Mathieu Vath Archives • Ébénisterie Mathieu Vath

Transitional dresser

June 24, 2020May 31, 2021 Mathieu VathVacuum bonding, convenient, conservation, Veneering - Marquetry, sawn veneer, polite, restoration, furniture restoration, Transitional style

Here is a very simple chest of drawers from eastern France, probably dating from the late 18th century. The front is slightly curved and the uprights are chamfered. It should be noted that the bronze mounts are probably not original. The frame is made of solid softwood, and the uprights are oak. The drawer bottoms are set in rebates and slide on the drawer fronts, which is typical of provincial work. A small peculiarity: this chest of drawers does not have top panels, the […]

Louis XVI commode stamped JA BRUNS

March 16, 2020May 31, 2021 Mathieu Vathamaranth, rosewood, Bronzes, oak, Vacuum bonding, convenient, graft, Marquetry, Veneering - Marquetry, sawn veneer, furniture restoration, Louis XVI style, French polish

This week marks the completion of the restoration of a Louis XVI commode stamped JA BRUNS. It is made of oak for all the structural elements, except for the side panels, drawer backs, drawer fronts, and the two drawer bottoms, which are made of softwood. It is veneered with rosewood in a butterfly pattern and amaranth for the edges. The false fluting is made of boxwood and ebony, and there is a green-stained maple stringing forming the corners at […]

Secretary stamped P.ROUSSEL JME

February 8, 2020May 31, 2021 Mathieu Vathamaranth, rosewood, Vacuum bonding, stamp, Louis XV, Marquetry, Veneering - Marquetry, restoration, furniture restoration, secretary, French polish

Here are some images of the restoration of a secretary desk stamped by Pierre Roussel (1723-1782). Having become a Master Cabinetmaker in 1745, Pierre Roussel set up shop on Rue de Charonne, in the Faubourg Saint-Antoine, under the sign "L'Image de Saint Pierre" (The Image of Saint Peter). Thanks to his skills as a cabinetmaker and especially as an exceptional marquetry artist, he quickly gained a great reputation. In 1762, he became a sworn member of his guild. By 1767, he was considered one of the best cabinetmakers of his time. Highly regarded by his colleagues, he became a representative of the cabinetmakers' guild in 1777 and then syndic two […]

Mazarine Chest of Drawers

January 27, 2020May 31, 2021 Mathieu Vathconvenient, Veneering - Marquetry, restoration, furniture restoration, Louis XVI style, French polish

Here is a charming Mazarine commode from the Louis XIV period. With a serpentine front and three drawers in three rows, it is topped with a marquetry top featuring a compass rose on an end-grain wood background. Constructed on a fir frame, it is covered with a beautiful olive veneer, with both end-grain and grain-grained veneer, rosewood, ash on the sides, and boxwood for the stringing and compass rose. The crossbeams are joined with straight dovetail joints on the sides, which has caused some minor imperfections.

Louis XVI style table

January 4, 2020May 31, 2021 Mathieu Vathmahogany, rosewood, graft, Marquetry, Veneering - Marquetry, restoration, furniture restoration, Louis XVI style

Here is a Louis XVI style table, which is probably an early 20th-century piece. It was likely made in the Faubourg Saint-Antoine, or perhaps at the École Boulle. I have seen apprentice furniture of this quality made by students during their training. Its frame is oak, while the veneer is rosewood and mahogany with a black inlay. The restoration was straightforward, apart from a lack of rosewood in the marquetry […]

Corner cabinet in Boulle marquetry from the Napoleon III period

November 20, 2019May 31, 2021 Mathieu VathBronzes, Vacuum bonding, corner, graft, Brass, Boulle marquetry, Napoleon III, Uncategorized, furniture restoration, French polish

A classic restoration of Boulle marquetry. This involved rehydrating the old glue through infiltration, crafting and gluing the missing brass pieces, and reconstructing the base, which was in poor condition but not beyond repair. The bronze mounts were cleaned and finished with a clear French polish. Proof that appearances can be deceiving. Even a piece of furniture in a severely deteriorated state can regain its former beauty.

