{"id":9928,"date":"2025-04-30T11:52:29","date_gmt":"2025-04-30T09:52:29","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=9928"},"modified":"2026-10-27T19:13:10","modified_gmt":"2026-10-27T18:13:10","slug":"cartel-regence-6","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2025\/04\/30\/cartel-regence-6\/","title":{"rendered":"Regency Cartel"},"content":{"rendered":"

Restoration of a Regency cartel clock in brown tortoiseshell and brass marquetry, with an Atlas bronze mount bearing the dial. The piece exhibited significant structural and decorative damage, necessitating a complete intervention according to the principles of conservation-restoration.<\/p>\n\n\n

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\"Cartel
Before restoration <\/figcaption><\/figure>\n<\/div>\n\n\n

State of affairs report<\/h2>\n\n\n\n

This cartel clock, probably dating from the early 18th century, showed signs of age: lifting marquetry, detachment of the tortoiseshell, oxidation of the brass, and multiple losses. Furthermore, the bronze of\u2019Atlas<\/a>, Bent under the weight of the celestial vault, it was blackened. Indeed, decades of dust and oxidation had frozen its expression.<\/p>\n\n\n\n

We therefore carried out a systematic survey of all the elements, with a mapping of the alterations.<\/p>\n\n\n\n

\u2022 First, a marquetry partially detached<\/strong> at 80 %, with tensions between the scale and the brass due to hygrometric variations.<\/p>\n\n\n\n

\u2022 Next, a oxidation<\/strong> brass, a sign of active corrosion.<\/p>\n\n\n\n

\u2022 In addition, a bleached scale<\/strong>, sometimes brittle, often detached from the base.<\/p>\n\n\n\n

\u2022 Finally, some bronzes<\/strong> covered with a non-uniform black patina, with traces of oxidation and wear on the polished areas.<\/p>\n\n\n\n

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The Restoration <\/h2>\n\n\n\n

After partially dismantling the added elements, we first stabilized the solid oak support:<\/p>\n\n\n\n

\u2022 Then occasional rehydration<\/strong> of certain subsided areas, followed by pressing.<\/p>\n\n\n\n

\u2022 Afterwards, consolidation<\/strong> dovetail joints using reversible animal glue injection.<\/p>\n\n\n\n

\u2022 Moreover, deposit<\/strong> of certain brass components and deoxidation by bath.<\/p>\n\n\n\n

\u2022 Moreover, rehydration<\/strong> of scale and glues by vacuum infiltration.<\/p>\n\n\n\n

\u2022 Then restitution<\/strong> missing brass, after cutting on the marquetry easel.<\/p>\n\n\n\n

\u2022 Finally, regluing<\/strong> marquetry using hot animal glue, to guarantee reversibility and compatibility.<\/p>\n\n\n\n

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\"Cartel<\/figure>\n<\/figure>\n\n\n\n

As for the unregistered brass marquetry, we cleaned and deoxidized it by peeling. A light coat of shellac varnish then protected it. Finally, we sanded the varnish and applied a layer of microcrystalline wax. Furthermore, the bronzes were cleaned ultrasonically, without any abrasion of the modeling. Thus, a natural patina based on waxes and oxides restores the figure's dignity without betraying its age.<\/p>\n\n\n\n

Restoring a Boulle marquetry clock case is therefore about finding a balance between historical accuracy and artisanal skill. The bronze of Atlas, once again in all its majesty, becomes the central point of this clock, a symbol of the strength and endurance of time.<\/p>\n\n\n\n

Through this restoration, a whole facet of French decorative art is brought back to life. It pays homage to the craftsmanship of cabinetmakers of yesteryear, while respecting modern requirements. Indeed, this intervention aimed for maximum reversibility, legibility of the restorations, and respect for the original materials. Finally, the cartel clock regains its aesthetic unity and stability, while retaining the marks of time that attest to its authenticity.<\/p>\n\n\n

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\"Cartel
Finally, after restoration<\/figcaption><\/figure>\n<\/div>\n\n\n
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\"Cartel<\/figure>\n\n\n\n
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\"Cartel<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

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To see previous restorations<\/em><\/strong> <\/em><\/strong><\/a><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Restauration d\u2019un cartel R\u00e9gence en marqueterie d\u2019\u00e9caille de tortue brune et de laiton, au bronze d\u2019Atlas portant le cadran. L\u2019ensemble pr\u00e9sentait d\u2019ailleurs d\u2019importantes alt\u00e9rations structurelles et d\u00e9coratives. Elles n\u00e9cessitaient donc une intervention compl\u00e8te, selon les principes de la conservation-restauration. Constat d’\u00e9tat Ce cartel, datant probablement du d\u00e9but du XVIIIe si\u00e8cle, pr\u00e9sentait les marques du temps : soul\u00e8vements de la marqueterie, d\u00e9collement de l\u2019\u00e9caille, oxydation du laiton et multiples lacunes. De plus, le bronze d\u2019Atlas, pench\u00e9 sous le poids de la vo\u00fbte c\u00e9leste, \u00e9tait noirci. En effet, des d\u00e9cennies de poussi\u00e8re […]<\/p>\n","protected":false},"author":1,"featured_media":9914,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77,219,67,168],"tags":[80,72,3,15,76,38,37,36],"class_list":["post-9928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-marqueterie-boulle","category-regence","category-restauration-de-mobilier","category-xviiie-siecle","tag-colle-animale","tag-colle-de-poisson","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-marqueterie-boulle","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","clearfix"],"acf":[],"yoast_head":"\nCartel R\u00e9gence • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"description\" content=\"Restauration compl\u00e8te d'un cartel R\u00e9gence en marqueterie d'\u00e9caille et laiton au bronze d'Atlas, selon 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