaël of a rosewood veneered cabinet with diamond-pointed doors, framed in amaranth and Greek key stringing. It opens with two large softwood doors veneered with oak. Some regluing and repairs of missing veneer, along with a good coat of clear French polish, have restored this piece of furniture to its former glory.

Transitional dresser

Ebénisterie Mathieu Vath

Restoration of a transitional commode veneered in rosewood, amaranth, and green-stained Greek key pattern, on an oak frame. Congratulations to Lisa for this first restoration during her internship at the workshop. The work mainly involved the front rails, with the missing amaranth veneer being replaced by sawn, scraped, sanded, and applied to the back of the veneer before being glued with hot glue. The varnish was regenerated using Labovert's GAMMA polar solvent before […]

Small Louis XV style commode

Ebénisterie Mathieu Vath

And here is the latest restoration by Raphaël, my apprentice. It's a Louis XV period commode. It's veneered in rosewood and violet wood on an oak and softwood frame. Condition report: A perfect project for tackling structural and veneer restoration. Almost all the panels are detached and too short, the joints are loose, both sides are detached from the uprights and split right down the middle, and of course there's a lot of detachment and […]

Cordié Transition-branded chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Transitional period chiffonier stamped by Guillaume Cordié and bearing the guild mark. It is veneered in rosewood and amaranth and framed in oak and softwood. The bronze fittings were added later. Guillaume Cordié, born around 1725, worked as a freelance craftsman before receiving his master's certificate on June 18, 1766. He established himself on the rue de Charonne and remained there until his death. His works, of fine quality and harmonious proportions, are mostly in the Transitional and Louis XV styles. It seems that he […]

Transition work table

Ebénisterie Mathieu Vath

Restoration of a work table with cabriole legs and a stretcher in marquetry of trellis and quatrefoils, known as "à la Reine," veneered in rosewood, inlaid with boxwood, green-stained hornbeam, and boxwood stringing on an oak frame. It opens in the frieze with a drawer forming a writing surface with a leather-lined drop-front and compartments on the sides. The Escallettes marble top is bordered by an openwork brass gallery similar to the one that frames the kidney-shaped stretcher. A minor restoration including some veneer repairs and […]

Transition chest of drawers stamped Fromageau

Ebénisterie Mathieu Vath

Restoration of a Transitional style commode, stamped by Jean Baptiste Fromageau, veneered in rosewood with an amaranth frieze and faux fluting. It is topped with a Royal red marble slab and features three drawers, one narrower at the top inlaid with a frieze of glyphs, while the two below are inlaid with Greek key patterns and have violet wood corners. The bronze mounts include ring pulls, keyhole escutcheons with knotted ribbons, and a drop-shaped finial.

Louis XVI secretary stamped TOPINO

Ebénisterie Mathieu Vath

Restoration of a Louis XVI secretary desk stamped by Charles Topino. Typical of Topino's style, this secretary is constructed of oak and softwood. The front opens with a drawer and a drop-front covered in red leather tooled in gilt, revealing two compartments and four drawers veneered in rosewood. The lower section opens with two doors revealing a shelf. These are decorated with marquetry depicting a vase and drapery on a tobacco-colored ground, while the drop-front is inlaid with musical instruments, ribbons, and foliage on […]

Louis XV desk

Ebénisterie Mathieu Vath

Restoration of a Louis XV desk veneered in rosewood and violet wood on an oak and softwood frame. Replacement of missing veneer, cleaning, and refinishing with a French polish. Cleaning and conservation of the leather. Removal and steam cleaning of the gilt bronze mounts. To see previous restorations: https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/

Transitional chest of drawers stamped J.STUMPFF

Ebénisterie Mathieu Vath

Here are some images of the restoration of this commode stamped by Jean-Chrysostôme Stumpff. 1731 - January 17, 1806 – Received Master Craftsman status on August 27, 1766. Framed in oak and softwood, it is veneered with rosewood in a frieze of paillon, amaranth, and boxwood and green-stained maple. J. STUMPFF, originally from Schweigern, Swabia (Germany), married in 1760 in Paris, at the Swedish embassy, like most of his compatriots of the Reformed faith. His fellow cabinetmaker, Ferdinand Scherdfeger, was a witness. […]