Commode returning from Egypt

November 3, 2019May 31, 2021 Mathieu Vathmahogany, Bronzes, convenient, graft, Veneering - Marquetry, restoration, furniture restoration, return from Egypt, 19th century

During the turbulent period of the French Revolution, furniture production was considerably diminished, and most artisans experienced very difficult times. Overall, from the Consulate to the Directory, furniture and seating had little time to evolve. However, even though some decorative motifs inspired by Egypt had already appeared, it was after the Egyptian expedition (1798-1801) that they evolved into a unique style. The so-called "Return from Egypt" style, however, lasted only a short time: a decade at most, as it would […]

Secretary stamped Martin Ohneberg

October 23, 2019May 31, 2021 Mathieu VathLeather, stamp, graft, Veneering - Marquetry, restoration, furniture restoration, secretary, Louis XVI style, French polish

This week marks the completion of the restoration of a Louis XVI period secretary. Martin Ohneberg (Master in 1773), the cabinetmaker who crafted this piece, was an excellent marquetry artist and used very high-quality rosewood. He produced numerous pieces of furniture with very simple lines but exquisite marquetry, including an endless variety of drop-front secretaries. This particular one is veneered with rosewood and amaranth, and features a mosaic marquetry of maple blossoms on a red satinwood ground. The framing bands […]

Louis XIII style desk

October 2, 2019May 31, 2021 Mathieu VathLouis XIII, Marquetry, Uncategorized, Veneering - Marquetry, restoration, furniture restoration

A look back at the restoration of a 17th-century Louis XIII table. It is made of solid walnut and veneered with walnut, ebony, ivory, and boxwood. This table had spent a long time in an attic, and unfortunately, the tabletop suffered considerably. Many sections of veneer were missing. The restoration therefore began by removing what little veneer remained. It was very easy; it was completely detached. I simply had to lift it with a thin blade, and it came right off. After having […]

Pedestal table with cube marquetry

September 19, 2019May 31, 2021 Mathieu Vathpedestal table, Veneering - Marquetry

This week, I restored a lovely pedestal table, made locally with a solid ash base and marquetry of maple, walnut, and plum wood for the bottomless cubes. The restoration wasn't too difficult: I re-glued the loose marquetry pieces, stripped the old finish, and applied a French polish. I used a very interesting new recipe that I'll share in a future post. It's a recipe from 1861 by Dessaignes.

Louis XIII Cabinet

September 4, 2019May 31, 2021 Mathieu Vathviolet wood, Solid Wood, Cabinet, Vacuum bonding, Louis XIII, Veneering - Marquetry, restoration, furniture restoration

A look back at a fascinating restoration project (at least for me). So fascinating, in fact, that I forgot to take photos at the beginning! This cabinet dates from the 17th century and features two drawers in the cornice and two doors in the upper section. The base consists of two drawers in the frieze supported by eight turned feet and a top resting on ball feet. Inside are twelve drawers and two doors concealing an interior theater, as well as eleven more drawers. The feet, along with […]

Transitional dresser in the style of Topino

August 26, 2019May 31, 2021 Mathieu Vathrosewood, Bronzes, convenient, graft, Marquetry, Veneering - Marquetry, sawn veneer, restoration, furniture restoration, Transitional style

A month ago, a lovely transitional commode arrived, which reminds me of the work of the cabinetmaker Charles Topino (circa 1742-1803) – he received his master craftsman's certificate on July 4, 1773. However, this commode does not bear his stamp, nor any stamp for that matter. This confirms that a stamp is not necessary to possess a piece of high-quality furniture. Furthermore, the marquetry could very well have come from Topino's workshop, as he sold panels of his marquetry to the haberdashers and his colleagues […]

Louis XV corner cabinet, stamped JM CHEVALLIER (Restoration completed)

