{"id":2358,"date":"2020-03-16T21:13:55","date_gmt":"2020-03-16T20:13:55","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=2358"},"modified":"2021-05-31T09:18:41","modified_gmt":"2021-05-31T07:18:41","slug":"commode-louis-xvi-estampille-j-a-bruns","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/03\/16\/commode-louis-xvi-estampille-j-a-bruns\/","title":{"rendered":"Louis XVI commode stamped JA BRUNS"},"content":{"rendered":"

This week marks the completion of the restoration of a Louis XVI commode stamped JA BRUNS. It is made entirely of oak for the frame, except for the side panels, drawer backs, drawer fronts, and the two drawer bottoms, which are made of softwood. It is veneered with rosewood in a butterfly pattern and amaranth for the edges. The false fluting is in boxwood and ebony, and there is a green-stained maple stringing forming the Greek key corners. Some satinwood finishes from previous restorations are visible. The marble top is Saint Anne gray.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Upon his arrival at the workshop <\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n

This chest of drawers is stamped on the front right and left uprights with a faint trace of JME on the left upright.<\/p>\n\n\n\n

Jean-Antoine Bruns was admitted to the guild in 1782. He primarily developed his business at the beginning of the 19th century, supplying numerous dignitaries of the Empire and then the Restoration, during which time he became cabinetmaker to the Royal Furniture Repository. Before the Revolution, he began his career on Rue Saint-Nicolas, where he worked for the court in collaboration with Riesener. His furniture\u2014half-moon commodes, large wardrobes, secretaries, chiffoniers\u2014all in the Louis XVI style, elegant in form, were either covered with wood veneers featuring geometric designs or simply mahogany veneer, or adorned with Chinese lacquer depicting landscapes. He seems to have weathered the Revolutionary period unscathed and participated in the Exposition of Year VI (1798). Towards the end of the Imperial era, Bruns supplied large mahogany wardrobes, salon consoles, and gaming tables for the apartments of high-ranking officers. Louis XVIII placed his trust in him and even conferred upon him, in 1820, the title of Cabinetmaker to the King. He ceased his activity in 1824, leaving his workshop to his son Louis, who also received the warrant of supplier to the Crown: the Parisian Bazaar<\/em> In 1825, it published its advertisement for "rich cabinetmaking in libraries, shop counters and generally all tasteful furniture".<\/p>\n\n\n\n

BIBLIOGRAPHY<\/h2>\n\n\n\n
  • French Furniture of the 18th Century \u2013 Pierre Kjellberg \u2013 Les Editions de l'Amateur \u2013 2008<\/li>
  • Cabinetmakers of the 18th Century \u2013 Count Fran\u00e7ois de Salverte \u2013 Art and History Publishers \u2013 1934<\/li>
  • Parisian Cabinetmaking and Joinery Workshops \u2013 Guillaume Panneau \u2013 SERG Editions \u2013 1975 <\/li><\/ul>\n\n\n\n
    \"Eb\u00e9nisterie
    JA BRUNS Stamp<\/figcaption><\/figure>\n\n\n\n

    C<\/em><\/strong>state report<\/strong> <\/em><\/h2>\n\n\n\n

    Regarding the furniture's structure, the most problematic damage was the separation of the side panels from the uprights and the top and bottom rails. This was due to dimensional shrinkage and the drying out of the glue. Some oak planks were missing from the back panel, and all the panels had undergone dimensional shrinkage, leaving gaps throughout. Aside from this, there was no rotten wood or missing material.<\/p>\n\n\n\n

    • \"Eb\u00e9nisterie
      Removing the wood from the bottom of the drawers<\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      Some planks are missing from the back <\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      Dimensional shrinkage of side panels<\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie<\/figure><\/li>
    • \"Eb\u00e9nisterie
      The panel structure is detached.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

      As for the veneer, which was still of a reasonable thickness, apart from some missing veneers and especially a general dehydration of the glues, nothing too serious.<\/p>\n\n\n\n

      \"Eb\u00e9nisterie
      The veneer is still thick<\/figcaption><\/figure>\n\n\n\n
      • \"Eb\u00e9nisterie
        A small piece of netting is missing<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Missing satin and amaranth veneer<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Rosewood shortages<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Missing veneer <\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Torn-off lock cheek <\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Veneer torn off <\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Lack of amaranth<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

        The Restoration<\/h2>\n\n\n\n

        In order to reattach and ream the sides, a complete disassembly was necessary. This type of chest of drawers is fairly easy to take apart, starting from the back. Once the chest was completely disassembled, I reattached the two sides with fish glue, filling the gaps caused by shrinkage with pine wood.<\/p>\n\n\n\n

        • \"Eb\u00e9nisterie
          Disassembly of the side<\/figcaption><\/figure><\/li>
        • \"Eb\u00e9nisterie
          The side panels no longer stay in place<\/figcaption><\/figure><\/li>
        • \"Eb\u00e9nisterie
          Disassembled side<\/figcaption><\/figure><\/li>
        • \"Eb\u00e9nisterie
          Disassembly from the rear <\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
          • \"Eb\u00e9nisterie
            Bonding the structure<\/figcaption><\/figure><\/li>
          • \"Eb\u00e9nisterie
            gluing the side panels<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

            Next, I carried out the various restoration operations on the marquetry, working by vacuum-sealing glue infiltration on both sides as well as the drawer fronts. The missing veneers were filled with sawn rosewood and amanta veneer, which had been previously scraped, sanded, filled, oxidized, and cut to the correct thickness before being glued in place with hot glue.<\/p>\n\n\n\n

            \"Eb\u00e9nisterie
            Vacuum bonding of marquetry <\/figcaption><\/figure>\n\n\n\n

