{"id":6029,"date":"2022-04-24T12:29:01","date_gmt":"2022-04-24T10:29:01","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=6029"},"modified":"2022-06-01T21:48:02","modified_gmt":"2022-06-01T19:48:02","slug":"commode-au-chinois","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2022\/04\/24\/commode-au-chinois\/","title":{"rendered":"Chinese chest of drawers"},"content":{"rendered":"

Cette semaine je vous pr\u00e9sente une commode Louis XIV de la premi\u00e8re moiti\u00e9 du XVIIIeme si\u00e8cle en placage de palissandre de Rio et avec des garnitures de bronzes au chinois.<\/p>\n\n\n\n

Haut. : 85,7 cm, Larg. : 125 cm, Prof. : 60,5 cm<\/p>\n\n\n\n

Le b\u00e2ti est en r\u00e9sineux, en planches assembl\u00e9es \u00e0 plat joint. Les assemblages des c\u00f4t\u00e9s, du dessus et du dessous, sont \u00e0 queues d’arondes. Le dos est constitu\u00e9 de plusieurs planches clout\u00e9es dans les feuillures des c\u00f4t\u00e9s.<\/p>\n\n\n\n

Les fonds et c\u00f4t\u00e9s de tiroir sont constitu\u00e9s de planches de noy\u00e9 coll\u00e9es entre elles \u00e0 plat joint. Ils sont dits \u00a0\u00bb \u00e0 fond rampant\u00a0\u00bb. C’est \u00e0 dire que la totalit\u00e9 du fond du tiroir coulisse sur la totalit\u00e9 du faux fond qui constitue \u00e9galement les traverses de fa\u00e7ades.<\/p>\n\n\n

\n
\"Eb\u00e9nisterie
Before restoration<\/figcaption><\/figure>\n<\/div>\n\n\n

Louis XIV et la Chine<\/h2>\n\n\n\n

C\u2019est entre 1681 et 1683 qu\u2019un projet d\u2019envoyer des missionnaires en Inde et en Chine prend forme \u00e0 l\u2019initiative de Colbert et du P\u00e8re Jean de Fontaney.<\/p>\n\n\n\n

C\u2019est \u00e0 la suite du 15 septembre 1684 et de la r\u00e9ception fastueuse \u00e0 Versailles du j\u00e9suite flamand, le p\u00e8re Philippe Couplet, qui avait pass\u00e9 de nombreuses ann\u00e9es en Chine et  qui venait chercher de l’aide pour renforcer les missions j\u00e9suites, que Louis XIV convaincu par ses arguments, envoya en Chine en 1685 sur sa cassette personnelle, six J\u00e9suites fran\u00e7ais. <\/p>\n\n\n\n

Aux XVIe et XVIIe si\u00e8cles, les compagnies des Indes portugaises puis n\u00e9erlandaises s\u2019\u00e9taient charg\u00e9es de diffuser en Europe des objets chinois que les marchands fran\u00e7ais achetaient \u00e0 leur tour pour leur propre client\u00e8le. <\/p>\n\n\n\n

Cet attrait pour les productions de la Chine fut renforc\u00e9 en 1686 par la r\u00e9ception des ambassadeurs, envoy\u00e9s \u00e0 Louis XIV par le roi de Siam. Ces derniers, re\u00e7us fastueusement dans la galerie des Glaces, couvrirent Louis XIV de cadeaux. Parmi-eux, figurait de nombreux objets chinois, notamment des porcelaines, des \u00e9toffes, des papiers peints et des meubles en laque, qui s\u00e9duisirent la cour.<\/p>\n\n\n\n

 \u00c0 Paris, le commerce du \u00ab Lachinage \u00bb ou de \u00ab Lachine \u00bb \u00e9tait essentiellement d\u00e9tenu par les marchands merciers dont le plus c\u00e9l\u00e8bre, dans la premi\u00e8re moiti\u00e9 du XVIIIeme si\u00e8cle, fut Edme-Fran\u00e7ois Gersaint qui n\u2019h\u00e9sita pas \u00e0 d\u00e9baptiser son magasin Au grand Monarque<\/em> en un plus exotique \u00c0 la Pagode<\/em>.<\/p>\n\n\n\n

Consid\u00e9r\u00e9s officiellement comme des scientifiques, il n\u2019en reste pas moins que ces missionnaires \u00e9taient des ambassadeurs culturels officieux, les fers de lance de la politique fran\u00e7aise dans cette r\u00e9gion du monde qui permirent l\u2019arriv\u00e9e des premiers marchands fran\u00e7ais en 1698.<\/p>\n\n\n\n

 C\u2019est ainsi qu\u2019\u00e0 partir du d\u00e9but du XVIII\u00e8me si\u00e8cle la mode du go\u00fbt de la chine et des chinoiseries prit son envole et dura jusqu\u2019\u00e0 la fin du si\u00e8cle.<\/p>\n\n\n

\n
\"Eb\u00e9nisterie
Bronze au chinois<\/figcaption><\/figure>\n<\/div>\n\n\n

State of affairs report<\/h2>\n\n\n\n

La commode \u00e9tait en assez bon \u00e9tat, il n’y avait que trois petits manques de placage et une d\u00e9shydratation g\u00e9n\u00e9rale des colles sous le placage. La structure \u00e9tait en tr\u00e8s bon \u00e9tat, except\u00e9e une l\u00e9g\u00e8re d\u00e9formation du plateau mais tout a fait acceptable car elle n’entra\u00eenait pas de d\u00e9g\u00e2ts esth\u00e9tiques disgracieux. Non, le plus gros souci \u00e9tait le vieillissement du vernis et cet aspect jaunit d\u00e9sagr\u00e9able. Il y avait quelques greffes de placage dues \u00e0 des restaurations, ou pas. Elles peuvent \u00eatre en effet d’origine et ne g\u00e8ne en rien la lecture du meuble.<\/p>\n\n\n\n