August 8, 2019May 31, 2021 Mathieu Vathrosewood, violet wood, Bronzes, KNIGHT, corner, Louis XV, Veneering - Marquetry, sawn veneer, restoration, furniture restoration, 17th century

Louis XV slant-front desk stamped HEDOUIN (Restoration complete)

August 1, 2019May 31, 2021 Mathieu Vathviolet wood, Bronzes, donkey's back desk, Leather, stamp, graft, HEDOUIN, Louis XV, Uncategorized, Veneering - Marquetry, restoration, furniture restoration, French polish

Remember that slant-front desk? Well, it's finished. It was quite a task, but now it's regained its former glory. Only the drawer keyholes and the leather upholstery remain to be fitted before it's returned to its owner. A large part of the legs has been remade from sawn violet wood. This was cut to the correct thickness, scraped and sanded, then oxidized before being glued, so as not to have to sand the entire piece of furniture […]

Louis XV commode stamped JC Ellaume

10 June 2019May 31, 2021 Mathieu Vathrosewood, Vacuum bonding, convenient, Louis XV, Marquetry, Veneering - Marquetry

Restauration d’une commode d’époque Louis XV estampillée J.C Ellaume. Cette commode est plaquée de bois de rose et de palissandre avec des marqueteries florales sur les tiroirs de façade. Le bâti est en chêne et conifère. Jean-Charles Ellaume que l’on retrouve aussi écrit Allaume a reçu sa maitrise à Paris le 6 novembre 1754. On connaît beaucoup de meubles marqués de son estampille. Ce sont pour la plupart des commodes Louis XV. C’est dans son atelier rue Traversière qu’il produisit pendant plus de trente ans de nombreux meubles de qualité, […]

Alexandre Morell's Boulle Cartel – Marquetry

May 15, 2019May 31, 2021 Mathieu VathVacuum bonding, Marquetry, Boulle marquetry, furniture restoration

After reattaching the structure, removing the brass, cleaning up any remaining animal glue, and removing any residue of superglue and neoprene adhesive, the next step is cutting out the new pieces of brass and tortoiseshell to fill the gaps. So, as usual, I take an impression of the missing piece. Then I glue this piece of paper onto a brass plate, which is itself glued with fish glue to a piece of 4mm plywood. This makes the brass plate easier to cut. To retrieve […]

Alexandre Morell's Boulle Cartel

May 2, 2019May 31, 2021 Mathieu VathMarquetry, Boulle marquetry, furniture restoration

Here is my first client, patient… well, whatever you want to call him. It's a Boulle marquetry cartel clock in brown tortoiseshell, ebony, and brass. As you can see in the following photos, it's not in very good condition. There are many missing brass pieces, and the remaining brass is peeling off everywhere. At first glance, it's always difficult to precisely date a Boulle cartel clock: this one doesn't have a maker's mark. However, it does have corkscrew screws (typical of the 18th century […]

Tool cabinet – End

April 3, 2019May 31, 2021 Mathieu VathCopy of an old, Creation, Marquetry

And there you have it, it's finished and ready to use. All the tools are in their proper place. All that's left is to find bronze fittings for the handles and keyhole escutcheons. For the finishing technique, I used the same one applied to furniture of that period: polishing. I first scraped the surface, then sanded it with 150-grit sandpaper. Next, I applied Venetian tripoli mixed with olive oil using a piece […]

Tool cabinet – Michelangelo's The Creation of Adam

March 6, 2019May 31, 2021 Mathieu VathCopy of an old, Marquetry, Uncategorized

I indulged myself with this marquetry project; I had always wanted to recreate this famous marquetry fresco. This allowed me to revisit David Roentgen's "mosaic marquetry" technique. I created a pack with a hornbeam leaf, a sycamore maple leaf, and a pear leaf to make the figures, as pear wood is the best for reproducing skin tones. To tint the background, I dipped it in different baths to produce this effect of […]