{"id":2320,"date":"2020-02-22T18:41:31","date_gmt":"2020-02-22T17:41:31","guid":{"rendered":"http:\/\/ebenisterie-mathieuvath.fr\/?p=2320"},"modified":"2021-05-31T09:18:22","modified_gmt":"2021-05-31T07:18:22","slug":"cartel-signe-louis-david-carre-a-paris","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/02\/22\/cartel-signe-louis-david-carre-a-paris\/","title":{"rendered":"Label signed "Louis David Carr\u00e9 in Paris"\u00ab"},"content":{"rendered":"

Apr\u00e8s plusieurs semaines de travail, la restauration de ce cartel est enfin termin\u00e9e.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Before restoration<\/figcaption><\/figure>\n\n\n\n

C’est un cartel d’\u00e9poque Louis XV en marqueterie d’\u00e9caille de tortue brune et de laiton, avec des restaurations en palissandre. Le cadran est de Louis David Carr\u00e9, neveu de Jullien le Roy, re\u00e7u ma\u00eetre le 31 d\u00e9cembre 1748. Log\u00e9 au Louvre d\u00e8s 1744, il fut \u00e9lu jur\u00e9 en 1775.<\/p>\n\n\n\n

  • \"Eb\u00e9nisterie
    Louis David Carr\u00e9 \u00e0 Paris<\/figcaption><\/figure><\/li>
  • \"Eb\u00e9nisterie
    Signature de Louis David Carr\u00e9<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

    La plus grande richesse sur ce cartel se trouve dans ses bronzes. Ils sont vraiment magnifiques, et surtout, ils sont en tr\u00e8s bon \u00e9tat. Il n’y a que tr\u00e8s peu de manques de dorure, comme nous pouvons le constater sur les photos de son arriv\u00e9e \u00e0 l’atelier.<\/p>\n\n\n\n

    • \"Eb\u00e9nisterie
      Before restoration<\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      Right side before restoration<\/figcaption><\/figure><\/li>
    • \"Eb\u00e9nisterie
      Left side before restoration<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

      Quelques \u00e9l\u00e9ments sont plaqu\u00e9s de palissandre. Est-ce une restauration ou est-ce d’origine ? Je pencherais plut\u00f4t vers la restauration. Le restaurateur du XIXe si\u00e8cle n’ayant pas d’\u00e9b\u00e8ne ou d’\u00e9caille de tortue a choisi le palissandre, un bois qui, lorsqu’il est neuf est tr\u00e8s sombre.<\/p>\n\n\n\n

      Mais ne pouvant prouver qu’il s’agit bien d’une restauration il a \u00e9t\u00e9 d\u00e9cid\u00e9 de le conserver et de le teinter l\u00e9g\u00e8rement, dans le but de lui faire retrouver sa couleur d’origine. Afin qu’il s’harmonise mieux avec le reste de la marqueterie.<\/p>\n\n\n\n

      \"Eb\u00e9nisterie
      Placage de palissandre <\/figcaption><\/figure>\n\n\n\n

      La structure en ch\u00eane est en assez mauvais \u00e9tat. Tous les assemblages se d\u00e9collent. <\/p>\n\n\n\n

      Il m’a donc fallu les recoller \u00e0 la colle de poisson, ou \u00e0 la colle chaude quand cela \u00e9tait possible. De plus, l’\u00e2me est fendue \u00e0 plusieurs endroits. Et l\u00e0, il est impossible de resserrer et de recoller avec un sert-joint. Car le bois a r\u00e9tr\u00e9ci mais pas le laiton. J’ai donc renforc\u00e9 et recharg\u00e9 les fentes afin que la marqueterie puisse retrouver son emplacement d’origine, sans modifier les c\u00f4t\u00e9s et la structure du cartel.<\/p>\n\n\n\n

      • \"Eb\u00e9nisterie
        Ame fendue<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Ame fendue<\/figcaption><\/figure><\/li>
      • \"Eb\u00e9nisterie
        Ame fendue<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

        Mais malheureusement le plus gros du travail de restauration se trouve sur la marqueterie d’\u00e9caille et de laiton. Comme beaucoup de meuble, ce cartel a \u00e9t\u00e9 ponc\u00e9 \u00e0 l’exc\u00e8s. Par facilit\u00e9 et gain de temps, mais en d\u00e9pit de la gravure se trouvant sur le laiton. Sur ce cartel, il n’y a quasiment plus une seule trace de gravure et l’\u00e9paisseur de la marqueterie est aussi fine que du papier \u00e0 cigarette.<\/p>\n\n\n\n

