Regency chest of drawers with crossbow

Ebénisterie Mathieu Vath

Conservation work on this Regency period commode. It is distinguished by its serpentine shape and its rosewood veneer, adorned with gilt bronze mounts, on an oak and softwood frame. Our first task was to stabilize the veneered surfaces by injecting protein-based adhesive. Next, the gaps were filled with grafts of new rosewood, sawn, scraped, and sanded. These grafts, then French polished, were allowed to oxidize naturally under UV light. Finally, we prepared them to the correct thickness on the backing and then glued them in place with hot glue. […]

Louis XIV style commode – Grenoble, first third of the 18th century

Ebénisterie Mathieu Vath

Restoration of a Louis XIV Dauphiné commode, veneered in geometric Alpine wood. With a bombé front, it opens with three drawers in three rows. Moreover, its proportions and construction are those of a full-size commode (dovetail joints, intermediate shelves, etc.). The cabinetmaker has masterfully played with contrasts by juxtaposing different wood species. The quality and variety of the woods used in this small piece of furniture are noteworthy. First, olive and olive burl. Then walnut and rosewood for the framing bands, highlighted with double fillets of […]

Regency chest of drawers

Ebénisterie Mathieu Vath

Restoration of a bombé commode, veneered in satinwood with double boxwood stringing within amaranth borders. The frame is fir and the drawer units are walnut. It opens with four drawers in three rows. Its finely chased bronze mounts are silvered, not gilded as is customary. The uprights are veneered with a facsimile of brass fluting. The sides, decorated with a lozenge inscribed within a rectangle, echo the decorative motif of the front veneer. It is topped with a green Campan marble slab […]

Regency corner

Ebénisterie Mathieu Vath

Restoration of a Regency period corner cabinet veneered in Rio rosewood on a softwood frame. The piece had little damage apart from missing fluting and mahogany grafts on the top and bottom rails. The work therefore consisted of replacing the mahogany grafts with rosewood veneer that was sawn, scraped, and sanded before being glued with hot glue. The brass fluting was recreated and adjusted to fit perfectly into its original positions. A French polish finish was applied […]

Regency commode with crowned R

Ebénisterie Mathieu Vath

Restoration of a Regency commode, probably from southeastern France, on a softwood frame. Its veneer combines yew, plum, rosewood, walnut, cherry, amaranth, violet wood, boxwood, and green-stained maple. Besides its highly unusual marquetry decoration, this commode is also distinguished by its crowned R bronze mounts. The crowned R hallmark should not be confused with the crowned C hallmark. The latter corresponds to a tax levied from 1745 to 1749 on objects made of […]

Louis XV slant-front desk

Ebénisterie Mathieu Vath

Raphaël's first restoration project was this Louis XV period rosewood veneer slant-front secretary. It was a complete restoration involving numerous veneer grafts and a waxed, filled finish. A delicate job, as rosewood is unforgiving. The slightest misstep with the chisel, or excessive sanding, and its beautiful blond patina disappears, revealing the original dark color and causing unsightly stains. Therefore, there was no choice but to scrape and sand the newly sawn veneer and cut it to the correct thickness before gluing it […]

Regency commode by François LIEUTAUD

Ebénisterie Mathieu Vath

Restoration of a Regency period commode in alternating rosewood and walnut, inlaid with friezes and fillets. Its slightly curved front opens with three wide drawers. A brass molding encircles the top, which features a geometric design of circles around a central polylobed motif adorned with figures. Polished brass fluting embellishes the uprights and rails. The sides are veneered with walnut in a diamond pattern. Finally, the tapered feet terminate in claw feet. The commode also features large, chased and gilded bronze mounts.

Regency chest of drawers stamped ID

Ebénisterie Mathieu Vath

Restoration of a Regency commode, veneered in rosewood on a conifer frame. It was only after three weeks of work that I noticed a strange mark. It had been right in front of me from the start, and I hadn't seen it. It is indeed quite rare to see a stamped Regency commode. But yes, the mark was definitely there. And it's not a modest one: this ID stamp is attributed to Jacques Denizot. Jacques Denizot (1684–1760) was a Parisian cabinetmaker who remains relatively unknown. […]

Louis XIV commode from the Dauphiné region

Ebénisterie Mathieu Vath

Restoration of a Louis XIV period commode in olive burl, rosewood, and boxwood, likely from the Dauphiné region. Along with Mazarine commodes, this type of D-shaped commode is among the very first commodes produced during the reign of Louis XIV. Indeed, the first French furniture resembling the commode only appeared around 1700. Thus, the oldest known Parisian commodes are those delivered by André-Charles Boulle to Versailles around 1708. Their very simple decorations are inspired by Dutch models. They are, moreover, often the work of Protestant cabinetmakers, who favored native woods according to the precepts of […]

