ébène Archives • Ébénisterie Mathieu Vath

Rochelaise table in rosewood and ebony

March 26, 2026March 26, 2026 Mathieu Vathrosewood, Solid Wood, ebony, furniture restoration

Restoration of a Louis XV salon table, made in La Rochelle in the mid-18th century. This piece is distinguished by its parquet top, alternating rosewood and ebony. It opens with a drawer integrated into the front apron, whose shaped moldings and cabriole legs with octagonal sides testify to exceptional craftsmanship. The table is made exclusively of solid rosewood for the base, the parquet top, and the drawer boxes, while solid ebony is used for the […]

Small Antwerp cabinet in ebony and tortoiseshell

January 31, 2025January 31, 2025 Mathieu VathCabinet, ebony, Louis XIII, Veneering - Marquetry, furniture restoration

Restoration of a cabinet opening with nine drawers arranged in five rows (six small drawers in the top row, one small central drawer, and two wide drawers in the lower section, each simulating two drawers) with turned ivory knobs. It is set into a base, itself opening with a wide drawer in the frieze, with four faceted legs connected by a flat, frame-like stretcher and ending in ball feet. This octagonal base allows us to date this cabinet to around 1660, at the very end of the Louis XIII period or the very beginning […]

La Rochelle chest of drawers in "Isles wood"«

September 4, 2024September 4, 2024 Mathieu Vathmahogany, Solid Wood, Bronzes, convenient, ebony, polite, furniture restoration, 18th century

A look back at the restoration of this rare port chest of drawers, crafted from solid woods brought back from both the Orient and the West Indies, combining four precious woods: mahogany, satinwood, Palo Santo, ebony, and, most notably, a fifth wood, Royal ebony. This chest of drawers opens with three wide drawers in three rows of Palo Santo, interspersed with Ceylon ebony crossbars, and is topped with a solid framed top composed of parquet flooring, primarily enlivened by Royal ebony crossbars against a mahogany background (some sections are mottled or […]

RELIGIOUS CLOCK, Sarrabat Paris

August 24, 2023August 24, 2023 Mathieu VathBronzes, Vacuum bonding, conservation, Louis XIV, Boulle marquetry, pendulum, polite, furniture restoration

Restoration of a 'religious' clock with a striking mechanism on the half-hour, signed (dial and movement) 'Sarrabat à Paris', third quarter of the 17th century. Religious clocks were the earliest form of clocks during the reign of Louis XIV, the Sun King. Their popularity increased from 1660 onwards, thanks to Huygens' discovery of the regulator pendulum. This particular clock features Boulle marquetry of red tortoiseshell, brass, and pewter on a walnut frame, decorated with gilt bronze mounts and ebony moldings. The lower molding is also ebony and rests on […]

L Cueunieres Writing Desk

November 26, 2021November 27, 2021 Mathieu Vathmahogany, Inkwell, Napoleon III, Veneering - Marquetry, furniture restoration, French polish, 19th century

A small restoration for this very pretty Louis XVI style inkwell, stamped L.CUENIERES jne. Louis Cueunières jeune, established at 10 rue Villehardouin in Paris in 1870, specialized in the restoration of antique furniture and the reproduction of period pieces. This inkwell was in fairly good condition. Apart from a few small pieces of missing ebony, it was simply dirty. A few ebony grafts, a good cleaning, and a touch-up of the varnish with a French polish were enough to restore its former luster. To see previous restorations: https://ebenisterie-mathieuvath.fr/en-ce-moment-a-latelier/ You can find this piece at […]

Louis XIII Cabinet

September 4, 2019May 31, 2021 Mathieu Vathviolet wood, Solid Wood, Cabinet, Vacuum bonding, Louis XIII, Veneering - Marquetry, restoration, furniture restoration

A look back at a fascinating restoration project (at least for me). So fascinating, in fact, that I forgot to take photos at the beginning! This cabinet dates from the 17th century and features two drawers in the cornice and two doors in the upper section. The base consists of two drawers in the frieze supported by eight turned feet and a top resting on ball feet. Inside are twelve drawers and two doors concealing an interior theater, as well as eleven more drawers. The feet, along with […]

Alexandre Morell's Cartel Boulle – Continued

May 8, 2019May 31, 2021 Mathieu VathMarquetry, Boulle marquetry, furniture restoration

Once the various structural elements were glued back together, I tackled the tortoiseshell and brass marquetry. As you'll see, on this clock it's in very, very bad condition; practically nothing is holding. So, all the brass has to be removed. The tortoiseshell, however, is holding well; it's only partially detached. The first step in restoring this marquetry is therefore to remove and set aside each brass element. The second is to clean off the old glue, […]

Alexandre Morell's Boulle Cartel

May 2, 2019May 31, 2021 Mathieu VathMarquetry, Boulle marquetry, furniture restoration

Here is my first client, patient… well, whatever you want to call him. It's a Boulle marquetry cartel clock in brown tortoiseshell, ebony, and brass. As you can see in the following photos, it's not in very good condition. There are many missing brass pieces, and the remaining brass is peeling off everywhere. At first glance, it's always difficult to precisely date a Boulle cartel clock: this one doesn't have a maker's mark. However, it does have corkscrew screws (typical of the 18th century […]

Tool cabinet – End

April 3, 2019May 31, 2021 Mathieu VathCopy of an old, Creation, Marquetry

And there you have it, it's finished and ready to use. All the tools are in their proper place. All that's left is to find bronze fittings for the handles and keyhole escutcheons. For the finishing technique, I used the same one applied to furniture of that period: polishing. I first scraped the surface, then sanded it with 150-grit sandpaper. Next, I applied Venetian tripoli mixed with olive oil using a piece […]

Tool cabinet – The top doors

March 27, 2019May 31, 2021 Mathieu VathCopy of an old, Creation, Marquetry

For these marquetry designs, I drew inspiration from Pierre Ramond's book, "André-Charles Boulle, Cabinetmaker, Chaser, and Marquetry Maker to the King." I used the marquetry drawings from the Boulle workshop cabinet (circa 1715–1720). I simply modified them by removing the birds and the butterfly to simplify the design. Then, I partially employed the "Boulle" method for the acanthus leaves and the vase. Finally, I used the wood painting technique for the flower bouquets.