Louis XV commode

Ebénisterie Mathieu Vath

Restoration of a Louis XV period commode veneered in rosewood and violet wood. The commode, also known as the commode sauteuse, appeared during the Regency period, between 1705 and 1730, and is attributed to the cabinetmaker Charles Cressent. It consists of two drawers or two rows of drawers. The body is raised on half-height supports, with the body occupying half the height of the piece and the other half the legs. Intended to distinguish itself from the heavy and massive Louis XIV style, it is slender and graceful, almost ethereal. After restoration […]

Transitional chest of drawers stamped Léonard Boudin

Ebénisterie Mathieu Vath

Restoration of a Transition period commode stamped by the master cabinetmaker Léonard Boudin (1735 in Paris – 20/12/1807). It is constructed of solid oak and veneered with amaranth, rosewood, and ribbon satinwood (Brosimum rubescens), which provides a highly decorative appearance due to the pronounced interlocked grain of this South American wood. It should be noted that it belongs to the same family as snakewood (Brosimum guianense). As Boudin was primarily a merchant during the Transition period, it is likely that this commode is actually by his hand (before […]

Louis XV writing table

Ebénisterie Mathieu Vath

Restoration of a Louis XV period drawing table, or more precisely, a writing table, veneered in rosewood, with a satinwood back. Born from the passion for correspondence in the 18th century, fashionable merchants deployed all their ingenuity to create numerous models of utilitarian tables to be placed in the center of a room. These table models differed from ordinary tables; they were generally equipped with a writing surface and drawers for storing ink and quills. It is in […]

Roussel Stamped Chest of Drawers

Ebénisterie Mathieu Vath

Restoration of a Louis XV commode stamped by the Parisian cabinetmaker Pierre Roussel. This commode is constructed of oak and softwood panels. It is veneered with rosewood arranged in a herringbone pattern, framed by violet wood. The stringing is boxwood. The Roussel family: Son of Michel Roussel, a journeyman cabinetmaker originally from the Cotentin region, he was the only one to choose cabinetmaking rather than joinery, unlike his younger brothers Jacques, Michel, and Louis. Pierre Roussel obtained his master craftsman's certificate on August 21, 1745, and established himself in the Faubourg Saint-Antoine, on rue […]

Louis XV/Transitional Commode

Ebénisterie Mathieu Vath

A true renaissance for this chest of drawers, which I call Louis XV/Transitional because its form and construction are entirely Louis XV. However, the handles and keyhole escutcheons are typically Louis XVI. And I can attest that these are indeed its original fittings. The nail holes match perfectly, and there are no other holes beneath the bronze mounts. So, even if this piece of furniture doesn't conform to what is commonly called the Transitional style, this chest of drawers is most certainly one of the first […]

LARDIN transitional chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Transitional period commode constructed of fir and oak and veneered with rosewood, violet wood, and a frieze of hornbeam stringing stained green in the Greek key pattern. The sides are veneered with satinwood and violet wood. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, when he moved to rue Saint Nicolas. His production is […]

Regency chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Regency commode veneered in rosewood and palisander. The commode arrived in very poor condition; the joints were completely detached, there was significant veneer loss, major structural deformations on the sides, and a patina heavily soiled by multiple layers of dark wax. The bronze mounts and locks had been added during a 19th-century restoration. A standard restoration for this type of furniture was carried out; the sides and joints were re-glued as best as possible, and the missing veneer was […]

Louis XVI commode

Ebénisterie Mathieu Vath

This week, we're restoring a Louis XVI commode with a projecting front, veneered in Rio rosewood, amaranth, and violet wood, with marquetry stringing in boxwood and ebony forming a ribbon wrapped around the wood, the background of the engravings filled with red wax. The tapered legs and canted uprights have faux fluting in ebony and boxwood. There's no maker's mark to attribute this beautiful piece and the high quality of wood chosen for its construction. Regarding the restoration, the work isn't very […]