Louis XIV commode

Ebénisterie Mathieu Vath

Restoration of a Louis XIV commode constructed of fir and Rio rosewood veneer. The front is slightly convex, as are the uprights and rails. It features brass fluting. The remarkably crafted varnished bronze mounts have retained their original varnish. The restoration consisted of rehydrating all veneered surfaces by infiltrating glue. Missing areas were filled with rosewood veneers that were sawn, scraped, sanded, cut to the correct thickness as a backing, and UV-oxidized before being glued with hot glue. As you can see on […]

Regency chest of drawers

Ebénisterie Mathieu Vath

Restoration of a Regency commode veneered in rosewood and palisander. It arrived in very poor condition: the joints were completely detached, there were numerous missing veneers, and significant structural deformations on the sides. Its patina was also heavily soiled by multiple layers of dark wax. The bronze mounts and locks had been added in the 19th century during a restoration—a typical restoration for this type of furniture. We re-glued the sides and joints as best we could, replaced the missing veneer, and reattached the brass fluting. Above all, […]

Louis XVI commode

Ebénisterie Mathieu Vath

This week, we restored a Louis XVI commode with a projecting front, veneered in Rio rosewood, amaranth, rosewood, and violet wood. Boxwood and ebony stringing forms a coiled ribbon, with engravings filled in red wax. Finally, the tapered feet and canted uprights feature faux fluting in ebony and boxwood. However, no stamp allows us to attribute this very fine piece, crafted from high-quality wood. The restoration required little work. In fact, a colleague was already […]

Eight-foot desk known as the "Mazarin" desk«

Ebénisterie Mathieu Vath

Extensive restoration work has been undertaken on this Mazarin desk, veneered in kingwood and rosewood. It is entirely veneered on fir, with a solid rosewood base. The top features a marquetry of rosewood stars, surrounded by kingwood butterfly wings arranged in circles. Why the name "Mazarin"? The eight-legged desk is one of the jewels of 17th-century furniture. Antique dealers only began calling it "Mazarin" in the 19th century, to lend it more "prestige." In reality, it only appeared around […]

Louis XV style desk

Ebénisterie Mathieu Vath

A major restoration was undertaken for this small Louis XV style desk, richly adorned with bronze mounts and veneered in rosewood. The restoration involved replacing the missing veneer while preserving as much of the remaining material as possible. This was achieved by using veneer that was sliced, scraped, sanded, oxidized, and varnished before being re-glued, thus avoiding the need to sand the piece before finishing. Rosewood is a very dark wood that lightens with age, developing a beautiful reddish patina that cannot be removed by any means.

Regency chest of drawers

Ebénisterie Mathieu Vath

Originating in the late 17th century but only acquiring its name in the early 18th century, this is the first classic model of a commode. Although typically Louis XIV in style, it may not have existed before the Regency period. With rounded corner pilasters with slightly convex faces, deep copper fluting, veneer, and geometric bronze mounts, it features three rows of drawers. It perpetuates the spirit of Louis XIV furniture throughout much of the 18th century. Bibliography: Furniture […]

Transitional dresser

Ebénisterie Mathieu Vath

Restoration of a transitional period commode with a projecting front, veneered in rosewood and palisander. The Greek key-patterned moldings, stained green, are made of hornbeam, and the front features a butterfly wing design. It opens with two large drawers with concealed crossbars, and three drawers in an upper row. The uprights, with simulated fluting, are veneered in ebony and boxwood. It rests on four cabriole legs adorned with hoof-shaped feet. Over the centuries, its structure has […]

Louis XV style flat desk

Ebénisterie Mathieu Vath

A second life for this Louis XV style desk, veneered in Rio rosewood (Dalbergia nigra) and African mahogany (Khaya). Besides the construction and tool marks, the presence of this African mahogany greatly facilitates its dating. This type of mahogany began arriving from the west coast of Africa at the end of the 19th century. It became ubiquitous in furniture production at the beginning of the 20th century. I first re-glued the structure and the joints, then the veneer "bells." I filled in the missing sections with sliced veneer, […]