            All the components were then reassembled and glued with fish glue or pegged at the back. The drawers, runners, and slides were readjusted and made to work properly, as were the locks. <\/p>\n\n\n\n

            The chest of drawers was stripped and cleaned, then very lightly sanded and filled with pumice. Finished with a colorless French polish.<\/p>\n\n\n\n

            The bronzes were cleaned and reattached with the original nails.<\/p>\n\n\n\n

            \"Eb\u00e9nisterie
            After restoration<\/figcaption><\/figure>\n\n\n\n
            \"Eb\u00e9nisterie
            After restoration<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

            Cette semaine ce termine la restauration d’une commode Louis XVI estampill\u00e9 J.A BRUNS. Elles est en ch\u00eane pour tous les \u00e9l\u00e9ments qui concernent le b\u00e2tis, except\u00e9 pour les panneaux de c\u00f4t\u00e9, les arri\u00e8res de tiroirs, les fa\u00e7ades de tiroirs ainsi que les deux fond de propret\u00e9 qui eux sont en conif\u00e8re. Elle est plaqu\u00e9e de bois de rose en frisage de papillon, et d’amarante pour les contours. Les fausses cannelures sont en buis et \u00e9b\u00e8ne, et il y a un filet en \u00e9rable teint\u00e9 vert qui compose les coins \u00e0 […]<\/p>\n","protected":false},"author":1,"featured_media":2355,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[151,90,108,106,78,86,103,19,215,115,67,97,84],"tags":[49,82,80,72,95,85,16,3,15,134,21,30,38,37,36],"class_list":["post-2358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-amarante","category-bois-de-rose","category-bronzes","category-chene","category-collage-sous-vide","category-commode","category-greffe","category-marqueterie","category-placage-marqueterie-2","category-placage-scie","category-restauration-de-mobilier","category-style-louis-xvi","category-vernis-au-tampon","tag-amarante","tag-collage-sous-vide","tag-colle-animale","tag-colle-de-poisson","tag-colle-infiltrante","tag-commode","tag-conde-sur-huisne","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-histoire","tag-marqueterie","tag-mathieu-vath","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","clearfix"],"acf":[],"yoast_head":"\nCommode Louis XVI estampill\u00e9 J.A BRUNS • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/03\/16\/commode-louis-xvi-estampille-j-a-bruns\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Commode Louis XVI estampill\u00e9 J.A BRUNS • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Cette semaine ce termine la restauration d’une commode Louis XVI estampill\u00e9 J.A BRUNS. Elles est en ch\u00eane pour tous les \u00e9l\u00e9ments qui concernent le b\u00e2tis, except\u00e9 pour les panneaux de c\u00f4t\u00e9, les arri\u00e8res de tiroirs, les fa\u00e7ades de tiroirs ainsi que les deux fond de propret\u00e9 qui eux sont en conif\u00e8re. Elle est plaqu\u00e9e de bois de rose en frisage de papillon, et d’amarante pour les contours. Les fausses cannelures sont en buis et \u00e9b\u00e8ne, et il y a un filet en \u00e9rable teint\u00e9 vert qui compose les coins \u00e0 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/03\/16\/commode-louis-xvi-estampille-j-a-bruns\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ebenisterie.mathieuvath\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/ebenisterie.mathieuvath\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-16T20:13:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-31T07:18:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ebenisterie-mathieuvath.fr\/wp-content\/uploads\/2020\/03\/IMG_1347-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mathieu Vath\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@MathieuVath\" \/>\n<meta name=\"twitter:site\" content=\"@MathieuVath\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mathieu Vath\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2020\\\/03\\\/16\\\/commode-louis-xvi-estampille-j-a-bruns\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2020\\\/03\\\/16\\\/commode-louis-xvi-estampille-j-a-bruns\\\/\"},\"author\":{\"name\":\"Mathieu Vath\",\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/#\\\/schema\\\/person\\\/98e30eabbd5ceaa8e4208f4597301dfa\"},\"headline\":\"Commode Louis XVI estampill\u00e9 J.A BRUNS\",\"datePublished\":\"2020-03-16T20:13:55+00:00\",\"dateModified\":\"2021-05-31T07:18:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2020\\\/03\\\/16\\\/commode-louis-xvi-estampille-j-a-bruns\\\/\"},\"wordCount\":908,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/2020\\\/03\\\/16\\\/commode-louis-xvi-estampille-j-a-bruns\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ebenisterie-mathieuvath.fr\\\/wp-content\\\/uploads\\\/2020\\\/03\\\/IMG_1347-scaled.jpeg\",\"keywords\":[\"amarante\",\"collage sous vide\",\"colle animale\",\"colle de poisson\",\"colle infiltrante\",\"Commode\",\"Cond\u00e9 sur huisne\",\"Conservation-Restauration\",\"Eb\u00e9nisterie Mathieu Vath\",\"Histoire\",\"Marqueterie\",\"Mathieu Vath\",\"restaurateur\",\"restauration de meubles\",\"restauration de mobilier\"],\"articleSection\":[\"amarante\",\"bois de rose\",\"Bronzes\",\"ch\u00eane\",\"Collage sous vide\",\"commode\",\"greffe\",\"Marqueterie\",\"Placage - 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Elles est en ch\u00eane pour tous les \u00e9l\u00e9ments qui concernent le b\u00e2tis, except\u00e9 pour les panneaux de c\u00f4t\u00e9, les arri\u00e8res de tiroirs, les fa\u00e7ades de tiroirs ainsi que les deux fond de propret\u00e9 qui eux sont en conif\u00e8re. Elle est plaqu\u00e9e de bois de rose en frisage de papillon, et d’amarante pour les contours. 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