Transitional dresser

Ebénisterie Mathieu Vath

Restoration of a transitional period commode with a projecting front, veneered in rosewood and palisander. The Greek key-patterned moldings, stained green, are made of hornbeam, and the front features a butterfly wing design. It opens with two large drawers with concealed crossbars, and three drawers in an upper row. The uprights, with simulated fluting, are veneered in ebony and boxwood. It rests on four cabriole legs adorned with hoof-shaped feet. Although it has undergone some alterations […]

Louis XV/Transition Commode by Nicolas Abraham Couleru

Ebénisterie Mathieu Vath

This slightly curved commode, composed of three drawers and veneered with bottomless cubes of walnut, plum, and cherry, has a marquetry top depicting a bouquet of flowers on an amaranth ground. Plum or Quetchier wood is easily recognizable by its sapwood markings, which create a lighter pattern and lend an irregularity to the decoration. The frame is made of fir and walnut. It is difficult to define a precise style for this commode. Although Louis XV, it clearly foreshadows the arrival of the style's more restrained appearance […]

Transition cylinder desk

A few years ago, I had the opportunity to restore this magnificent Transition period (1780) roll-top desk. It is framed in oak and fir. The fall front is primarily veneered with rosewood laid in a paillon pattern, framed by a light stringing of boxwood and green-stained hornbeam, bordered by a thin band of amaranth. The back is veneered in satinwood. The central marquetry, on a tobacco-stained sycamore ground, depicts musical instruments and two doves taking flight, each carrying a musical score in its beak. This […]

Transitional chest of drawers stamped LARDIN

Ebénisterie Mathieu Vath

Restoration of a Transition period commode built of fir and oak and veneered with rosewood, framed with stringing of white hornbeam and green-stained wood, with a satinwood band surrounded by amaranth. The central medallion is satinwood veneer assembled in a herringbone pattern. The maker's mark and the JME (Journée des Métiers d'Étranger) are located at the base of the left rear leg. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on the rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, the date […]

Louis XV commode

Ebénisterie Mathieu Vath

This is a significant restoration project for this Louis XV commode, originally veneered in rosewood and violet wood. It took me some time to determine if it was indeed violet wood, as the commode had undergone so much restoration that there was almost as much rosewood as violet wood. Fortunately, the drawers are still in fairly good condition and are indeed made of violet wood, so I conclude that the commode was […]

Louis XVI commode

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period commode from eastern France, made of solid oak and fir and veneered with end-grain laburnum, walnut, plum, amaranth, rosewood, palisander, boxwood, and green-stained hornbeam. The handles and keyholes were added at a later date. The original fittings are missing; only the holes for the handles remain. This is a piece of furniture that has never been restored. The veneer is almost 4 mm thick in some places, and […]

Louis XV commode

Ebénisterie Mathieu VATH

The commode with a jumping habit seems to have been invented during the Regency period, between 1705 and 1730, by the cabinetmaker Charles Cressent, and subsequently became widespread in the Louis XV style. It consists of only two drawers or two rows of drawers. The body must be raised on cabriole legs of about half height, with the body occupying half the height of the piece and the other half the legs. The observer thus has the impression that the piece has legs allowing it to jump like a frog. The width offers straight, curved, or […]

Napoleon III wall shelf

Ebénisterie Mathieu VATH

Restoration of a Napoleon III period wall shelf veneered in blackened pearwood, rosewood, amaranth, amboyna burl, and marquetry with a music theme. Underneath the dust, aside from small losses in the blackened pearwood and rosewood, and slight dehydration, there was nothing too serious. A few veneer grafts, a vacuum-sealed glue application, a thorough cleaning, a coat of clear French polish, and voilà! All this without using sandpaper. Except for lightly sanding the varnish […]

J.STUMPFF Roll-Top Desk

Ebénisterie Mathieu VATH

Restoration and conservation work on this rare Louis XVI period roll-top desk stamped by Jean-Chrysostôme Stumpff. 1731 - January 17, 1806 – Master craftsman on August 27, 1766. Originally from Schweigern, Swabia (Germany), he married in 1760 in Paris, at the Swedish embassy, like most of his compatriots of the Reformed faith. His fellow cabinetmaker Ferdinand Scherdfeger was a witness at the wedding. It was in his workshop on Rue Saint-Nicolas that he produced some Louis XV style furniture, but primarily a large number of transitional and Louis XVI pieces. The large […]

