{"id":2668,"date":"2020-06-07T16:41:27","date_gmt":"2020-06-07T14:41:27","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=2668"},"modified":"2021-05-31T09:21:42","modified_gmt":"2021-05-31T07:21:42","slug":"bureau-a-rideau-j-stumpff","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/06\/07\/bureau-a-rideau-j-stumpff\/","title":{"rendered":"J.STUMPFF Roll-Top Desk"},"content":{"rendered":"
\"Eb\u00e9nisterie
Upon his arrival at the workshop<\/figcaption><\/figure>\n\n\n\n

Restoration and conservation work on this rare Louis XVI period tambour desk stamped with Jean-Chrysost\u00f4me Stumpff<\/strong>. 1731 - January 17, 1806 \u2013 Received Master's degree on August 27, 1766<\/em>. <\/p>\n\n\n\n

\"Eb\u00e9nisterie
Stamped J.STUMPFF<\/figcaption><\/figure>\n\n\n\n

Originally from Schweigern, in Swabia (Germany), he married in 1760 in Paris, at the Swedish embassy, like most of his compatriots of the Reformed faith. His fellow cabinetmaker, Ferdinand Scherdfeger, was also a witness. <\/p>\n\n\n\n

It was in his workshop on Rue Saint-Nicolas that he produced some Louis XV style furniture, but above all a large number of transitional and Louis XVI pieces. The high quality of Stumpff's work is distinguished not by feats of marquetry and cabinetmaking, but by great restraint and excellent craftsmanship.<\/p>\n\n\n\n

His works are covered with veneers often arranged with opposing grain or in butterfly wing patterns. <\/p>\n\n\n\n

BIBLIOGRAPHY<\/h4>\n\n\n\n
  • French Furniture of the 18th Century \u2013 Pierre Kjellberg \u2013 Les \u00c9ditions de l'Amateur \u2013 2008<\/li>
  • The workshops Parisian cabinetmakers and joiners in the 17th and 18th centuries \u2013 Guillaume Janneau \u2013 Serg Editions \u2013 1975<\/em><\/li><\/ul>\n\n\n\n
    \"Eb\u00e9nisterie<\/figure><\/div>\n\n\n\n

    This desk is entirely in keeping with Stumpff's style. It is made entirely of solid oak veneered with rosewood, amaranth, and a thin strip of boxwood. The drop-front, to which leather is glued, is veneered in satinwood. <\/p>\n\n\n\n

    Apart from a small area of missing satin finish and a curtain in poor condition, this desk is in excellent condition. The bronze mounts are tarnished, but the gilding is still intact. <\/p>\n\n\n\n

    • \"Eb\u00e9nisterie
      Before restoration <\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      Before restoration<\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      The bronzes are slightly tarnished. <\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      Lack of satin finish<\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      View of the old curtain slat support system<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
      \"Eb\u00e9nisterie
      Beautiful 18th-century threads<\/figcaption><\/figure>\n\n\n\n
      \"Eb\u00e9nisterie
      Traces of the sand mold and brush gilding <\/figcaption><\/figure>\n\n\n\n

      It was therefore decided to intervene as little as possible and to keep as much as possible.<\/strong><\/p>\n\n\n\n

      The few pieces of veneer that had come loose were reattached with fish glue. The joints were reattached in the same way.<\/p>\n\n\n\n

      • \"Eb\u00e9nisterie
        Minor veneer re-gluing<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Regluing with fish glue<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Structural bonding with fish glue<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

        As for the curtain, it had already been restored. The system for joining the curtain slats, consisting of a cord glued into a groove, was broken on almost all of the slats. The previous restorer had therefore opted to glue on upholstery webbing. But these too had worn out and were torn in places.<\/p>\n\n\n\n

        In order not to erase any trace of the history of this piece of furniture, it was decided to glue new strips of webbing with hot glue and to sign and date them EMV 2020, in order to ensure traceability of the restorations carried out.<\/p>\n\n\n\n

        \"Eb\u00e9nisterie

        Installation of marked straps <\/figcaption><\/figure>\n\n\n\n

        The varnish was completely redone using a few drops of the retouching varnish described by Dessaignes in his 1861 work.\u00ab\u00a0The secrets of the cabinetmaker: a pocket manual for the artist and the amateur (2nd edition)<\/em>\u00ab\u00a0<\/p>\n\n\n\n

        The bronzes were simply cleaned with Panama wood.<\/p>\n\n\n\n

        \"Eb\u00e9nisterie
        After restoration<\/figcaption><\/figure>\n\n\n\n
        \"Eb\u00e9nisterie
        Bronze after cleaning <\/figcaption><\/figure>\n\n\n\n
        \"Eb\u00e9nisterie
        Curtain after restoration<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

        Travail de restauration-conservation sur ce rare bureau \u00e0 rideau d’\u00e9poque Louis XVI estampill\u00e9 de Jean-Chrysost\u00f4me Stumpff. 1731 -17 janvier1806 – Recu Maitre le 27 ao\u00fbt 1766. Originaire de Schweigern, en Souabe (Allemagne), il se marie en 1760 \u00e0 Paris, \u00e0 l’embassade de Su\u00e8de, comme la plupart de ses compatriotes de religion r\u00e9form\u00e9e. Il a d\u2019ailleurs comme t\u00e9moin son confr\u00e8re \u00e9b\u00e9niste Ferdinant Scherdfeger. C’est dans son atelier \u00e9tablit rue Saint-Nicolas qui r\u00e9alisa quelques meubles de style Louis XV, mais surtout un grand nombre de meubles transitions et Louis XVI. La grande […]<\/p>\n","protected":false},"author":1,"featured_media":2659,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[151,90,108,109,164,215,97],"tags":[49,92,94,116,3,15,38,37,36,10],"class_list":["post-2668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-amarante","category-bois-de-rose","category-bronzes","category-bureau","category-j-stumpff","category-placage-marqueterie-2","category-style-louis-xvi","tag-amarante","tag-bois-de-rose","tag-bronzes","tag-bureau","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","tag-vernis-au-tampon","clearfix"],"acf":[],"yoast_head":"\nBureau \u00e0 rideau J.STUMPFF • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/06\/07\/bureau-a-rideau-j-stumpff\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bureau \u00e0 rideau J.STUMPFF • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Travail de restauration-conservation sur ce rare bureau \u00e0 rideau d’\u00e9poque Louis XVI estampill\u00e9 de Jean-Chrysost\u00f4me Stumpff. 1731 -17 janvier1806 – Recu Maitre le 27 ao\u00fbt 1766. Originaire de Schweigern, en Souabe (Allemagne), il se marie en 1760 \u00e0 Paris, \u00e0 l’embassade de Su\u00e8de, comme la plupart de ses compatriotes de religion r\u00e9form\u00e9e. Il a d\u2019ailleurs comme t\u00e9moin son confr\u00e8re \u00e9b\u00e9niste Ferdinant Scherdfeger. C’est dans son atelier \u00e9tablit rue Saint-Nicolas qui r\u00e9alisa quelques meubles de style Louis XV, mais surtout un grand nombre de meubles transitions et Louis XVI. 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