\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Signe que l’alaise du plateau se d\u00e9colle<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Un coup de chaud ?<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

The Restoration<\/h2>\n\n\n\n

La restauration a donc consist\u00e9 \u00e0 r\u00e9hydrater l’ensemble des colles par infiltration et une mise sous presse avec un l\u00e9ger apport de chaleur. Ce qui a permis de r\u00e9-aplanir l’ensemble des surfaces plaqu\u00e9es et ainsi \u00e9viter un pon\u00e7age m\u00e9canique et de sauvegarder l’oxydation du bois. En effet, lorsque l’on retire cette oxydation par un pon\u00e7age, le palissandre retrouve sa couleur d’origine qui est tr\u00e8s fonc\u00e9e et qui fait perdre toute la beaut\u00e9 du palissandre ancien. Les greffes de placage ont \u00e9t\u00e9 r\u00e9alis\u00e9es avec du placage sci\u00e9, racl\u00e9 et ponc\u00e9 avant collage \u00e0 la colle chaude.<\/p>\n\n\n\n

\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n<\/figure>\n\n\n\n

Le vernis a ensuite \u00e9t\u00e9 r\u00e9g\u00e9n\u00e9r\u00e9 et retravaill\u00e9 au vernis Roubo au tampon. Les bronzes ont \u00e9t\u00e9 nettoy\u00e9s avec une solution d’EDTA dilu\u00e9 et du bois de Panama.<\/p>\n\n\n

\n
\"Eb\u00e9nisterie
After restoration<\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n<\/figure>\n\n\n\n

To see previous restorations<\/em><\/strong> : https:\/\/ebenisterie-mathieuvath.fr\/en-ce-moment-a-latelier\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Cette semaine je vous pr\u00e9sente une commode Louis XIV de la premi\u00e8re moiti\u00e9 du XVIIIeme si\u00e8cle en placage de palissandre de Rio et avec des garnitures de bronzes au chinois. Haut. : 85,7 cm, Larg. : 125 cm, Prof. : 60,5 cm Le b\u00e2ti est en r\u00e9sineux, en planches assembl\u00e9es \u00e0 plat joint. Les assemblages des c\u00f4t\u00e9s, du dessus et du dessous, sont \u00e0 queues d’arondes. Le dos est constitu\u00e9 de plusieurs planches clout\u00e9es dans les feuillures des c\u00f4t\u00e9s. Les fonds et c\u00f4t\u00e9s de tiroir sont constitu\u00e9s de planches de […]<\/p>\n","protected":false},"author":1,"featured_media":6001,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[86,149,215,67,168],"tags":[80,72,3,15,38,37,36,10],"class_list":["post-6029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-commode","category-palissandre-de-rio","category-placage-marqueterie-2","category-restauration-de-mobilier","category-xviiie-siecle","tag-colle-animale","tag-colle-de-poisson","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","tag-vernis-au-tampon","clearfix"],"acf":[],"yoast_head":"\nCommode au chinois • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2022\/04\/24\/commode-au-chinois\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Commode au chinois • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Cette semaine je vous pr\u00e9sente une commode Louis XIV de la premi\u00e8re moiti\u00e9 du XVIIIeme si\u00e8cle en placage de palissandre de Rio et avec des garnitures de bronzes au chinois. Haut. : 85,7 cm, Larg. : 125 cm, Prof. : 60,5 cm Le b\u00e2ti est en r\u00e9sineux, en planches assembl\u00e9es \u00e0 plat joint. Les assemblages des c\u00f4t\u00e9s, du dessus et du dessous, sont \u00e0 queues d’arondes. Le dos est constitu\u00e9 de plusieurs planches clout\u00e9es dans les feuillures des c\u00f4t\u00e9s. Les fonds et c\u00f4t\u00e9s de tiroir sont constitu\u00e9s de planches de […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2022\/04\/24\/commode-au-chinois\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ebenisterie.mathieuvath\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/ebenisterie.mathieuvath\" \/>\n<meta property=\"article:published_time\" content=\"2022-04-24T10:29:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-01T19:48:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ebenisterie-mathieuvath.fr\/wp-content\/uploads\/2022\/04\/IMG_8728-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1626\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mathieu Vath\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@MathieuVath\" \/>\n<meta name=\"twitter:site\" content=\"@MathieuVath\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mathieu Vath\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2022\\\/04\\\/24\\\/commode-au-chinois\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2022\\\/04\\\/24\\\/commode-au-chinois\\\/\"},\"author\":{\"name\":\"Mathieu Vath\",\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/#\\\/schema\\\/person\\\/98e30eabbd5ceaa8e4208f4597301dfa\"},\"headline\":\"Commode au chinois\",\"datePublished\":\"2022-04-24T10:29:01+00:00\",\"dateModified\":\"2022-06-01T19:48:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2022\\\/04\\\/24\\\/commode-au-chinois\\\/\"},\"wordCount\":777,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2022\\\/04\\\/24\\\/commode-au-chinois\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/wp-content\\\/uploads\\\/2022\\\/04\\\/IMG_8728-scaled.jpeg\",\"keywords\":[\"colle animale\",\"colle de poisson\",\"Conservation-Restauration\",\"Eb\u00e9nisterie Mathieu Vath\",\"restaurateur\",\"restauration de meubles\",\"restauration de mobilier\",\"vernis au tampon\"],\"articleSection\":[\"commode\",\"Palissandre de Rio\",\"Placage - 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