Tool cabinet – The sculptor

Mathieu Vath

With this tool cabinet, I wanted to explore and put into practice several avenues I was researching.

One of them: to tackle the marquetry technique of a famous 18th-century cabinetmaker, David Roentgen. This "mosaic marquetry" technique involves cutting a single sheet of veneer using a conical saw. Each piece is then colored by dipping it in a chosen dye.

However, there were two difficulties: the conical sawing, which was delicate on a 0.6 mm veneer, and the coloring of the wood.

Armoire à outils en marqueterie, le sculpteur
Original marquetry by David Roentgen
Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Marquetry easel cutting
Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Repositioning the parts on the drawing

When I'm doing marquetry, I like to reposition each piece on a copy of the design. This allows me to visualize the result once the cutting is finished.

Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
In truth, the sawing went rather well.

The hardest part was the dyeing. I wanted to reproduce the 18th-century process. I consulted several books from the period, including Roubo, and then made several trials until I arrived at the result you see. Some shades are simple, like the dark brown, made with walnut stain. Others are more complex and original, like a variation of red made with urine and horse manure. And the smell!

Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Research on tinting
Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Each piece is placed in a different dye for 30 days.
Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Drying on absorbent paper

Once dry, I glue the veneer onto paper with hot glue, then I cut out the outline of the marquetry.

Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Drawing and marquetry
Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Then, after outlining the marquetry to be inlaid, I hollow out the background with a chisel.
Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Gluing

Not everything went perfectly: the blue dye migrated to the background. Perhaps due to the veneer drying out, or the hot gluing process. The experiment needs to be repeated to understand why.

And here's the result after sanding:

Marqueterie à la mosaïque Le sculpteur, d'après David Roentgen
Door finished.

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