satiné Archives • Ébénisterie Mathieu Vath

Louis XVI secretary stamped Ohneberg

May 9, 2025March 8, 2026 Mathieu VathVeneering - Marquetry, furniture restoration, satin, secretary, Louis XVI style, 18th century

This Louis XVI period secretary, stamped by Martin Ohneberg, a masterpiece of sobriety and refinement, features a solid wood frame veneered in rosewood and a sumptuous ribboned satinwood veneer, whose sinuous, golden veins lend brilliance and depth. The ornamentation is understated yet exquisite: delicately floral, chased bronze mounts accentuate the clean lines of the piece, typical of the Neoclassical style. Martin Ohneberg, of German origin, was active in Paris during the last decades of the 18th century, notably during the reign of […]

Flat Greek-style desk stamped DUBOIS

March 27, 2025March 27, 2025 Mathieu Vathamaranth, violet wood, Bronzes, Desk, polite, furniture restoration, satin, Louis XVI style, Transitional style, 18th century

One desk, one stamp, three cabinetmakers? The desk we are about to discover, a masterpiece of French cabinetmaking, embodies the culmination of 18th-century Neoclassical taste. The question that immediately arises upon contemplating this exceptional piece is: why three cabinetmakers for a single desk? The answer lies in the complex interplay of succession, talent, collaboration, and opportunism that characterized the craftsmanship of the period. This flat desk, known as a "Greek-style" desk, is a perfect example of the Louis XVI style. Made from a blend of […]

Louis XVI Weekly Planner

November 15, 2024November 15, 2024 Mathieu Vathamaranth, rosewood, Louis XVI, Veneering - Marquetry, furniture restoration, satin

Restoration of a Louis XVI chest of drawers veneered in rosewood, satinwood, and amaranth. It opens with a series of seven drawers framed by rounded uprights with simulated fluting made of boxwood and blackened pearwood. A chest of drawers? The chest of drawers is a piece of furniture that appeared in the mid-18th century, primarily intended for women. It is a chiffonier (which appeared during the Regency period, between 1715 and 1723) with seven drawers, one for each day of the week, designed to store the day's clean undergarments. The restoration...

Regency style commode stamped Hédouin

September 19, 2024September 19, 2024 Mathieu Vathamaranth, Vacuum bonding, convenient, HEDOUIN, Veneering - Marquetry, Veneering - Marquetry, sawn veneer, regency, furniture restoration, satin

Here is the latest restoration by Raphaël, my apprentice. Although it possesses all the attributes of a Regency commode, it could only have been made much later, after this historical period (around 1715-1723). Indeed, since Hédouin obtained his master craftsman's certificate in 1738, during the height of the Louis XV era, it is more accurately described as a commode "in the Regency style" by cabinetmakers of the time. This commode is entirely constructed of oak, except for the interior panels, and is veneered with amaranth and satinwood. Jean-Baptiste HEDOUIN The life of Jean-Baptiste Hedouin is quite […]

La Rochelle chest of drawers in "Isles wood"«

September 4, 2024September 4, 2024 Mathieu Vathmahogany, Solid Wood, Bronzes, convenient, ebony, polite, furniture restoration, 18th century

A look back at the restoration of this rare port chest of drawers, crafted from solid woods brought back from both the Orient and the West Indies, combining four precious woods: mahogany, satinwood, Palo Santo, ebony, and, most notably, a fifth wood, Royal ebony. This chest of drawers opens with three wide drawers in three rows of Palo Santo, interspersed with Ceylon ebony crossbars, and is topped with a solid framed top composed of parquet flooring, primarily enlivened by Royal ebony crossbars against a mahogany background (some sections are mottled or […]

Louis XV commode stamped NA Lapie

January 16, 2024January 16, 2024 Mathieu Vathamaranth, Vacuum bonding, convenient, Louis XV, Veneering - Marquetry, furniture restoration, satin, French polish, 18th century

