{"id":6514,"date":"2022-09-15T14:37:50","date_gmt":"2022-09-15T12:37:50","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=6514"},"modified":"2022-09-15T14:38:32","modified_gmt":"2022-09-15T12:38:32","slug":"commode-louis-xvi-3","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2022\/09\/15\/commode-louis-xvi-3\/","title":{"rendered":"Louis XVI commode"},"content":{"rendered":"
Restauration d’une commode provinciale d’\u00e9poque Louis XVI. B\u00e2tie de r\u00e9sineux et de ch\u00eane, et plaqu\u00e9e de bois de violette, de bois de rose, d’\u00e9rable sycomore, de buis, d’\u00e9b\u00e8ne et d’\u00e9rable teint\u00e9. En son centre ce trouve une sc\u00e8ne bucolique repr\u00e9sentant entre deux arbres, une partie de cartes entre deux femmes et un homme en spectateur. En fond on aper\u00e7oit une maison et une \u00e9glise. Le tout est encadr\u00e9 d’un m\u00e9daillon de fleurs grav\u00e9 et color\u00e9es \u00e0 la cire noir et rouge. Les deux tiroirs du bas sont encadr\u00e9s d’une frise repr\u00e9sentant un ruban enroul\u00e9 avec les m\u00eames fleurs grav\u00e9es. Le tiroir du haut est quant \u00e0 lui plaqu\u00e9 de fausses cannelures de buis et d’\u00e9b\u00e8ne.<\/p>\n\n\n
La structure \u00e9tait fortement d\u00e9grad\u00e9e. Les assemblages \u00e9taient tous d\u00e9coll\u00e9, et la commode n’avait plus aucune stabilit\u00e9. Les panneaux des c\u00f4t\u00e9s \u00e9taient d\u00e9coll\u00e9s et d\u00e9solidaris\u00e9s des pieds. Les colles des placages \u00e9taient fortement d\u00e9shydrat\u00e9es et il y avait quelques manques. Les fonds de dessus, dessous, arri\u00e8res et interm\u00e9diaires avaient \u00e9t\u00e9 chang\u00e9 par du contreplaqu\u00e9.<\/p>\n\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n<\/figure>\n\n\n\n
The Restoration <\/h2>\n\n\n\n
Afin de changer les \u00e9l\u00e9ments de contreplaqu\u00e9 par des pi\u00e8ces en sapin neuf la commode a d\u00fb \u00eatre d\u00e9mont\u00e9e. Op\u00e9ration assez simple, les assemblages \u00e9tant en mauvais \u00e9tat, tenons cass\u00e9 joue de tenon \u00e9clat\u00e9e, etc. L’ensemble des fonds en contreplaqu\u00e9 ont donc \u00e9t\u00e9 restitu\u00e9 dans du sapin oxyd\u00e9 et mis en teinte en surface mais restant neuf avec des traces d’outils m\u00e9caniques afin que ceux-ci soient facilement datables en contre parement.<\/p>\n\n\n
\nInfiltration de colle sous vide<\/figcaption><\/figure>\n<\/div>\n\n\n
Les c\u00f4t\u00e9s ont \u00e9t\u00e9 recoll\u00e9 et l’ensemble des surfaces plaqu\u00e9es ont \u00e9t\u00e9 r\u00e9hydrat\u00e9e par infiltration de colle sous vide. Les greffes de placages ont \u00e9t\u00e9 r\u00e9alis\u00e9e avec du placage sci\u00e9, racl\u00e9, ponc\u00e9 et mis \u00e0 la bonne \u00e9paisseur en contre parement avant collage \u00e0 la colle de mammif\u00e8re. <\/p>\n\n\n\n
L’ancien vernis a ensuite \u00e9t\u00e9 l\u00e9g\u00e8rement all\u00e9ger puis repris \u00e0 la ponce et \u00e0 l’alcool. Puis un vernis au tampon incolore a \u00e9t\u00e9 appliqu\u00e9. Les bronzes ont \u00e9t\u00e9 nettoy\u00e9s par jet de vapeur d’eau.<\/p>\n\n\n\nAfter restoration<\/figcaption><\/figure>\n\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n<\/figure>","protected":false},"excerpt":{"rendered":"
Restauration d’une commode provinciale d’\u00e9poque Louis XVI. B\u00e2tie de r\u00e9sineux et de ch\u00eane, et plaqu\u00e9e de bois de violette, de bois de rose, d’\u00e9rable sycomore, de buis, d’\u00e9b\u00e8ne et d’\u00e9rable teint\u00e9. En son centre ce trouve une sc\u00e8ne bucolique repr\u00e9sentant entre deux arbres, une partie de cartes entre deux femmes et un homme en spectateur. En fond on aper\u00e7oit une maison et une \u00e9glise. Le tout est encadr\u00e9 d’un m\u00e9daillon de fleurs grav\u00e9 et color\u00e9es \u00e0 la cire noir et rouge. Les deux tiroirs du bas sont encadr\u00e9s d’une frise […]<\/p>\n","protected":false},"author":1,"featured_media":6327,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[86,215,67],"tags":[80,3,15,21,38,37,36,10],"class_list":["post-6514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-commode","category-placage-marqueterie-2","category-restauration-de-mobilier","tag-colle-animale","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-marqueterie","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","tag-vernis-au-tampon","clearfix"],"acf":[],"yoast_head":"\n
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B\u00e2tie de r\u00e9sineux et de ch\u00eane, et plaqu\u00e9e de bois de violette, de bois de rose, d’\u00e9rable sycomore, de buis, d’\u00e9b\u00e8ne et d’\u00e9rable teint\u00e9. En son centre ce trouve une sc\u00e8ne bucolique repr\u00e9sentant entre deux arbres, une partie de cartes entre deux femmes et un homme en spectateur. En fond on aper\u00e7oit une maison et une \u00e9glise. Le tout est encadr\u00e9 d’un m\u00e9daillon de fleurs grav\u00e9 et color\u00e9es \u00e0 la cire noir et rouge. 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