Louis XVI style sewing box

Ebénisterie Mathieu VATH

This sewing box dates from the Napoleon III period. The frame is made of softwood. The veneer is composed of Rio rosewood, mahogany for the interior, and a green-stained boxwood and maple inlay. The great quality of this box is that the lid hasn't warped. This is often the major problem with this type of furniture, as people forget to lock them, causing the wood to warp. It then becomes very difficult to find the "trick" to ensure the box stays closed.

Louis XVI style table

Ebénisterie Mathieu VATH

Here is a Louis XVI style table, which is probably an early 20th-century piece. It was likely made in the Faubourg Saint-Antoine, or perhaps at the École Boulle. I have seen apprentice furniture of this quality made by students during their training. Its frame is oak, while the veneer is rosewood and mahogany with a black inlay. The restoration was straightforward, apart from a lack of rosewood in the marquetry […]

Louis XV slant-front desk (After restoration)

Ebénisterie Mathieu VATH

A while ago I told you about this desk that was being restored. Well, here it is finished. The varnishing process took three weeks. This allowed enough time for the varnish to set properly, in order to achieve the best possible result. https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/ So here are some before and after photos.

Louis XV slant-front desk

Ebénisterie Mathieu VATH

The restoration of a lovely slant-front desk, or as Riesener calls it in his memoirs, a "tomb-shaped secretary," began two weeks ago. With the restoration phase complete and the varnishing underway, I'm taking a moment to provide a brief summary of the project. The desk's frame is made of oak and fir, veneered with rosewood and violet wood, and the drop-front features floral marquetry of boxwood, natural and stained maple, and hornbeam. It includes a large drawer […]

Secretary stamped Martin Ohneberg

Ebénisterie Mathieu VATH

This week marks the completion of the restoration of a Louis XVI period secretary. Martin Ohneberg (Master in 1773), the cabinetmaker who crafted this piece, was an excellent marquetry artist and used very high-quality rosewood. He produced numerous pieces of furniture with very simple lines but exquisite marquetry, including an endless variety of drop-front secretaries. This particular one is veneered with rosewood and amaranth, and features a mosaic marquetry of maple blossoms on a red satinwood ground. The framing bands […]

Transitional dresser in the style of Topino

Ebénisterie Mathieu VATH

A month ago, a lovely transitional commode arrived, which reminds me of the work of the cabinetmaker Charles Topino (circa 1742-1803) – he received his master craftsman's certificate on July 4, 1773. However, this commode does not bear his stamp, nor any stamp for that matter. This confirms that a stamp is not necessary to possess a piece of high-quality furniture. Furthermore, the marquetry could very well have come from Topino's workshop, as he sold panels of his marquetry to the haberdashers and his colleagues […]

Louis XV corner cabinet, stamped JM CHEVALLIER

Ebénisterie Mathieu VATH

Here is a corner cabinet stamped by Jean-Mathieu Chevallier. It is made of solid oak and veneered with rosewood and violet wood with a boxwood inlay. Jean-Mathieu Chevallier was already established on the rue de Grenelle under the sign "à la Croix Chevallier" when he obtained his master craftsman's certificate in 1743. He subsequently expanded his business considerably, had business dealings with André-Charles Boulle, one of the sons of the famous cabinetmaker, and contributed to furnishing the Hôtel du Duc de Talmont, as well as the Château de Villegénis, which he had purchased […]

Napoleon III planter and Louis XVI chest of drawers

Ebénisterie Mathieu VATH

This week, two pieces of furniture left the workshop: a Napoleon III jardinière in rosewood veneer and a Louis XVI chiffonier in rosewood and violet wood veneer. If this piece had seven drawers, it would have been called a "semainier" (weekly chest of drawers). Here are some photos of their restoration.