        • \"Eb\u00e9nisterie
          Reste de gravure et traces de glue<\/figcaption><\/figure><\/li>
        • \"Eb\u00e9nisterie
          Restes de gravure <\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

          Il m’a donc fallu trouver de fines feuilles de laiton pour r\u00e9aliser les manques de placage. <\/p>\n\n\n\n

          \"Eb\u00e9nisterie
          Perce de l’\u00e9caille et du laiton <\/figcaption><\/figure>\n\n\n\n

          Un autre gros souci tr\u00e8s r\u00e9pandu sur les meubles en marqueterie Boulle est le collage \u00e0 la glue ( colle cyanolite). Car le laiton se d\u00e9colle et ne tient pas, mais la colle reste coll\u00e9e en sur-couche et il est impossible de l’enlever. Seule une action m\u00e9canique (ciseau \u00e0 bois) est efficace, ce qui oblige \u00e0 d\u00e9poser le laiton.<\/p>\n\n\n\n

          • \"Eb\u00e9nisterie
            Glue<\/figcaption><\/figure><\/li>
          • \"Eb\u00e9nisterie
            Les ravages de la colle cyanolite <\/figcaption><\/figure><\/li>
          • \"Eb\u00e9nisterie
            Et encore de la glue<\/figcaption><\/figure><\/li>
          • \"Eb\u00e9nisterie
            Les ravages de la colle cyanolite <\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

            En dehors de ces gros d\u00e9fauts, il s’agissait de restaurations habituelles de manques de marqueterie. Ils ont \u00e9t\u00e9 d\u00e9coup\u00e9s dans une feuille tr\u00e8s fine de laiton 2\/10\u00e8me puis coll\u00e9s sous vide et maintenu sous presse pendant cinq jours. Ensuite, la marqueterie a \u00e9t\u00e9 nettoy\u00e9e (sans pon\u00e7age) puis les joints de marqueterie ont \u00e9t\u00e9 combl\u00e9s avec du mastic Roubo. <\/p>\n\n\n\n

            • \"Eb\u00e9nisterie
              Manque d’\u00e9caille<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manque de placage et traces de glue <\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manque d’\u00e9caille <\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manques de laiton et d’\u00e9caille c\u00f4t\u00e9 droit<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manques de laiton c\u00f4t\u00e9 droit<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manques de marqueterie<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Soul\u00e8vement de laiton<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manques de laiton et d’\u00e9caille<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manques de laiton<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              D\u00e9collage du laiton<\/figcaption><\/figure><\/li>
            • \"Eb\u00e9nisterie
              Manques de laiton<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
              \"Eb\u00e9nisterie
              Pi\u00e8ce de laiton au mauvais endroit<\/figcaption><\/figure>\n\n\n\n
              • \"Eb\u00e9nisterie
                Veneer detached<\/figcaption><\/figure><\/li>
              • \"Eb\u00e9nisterie
                Lack of veneer<\/figcaption><\/figure><\/li>
              • \"Eb\u00e9nisterie
                Lack of veneer<\/figcaption><\/figure><\/li>
              • \"Eb\u00e9nisterie
                Fond avant restauration <\/figcaption><\/figure><\/li>
              • \"Eb\u00e9nisterie
                Manques de marqueterie<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
                \"Eb\u00e9nisterie
                Manques de laiton \u00e0 d\u00e9couper<\/figcaption><\/figure>\n\n\n\n
                \"Eb\u00e9nisterie
                Vacuum bonding<\/figcaption><\/figure>\n\n\n\n

                Afin d’harmoniser la couleur du laiton avec les bronzes dor\u00e9s  j’ai diffus\u00e9 sous tente une solution de sulfure de potassium ou plus commun\u00e9ment appel\u00e9 \u00ab bar\u00e8ge \u00bb. Puis, une finition au vernis tampon incolore.<\/p>\n\n\n\n