Regency chest of drawers

Ebénisterie Mathieu Vath

This small chest of drawers has a classic form typical of the Regency period. It still retains the rigor of the Louis XIV style: the front is curved, the front uprights are rounded, and the sides remain straight. It opens with three drawers. Its uprights and intermediate rails are decorated with brass fluting. The frame is entirely made of fir. The intermediate panels are dovetailed into the sides. The back is made of horizontal planks, nailed with rebates. The drawers are walnut, except for their wooden fronts […]

Louis XVI commode

Ebénisterie Mathieu Vath

Restoration of a Louis XVI period commode from eastern France. It is made of solid oak and fir, veneered with end-grain laburnum, walnut, plum, amaranth, rosewood, palisander, boxwood, and green-stained hornbeam. The handles and keyhole escutcheons were added later. Indeed, the original fittings have disappeared: only the handle holes remain. This is a piece of furniture that has never been restored. Moreover, the veneer is almost 4 mm thick in places. Furthermore, one can see […]

Majorelle table and rosewood

Ebénisterie Mathieu Vath

This is the second time I've worked on this type of table, which came from Louis Majorelle's workshop in the 1920s or 30s. You can find all the information about this type of table at the following link: https://ebenisterie-mathieuvath.fr/2019/08/29/table-majorelle/ It's primarily a preventative restoration. In fact, there wasn't any major damage. So, a few grafts and re-gluing a large part of the edge veneer were enough to restore this lovely Rio rosewood table. This is therefore an opportunity to tell you about this wood, which is so […]

Regency chest of drawers stamped J.BIRCKLE

Ebénisterie Mathieu VATH

Restoration of a chest of drawers veneered in Rio rosewood, with satinwood stringing. It opens with two large drawers and, in the upper section, two smaller ones. Its frame is made of oak and fir. It also bears the stamp J.BIRCKLE and the JME hallmark on the left upright. Finally, there are some traces of restoration and an ink mark on one side of a drawer. Jacques Bircklé (1734-1803) – Cabinetmaker – master craftsman obtained on July 30, 1764. One of the suppliers to the Royal Furniture Repository under Louis XVI. Free craftsman […]

Transitional dresser

Ebénisterie Mathieu VATH

Here is a very simple commode from eastern France, probably dating from the late 18th century. Its front is slightly curved and its uprights are chamfered. The bronze mounts are probably not original. The frame is made of solid softwood, the uprights of oak. The drawer bottoms are set in a rebate and slide on the drawer fronts, which is typical of provincial work. A small unusual feature: the commode has no top panel; the marble slab rests directly on the frame. At the level of […]

Label signed "Louis David Carré in Paris"«

Ebénisterie Mathieu VATH

After several weeks of work, the restoration of this clock is finally complete. It is a Louis XV period clock in brown tortoiseshell and brass marquetry, with rosewood restorations. The dial is by Louis David Carré, nephew of Julien Le Roy, who became a master craftsman on December 31, 1748. Lodged at the Louvre from 1744, he was elected a juror in 1775. The greatest treasure of this clock lies in its bronze mounts. They are truly magnificent, and above all, they are in very good condition. There is only […]

Louis XVI style sewing box

Ebénisterie Mathieu VATH

This sewing box dates from the Napoleon III period. Its frame is made of conifer. It is veneered with Rio rosewood, mahogany for the interior, and bound with boxwood and green-stained maple. A great quality of this box is that its lid has not warped. This is often the major problem with this type of object. People forget to lock them, and the wood warps. It then becomes very difficult to find the "trick" to make the box close properly without extensive restoration. Restoration work […]

Louis XV slant-front desk stamped HEDOUIN

Ebénisterie Mathieu VATH

Thanks to its stamp, this slant-front desk can be dated between 1738 and 1783. Jean-Baptiste Hédouin's life remains relatively unknown. After completing his master craftsmanship, he set up his workshop on Rue Traversière-Saint-Antoine. All his furniture is of high quality. Primarily in the Regency and Louis XV styles, almost all veneered in sheets or with grid patterns, they are also quite varied: wardrobes, flat and slant-front desks, bookcases… But chests of drawers make up the largest part of his production. Most of them adopt the […]

Tool cabinet – The top doors

Ebénisterie Mathieu Vath

For these marquetry designs, I consulted Pierre Ramond's book, "André-Charles Boulle, Cabinetmaker, Chaser, and Marquetry Maker to the King." I used the marquetry drawings from the Boulle workshop's cabinet (circa 1715-1720). However, I removed the birds and the butterfly to simplify the design. Furthermore, I partially used the "Boulle" method for the acanthus leaves and the vase. Finally, for the flower bouquets, I chose the technique of painting on wood.