Restoration of a Louis XV commode, stamped by Nicolas Alexandre Lapie, veneered in amaranth and satinwood on a beautifully crafted oak frame. The sides and drawer fronts are made of softwood, and the marble top is Campan griotte marble. Nicolas Alexandre Lapie, son of Nicolas Lapie, a pottery merchant in the Faubourg Saint-Antoine, and brother of the master cabinetmaker Jean Lapie, Nicolas Alexandre (known as the Elder) appears to have been born around 1730. He registered his master's letters at the Châtelet in Paris on the 17th […]

Louis XV writing table

March 23, 2023March 24, 2023 Mathieu Vathrosewood, violet wood, Louis XV, Veneering - Marquetry, furniture restoration, coffee table

Restoration of a Louis XV period drawing table, or more precisely, a writing table, veneered in rosewood, with a satinwood back. Born from the passion for correspondence in the 18th century, fashionable merchants deployed all their ingenuity to create numerous models of utilitarian tables to be placed in the center of a room. These table models differed from ordinary tables; they were generally equipped with a writing surface and drawers for storing ink and quills. It is in […]

Small chest of drawers from La Rochelle

December 8, 2022December 9, 2022 Mathieu VathSolid Wood, convenient, furniture restoration, satin, 18th century

Here is the restoration of a small Louis XV commode in solid satinwood and ribboned satinwood. It is curved on all sides, including the back, and opens with three drawers in the front, as well as a pull-out candle holder at the back. La Rochelle, 18th century. Its top, molded with a corbel edge highlighted by a cavetto molding, is made of ribboned satinwood, which is also found on the front and sides, while the base is made of fine satinwood punctuated with so-called "snail" feet ending in split goatskin feet. Note the unusual proportions but especially the curves […]

Coffee table stamped P.GARNIER JME

September 1, 2022September 1, 2022 Mathieu VathVeneering - Marquetry, furniture restoration, satin, Transitional style, Transition, French polish

Restoration of a Transitional Period (1750-1774) satinwood veneer salon table stamped by Pierre Garnier (circa 1726-1800). Originally from Paris, and the son of master cabinetmaker François Garnier, Pierre Garnier obtained his master's certificate on December 31, 1742. In contrast to his father, François left the Faubourg Saint-Antoine for the rue Neuve-des-Petits-Champs, near the Place Vendôme. His clientele consisted of merchants such as Léonard Boudin and Pierre Migeon, but above all of the kingdom's wealthiest figures, such as Louis Georges Erasme, Marshal of France, the Duchess of Mazarin, and the Marquis de Marigny, […]

Louis XVI commode

December 20, 2021December 20, 2021 Mathieu Vathamaranth, rosewood, violet wood, Bronzes, convenient, Louis XVI, Rio Rosewood, Veneering - Marquetry, furniture restoration, 18th century

This week, we're restoring a Louis XVI commode with a projecting front, veneered in Rio rosewood, amaranth, and violet wood, with marquetry stringing in boxwood and ebony forming a ribbon wrapped around the wood, the background of the engravings filled with red wax. The tapered legs and canted uprights have faux fluting in ebony and boxwood. There's no maker's mark to attribute this beautiful piece and the high quality of wood chosen for its construction. Regarding the restoration, the work isn't very […]

Transitional chest of drawers stamped LARDIN

April 20, 2021May 31, 2021 Mathieu Vathamaranth, rosewood, Vacuum bonding, convenient, conservation, graft, LARDIN, Veneering - Marquetry, sawn veneer, furniture restoration, satin, Transition

Restoration of a Transition period commode built of fir and oak and veneered with rosewood, framed with stringing of white hornbeam and green-stained wood, with a satinwood band surrounded by amaranth. The central medallion is satinwood veneer assembled in a herringbone pattern. The maker's mark and the JME (Journée des Métiers d'Étranger) are located at the base of the left rear leg. André-Antoine Lardin (1724 – August 10, 1790) obtained his master craftsman's certificate on July 1, 1750, and established himself on the rue de Charenton under the sign "Au Bois de Boulogne." He worked there until 1770, the date […]