{"id":6036,"date":"2022-05-04T19:18:42","date_gmt":"2022-05-04T17:18:42","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=6036"},"modified":"2022-06-01T21:48:21","modified_gmt":"2022-06-01T19:48:21","slug":"commode-mazarine-3","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2022\/05\/04\/commode-mazarine-3\/","title":{"rendered":"Mazarine Chest of Drawers"},"content":{"rendered":"

Restauration d’une commode dite Mazarine, d’\u00e9poque Louis XIV, en placage de laiton et d’\u00e9b\u00e8ne sur une structure en conif\u00e8re.<\/p>\n\n\n\n

Cette commode comporte des tiroirs de forme arbal\u00e8te dont deux tiroirs de long surmont\u00e9s de deux demi-tiroirs s\u00e9par\u00e9s par un montant interm\u00e9diaire, les fa\u00e7ades sont en r\u00e9sineux, les c\u00f4t\u00e9s et les fonds sont en noyer. Le d\u00e9cor de laiton portant les poign\u00e9es pendantes de tirage pr\u00e9sente un motif finement marquet\u00e9 de volutes, de rinceaux, de v\u00e9g\u00e9taux et d\u2019arabesques, encadr\u00e9 d\u2019un cartouche g\u00e9om\u00e9trique de laiton et simulant les entr\u00e9es de serrure. Elle est soutenue par quatre montants \u00e0 consoles balustres saillants qui sont prolong\u00e9s par des pieds toupie . Les montants avant sont marquet\u00e9s sur les trois faces en fa\u00e7ade et seulement sur les c\u00f4t\u00e9s visibles \u00e0 l’arri\u00e8re. <\/p>\n\n\n\n

Le plateau est ceint d’une lingoti\u00e8re moulur\u00e9e, d’un cong\u00e9 et d’un bec de corbin. La marqueterie se compose d’un sobre d\u00e9cor g\u00e9om\u00e9trique, d\u2019incrustation de bandes de laiton grav\u00e9s, termin\u00e9es aux quatre angles par des \u00e9coin\u00e7ons. Orn\u00e9e d’arabesques, de rinceaux, de mascarons, d’oiseaux, de singes et d’insectes, une r\u00e9serve centrale abrite un danseur dispos\u00e9 sous un panier fleuri entour\u00e9 par deux angelots \u00e0 cheval.<\/p>\n\n\n\n

Les panneaux lat\u00e9raux reprennent le d\u00e9cor g\u00e9n\u00e9ral anim\u00e9 d\u2019une fine composition o\u00f9 \u00e9volue sous un dais, masques et rinceaux, une silhouette d’un personnage oriental entour\u00e9 de singe musicien et d’oiseaux.<\/p>\n\n\n

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\"Eb\u00e9nisterie
Upon his arrival at the workshop<\/figcaption><\/figure>\n<\/div>\n\n\n

State of affairs report<\/h2>\n\n\n\n

Comme d’habitude, sur les meubles en marqueterie, la quasi totalit\u00e9 du laiton se d\u00e9colle. La structure est en bon \u00e9tat \u00e0 part quelques fentes sur le plateau et les c\u00f4t\u00e9s, mais rien de bien m\u00e9chant. Sur l’ensemble des surfaces plaqu\u00e9es, il manque une dizaine de pi\u00e8ces de laiton. A noter, une \u00e9trange oxydation verd\u00e2tre du laiton sur le plateau, probablement due \u00e0 la composition du vernis.<\/p>\n\n\n\n

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The Restoration<\/h2>\n\n\n\n

Sur cette commode, l’ensemble des laitons ont \u00e9t\u00e9 recoll\u00e9s, soit par infiltration de colle, ou alors par d\u00e9pose, nettoyage et recollage \u00e0 la colle de poisson, quand cela n’engendrait pas d’\u00e9ventuelles d\u00e9gradations \u00e0 la d\u00e9pose.<\/p>\n\n\n

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\"Eb\u00e9nisterie
Recollage des placage des traverses de facade<\/figcaption><\/figure>\n<\/div>\n\n\n
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laiton d\u00e9pos\u00e9<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Greffe de laiton<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Puis, l’ancien vernis a \u00e9t\u00e9 retir\u00e9 \u00e0 l’aide d’un d\u00e9capant adapt\u00e9 \u00e0 la restauration du mobilier et les surfaces ont \u00e9t\u00e9 repolies \u00e0 la ponce soie. <\/p>\n\n\n