                \"Eb\u00e9nisterie
                Vernis au tampon <\/figcaption><\/figure>\n\n\n\n
                \"Eb\u00e9nisterie
                Nettoyage des bronzes au bois de panama<\/figcaption><\/figure>\n\n\n\n
                • \"Eb\u00e9nisterie
                  Zoom sur la dorure<\/figcaption><\/figure><\/li>
                • \"Eb\u00e9nisterie
                  Traces de dorure \u00e0 l’arri\u00e8re des bronzes<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
                  • \"Eb\u00e9nisterie
                    After restoration <\/figcaption><\/figure><\/li>
                  • \"Eb\u00e9nisterie
                    After restoration <\/figcaption><\/figure><\/li>
                  • \"Eb\u00e9nisterie
                    After restoration <\/figcaption><\/figure><\/li>
                  • \"Eb\u00e9nisterie
                    After restoration <\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
                    \"Eb\u00e9nisterie
                    After restoration <\/figcaption><\/figure>\n\n\n\n
                    • \"Eb\u00e9nisterie
                      After restoration<\/figcaption><\/figure><\/li>
                    • \"Eb\u00e9nisterie
                      After restoration <\/figcaption><\/figure><\/li>
                    • \"Eb\u00e9nisterie
                      After restoration <\/figcaption><\/figure><\/li>
                    • \"Eb\u00e9nisterie
                      After restoration <\/figcaption><\/figure><\/li>
                    • \"Eb\u00e9nisterie
                      After restoration <\/figcaption><\/figure><\/li>
                    • \"Eb\u00e9nisterie
                      After restoration <\/figcaption><\/figure><\/li>
                    • \"Eb\u00e9nisterie
                      After restoration <\/figcaption><\/figure><\/li><\/ul><\/figure>","protected":false},"excerpt":{"rendered":"

                      Apr\u00e8s plusieurs semaines de travail, la restauration de ce cartel est enfin termin\u00e9e. C’est un cartel d’\u00e9poque Louis XV en marqueterie d’\u00e9caille de tortue brune et de laiton, avec des restaurations en palissandre. Le cadran est de Louis David Carr\u00e9, neveu de Jullien le Roy, re\u00e7u ma\u00eetre le 31 d\u00e9cembre 1748. Log\u00e9 au Louvre d\u00e8s 1744, il fut \u00e9lu jur\u00e9 en 1775. La plus grande richesse sur ce cartel se trouve dans ses bronzes. Ils sont vraiment magnifiques, et surtout, ils sont en tr\u00e8s bon \u00e9tat. Il n’y a que […]<\/p>\n","protected":false},"author":1,"featured_media":2263,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[108,152,106,78,103,98,77,67,84],"tags":[69,82,80,72,95,16,3,15,70,71,76,64,38,37,36],"class_list":["post-2320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bronzes","category-cartel","category-chene","category-collage-sous-vide","category-greffe","category-laiton","category-marqueterie-boulle","category-restauration-de-mobilier","category-vernis-au-tampon","tag-cartel","tag-collage-sous-vide","tag-colle-animale","tag-colle-de-poisson","tag-colle-infiltrante","tag-conde-sur-huisne","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-ecaille-de-tortue","tag-laiton","tag-marqueterie-boulle","tag-palissandre","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","clearfix"],"acf":[],"yoast_head":"\nCartel sign\u00e9 "Louis David Carr\u00e9 \u00e0 Paris" • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/02\/22\/cartel-signe-louis-david-carre-a-paris\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cartel sign\u00e9 "Louis David Carr\u00e9 \u00e0 Paris" • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s plusieurs semaines de travail, la restauration de ce cartel est enfin termin\u00e9e. C’est un cartel d’\u00e9poque Louis XV en marqueterie d’\u00e9caille de tortue brune et de laiton, avec des restaurations en palissandre. Le cadran est de Louis David Carr\u00e9, neveu de Jullien le Roy, re\u00e7u ma\u00eetre le 31 d\u00e9cembre 1748. Log\u00e9 au Louvre d\u00e8s 1744, il fut \u00e9lu jur\u00e9 en 1775. La plus grande richesse sur ce cartel se trouve dans ses bronzes. Ils sont vraiment magnifiques, et surtout, ils sont en tr\u00e8s bon \u00e9tat. Il n’y a que […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2020\/02\/22\/cartel-signe-louis-david-carre-a-paris\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ebenisterie.mathieuvath\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/ebenisterie.mathieuvath\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-22T17:41:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-31T07:18:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ebenisterie-mathieuvath.fr\/wp-content\/uploads\/2020\/02\/P1000110-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1339\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mathieu Vath\" \/>\n<meta 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