{"id":4762,"date":"2021-06-15T15:47:37","date_gmt":"2021-06-15T13:47:37","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=4762"},"modified":"2021-06-23T19:46:24","modified_gmt":"2021-06-23T17:46:24","slug":"secretaire-dos-dane-louis-xv","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2021\/06\/15\/secretaire-dos-dane-louis-xv\/","title":{"rendered":"Louis XV slant-front secretary"},"content":{"rendered":"

This week, a curious and very pretty Louis XV period Boulle marquetry and rosewood secretary\/desk with a slanted front. And yes, it wasn't only under Napoleon III that the reuse of Boulle marquetry was fashionable. In fact, Boulle marquetry had a following throughout the 18th century. It was from the 1750s onward that the renewed interest was most noticeable. Prominent furniture merchants, like Lazare Duvaux, began selling them occasionally for considerable sums to prestigious clients, including Madame de Pompadour, who acquired a commode as a gift for her brother, the future Marquis de Marigny, as a New Year's present in 1753. But fashions change, and desks, Mazarine commodes, and large, monumental wardrobes were no longer in vogue. Thus, furniture was readily modified and dismantled to adapt it to the innovations of the time.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Before restoration<\/figcaption><\/figure><\/div>\n\n\n\n

This is the case with this slant-front desk. The 1750s were the golden age for this new piece of furniture, created twenty years earlier. <\/p>\n\n\n\n

The origin of this marquetry? <\/h4>\n\n\n\n

Well, in my opinion, there are two possibilities: either a Mazarin desk or a Mazarin chest of drawers. In both cases, we find the same top and drawer fronts. The sides are a bit more debatable.<\/p>\n\n\n\n

Apart from the tortoiseshell restorations, which now appear redder, the brass marquetry is in fairly good condition, with a large portion of the engravings still visible. It should be noted that the bronze fittings are not claimed to be original. As for the tool marks on the counter-facing, they correspond precisely to both the manufacturing and alteration periods, except for the rosewood veneer on the side stiles and a few grafts, which are more recent restorations.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Central motif of the toilet seat<\/figcaption><\/figure><\/div>\n\n\n\n

The decoration of this desk, similar to the work of Nicolas Sageot (Master in 1706), is probably inspired by drawings by the ornamentalist Jean B\u00e9rain., \u00ab"Draughtsman for the King's Chamber and Cabinet"\u00bb <\/em>From 1674 onwards. It depicts characters from the Commedia dell'arte sheltered under festooned canopies, as well as chimeras, birds, leafy scrolls and flowery basins. In the center is a scene depicting three children dancing.<\/p>\n\n\n\n

A renovator of grotesque and arabesque motifs, B\u00e9rain developed a style far removed from the solemnity advocated by Le Brun, who died in 1690, and brought back into fashion the sinuous lines, the curves and the graceful interlacing patterns, inherited from the fantasies of the Renaissance.<\/p>\n\n\n\n

State of affairs report<\/h4>\n\n\n\n

Overall, the piece is in fairly good condition; there are no major losses to the marquetry, and the structure is not worm-eaten. However, all the glue has dried out. This is evident in the fact that all the brass fittings are peeling off, and the scale is forming typical blisters. Naturally, there are still unsightly glue repairs that need to be removed. <\/p>\n\n\n\n