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\"Eb\u00e9nisterie
D\u00e9polissage au tripoli de Venise<\/figcaption><\/figure>\n<\/div>\n\n\n

Pour finir, la commode a \u00e9t\u00e9 vernie au tampon avec un vernis dit Roubo, puis d\u00e9poli avec la paume de la main avec du Tripoli de Venise et de l’eau. Enfin, une l\u00e9g\u00e8re couche de cire micro-cristalline a \u00e9t\u00e9 appliqu\u00e9e afin de donner un aspect soyeux et chaleureux \u00e0 ce meuble. Enfin pour \u00e9voluer dans ma m\u00e9thode de nettoyage des bronzes, ceux ci ont \u00e9t\u00e9 nettoy\u00e9 \u00e0 la vapeur afin de ne pas utiliser de produit potentiellement corrosif et pouvant entrainer des d\u00e9gradations futures.<\/p>\n\n\n\n

Vous pouvez retrouver le protocole de finition employ\u00e9 lors de cette restauration dans le Techn\u00e9 num\u00e9ro 49 pages 108 \u00e0 116 dans la publication de Nathalie Balcar, Fr\u00e9d\u00e9ric Leblanc et Marc-Andr\u00e9 Paulin \u00ab\u00a0La protection de surface pour les meubles en marqueterie de m\u00e9tal du mus\u00e9e du Louvre : \u00e9tude d\u2019un vernis, entre formulations anciennes et exp\u00e9rimentations actuelles\u00a0\u00bb<\/a><\/p>\n\n\n

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After restoration<\/figcaption><\/figure>\n<\/div>\n\n\n
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To see previous restorations<\/em><\/strong> : https:\/\/ebenisterie-mathieuvath.fr\/en-ce-moment-a-latelier\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Restauration d’une commode dite Mazarine, d’\u00e9poque Louis XIV, en placage de laiton et d’\u00e9b\u00e8ne sur une structure en conif\u00e8re. Cette commode comporte des tiroirs de forme arbal\u00e8te dont deux tiroirs de long surmont\u00e9s de deux demi-tiroirs s\u00e9par\u00e9s par un montant interm\u00e9diaire, les fa\u00e7ades sont en r\u00e9sineux, les c\u00f4t\u00e9s et les fonds sont en noyer. Le d\u00e9cor de laiton portant les poign\u00e9es pendantes de tirage pr\u00e9sente un motif finement marquet\u00e9 de volutes, de rinceaux, de v\u00e9g\u00e9taux et d\u2019arabesques, encadr\u00e9 d\u2019un cartouche g\u00e9om\u00e9trique de laiton et simulant les entr\u00e9es de serrure. Elle […]<\/p>\n","protected":false},"author":1,"featured_media":6016,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[86,157,77,215,67,87,168],"tags":[80,72,3,240,15,241,71,150,76,38,37,36,10,242],"class_list":["post-6036","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-commode","category-conservation","category-marqueterie-boulle","category-placage-marqueterie-2","category-restauration-de-mobilier","category-xviie-siecle","category-xviiie-siecle","tag-colle-animale","tag-colle-de-poisson","tag-conservation-restauration","tag-ebene-du-mosambique","tag-ebenisterie-mathieu-vath","tag-finitionciree","tag-laiton","tag-louis-xiv","tag-marqueterie-boulle","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","tag-vernis-au-tampon","tag-vernis-roubo","clearfix"],"acf":[],"yoast_head":"\nCommode Mazarine • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2022\/05\/04\/commode-mazarine-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Commode Mazarine • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Restauration d’une commode dite Mazarine, d’\u00e9poque Louis XIV, en placage de laiton et d’\u00e9b\u00e8ne sur une structure en conif\u00e8re. Cette commode comporte des tiroirs de forme arbal\u00e8te dont deux tiroirs de long surmont\u00e9s de deux demi-tiroirs s\u00e9par\u00e9s par un montant interm\u00e9diaire, les fa\u00e7ades sont en r\u00e9sineux, les c\u00f4t\u00e9s et les fonds sont en noyer. Le d\u00e9cor de laiton portant les poign\u00e9es pendantes de tirage pr\u00e9sente un motif finement marquet\u00e9 de volutes, de rinceaux, de v\u00e9g\u00e9taux et d\u2019arabesques, encadr\u00e9 d\u2019un cartouche g\u00e9om\u00e9trique de laiton et simulant les entr\u00e9es de serrure. 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