{"id":1869,"date":"2019-11-29T21:35:06","date_gmt":"2019-11-29T20:35:06","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=1869"},"modified":"2021-05-31T09:14:31","modified_gmt":"2021-05-31T07:14:31","slug":"bureau-dos-dane-louis-xv","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2019\/11\/29\/bureau-dos-dane-louis-xv\/","title":{"rendered":"Louis XV slant-front desk"},"content":{"rendered":"

The restoration of a pretty snout desk, or as Riesener says in his memoirs, a "tomb-shaped secretary," began two weeks ago.<\/p>\n\n\n\n

With the restoration stage completed and the varnishing begun, I am taking the time to give a brief summary of this restoration.<\/p>\n\n\n\n

\"Eb\u00e9nisterie<\/figure>\n\n\n\n

This desk is constructed of oak and fir for the frame and veneered with rosewood and violet wood, with floral marquetry on the drop-front composed of boxwood, natural and stained maple, and hornbeam. It features a large drawer in the frieze, surmounted by two smaller drawers. The drop-front, held open by brass hinges, reveals an interior with five drawers and a secret pull-out compartment in the center.<\/p>\n\n\n\n

Moreover, in this photo we can clearly see the original colors which have not been exposed to light.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Office interior<\/figcaption><\/figure>\n\n\n\n

Regarding the condition report: the structure of the furniture is not seriously damaged. Apart from a very large crack on the right side which has left a deformation of approximately 5mm on the facing.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Split core of the casing<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Split drawer bottom <\/figcaption><\/figure>\n\n\n\n

The biggest problem, as is often the case, is, aside from the easily identifiable missing veneers, the severe dehydration of the glue. This is clearly visible in the photos of the toilet seat and the sides.<\/p>\n\n\n\n

The Restoration <\/strong>: For the gaps in veneer, they were filled with sawn rosewood and violetwood veneer, previously scraped, sanded, filled and oxidized, then they were made to the correct thickness by removing material, on the back face, according to the desired thickness for the graft.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Lack of veneer<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Right-hand drawer before restoration <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer very damaged<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Left drawer before restoration <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Left side before restoration <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Lack of veneer and severe dehydration of the glues<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
View of the right side before restoration<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Lack of veneer<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Period lock<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
18th-century corkscrew screw\u00ab<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Top before restoration <\/figcaption><\/figure>\n\n\n\n

All surfaces have undergone rehydration of the adhesives by infiltration to ensure the least possible handling that could lead to greater degradation of the furniture.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
The penetrating glue brings out the colors of the wood.<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Bonding after infiltration<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Hard wedge gluing, soft wedge gluing, hard wedge<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Glued sides to sandbag after infiltration<\/figcaption><\/figure>\n\n\n\n

The drawer pull was a special case, as it was too damaged to be rehydrated by infiltration. In fact, I very rarely remove veneer. It's an extremely traumatic step for a piece of furniture and should only be used in cases of extreme necessity. Which was the case here, because the drawer pull panel was completely warped and no longer allowed it to be opened. Furthermore, it was a small area, making it an easy step to perform while ensuring a quality finish.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Pull tab before restoration<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer deposit<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer cleaned on a stretched block<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
After thermal shock to the panel and re-gluing of the veneer<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Re-gluing of the toilet seat veneers by infiltration <\/figcaption><\/figure>\n\n\n\n

After reattaching all the veneers, I stripped the piece of furniture with a stripper specifically designed for furniture restoration, then I began filling with sandpaper, applying varnish, and doing the color touch-ups. Now, all that remains is to let the varnish cure between coats, a process that will take about a month.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Chromatic reintegration <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Blue color in the veneer sawing <\/figcaption><\/figure>\n\n\n\n

In this photo, you can see that the flower's bulb was dyed blue. But dyeing veneer has never been easy. The craftsman who made this flower, after cutting it out, soaked the veneer in the dye. But the soak wasn't long enough, and the dye didn't penetrate the wood completely. This is clearly visible in the saw cuts, which retain the color, while excessive sanding of the surface has removed the stained layer.<\/p>\n\n\n\n

More to come in a few weeks\u2026.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Voil\u00e0 deux semaines qu’a commenc\u00e9 la restauration d’un joli bureau dos d’\u00e2ne ou comme le dit Riesener dans ses m\u00e9moires d’un \u00ab\u00a0secr\u00e9taire \u00e0 tombeau\u00a0\u00bb. L’\u00e9tape de restauration \u00e9tant termin\u00e9e et le vernis commenc\u00e9, je prends le temps de faire un petit r\u00e9sum\u00e9 de cette restauration. Ce bureau est en ch\u00eane et en sapin pour le b\u00e2ti et plaqu\u00e9 de bois de rose et de bois de violette ainsi que d’une marqueterie florale sur l’abattant compos\u00e9e de buis, \u00e9rable naturel et teint\u00e9 et de charme. Il est compos\u00e9 d’un grand tiroir […]<\/p>\n","protected":false},"author":1,"featured_media":1840,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[90,91,108,113,106,103,215,115,105,67,87],"tags":[92,93,82,80,72,95,3,15,38,37,36],"class_list":["post-1869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bois-de-rose","category-bois-de-violette","category-bronzes","category-bureau-dos-dane","category-chene","category-greffe","category-placage-marqueterie-2","category-placage-scie","category-restauration","category-restauration-de-mobilier","category-xviie-siecle","tag-bois-de-rose","tag-bois-de-violette","tag-collage-sous-vide","tag-colle-animale","tag-colle-de-poisson","tag-colle-infiltrante","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","clearfix"],"acf":[],"yoast_head":"\nBureau dos d'\u00e2ne Louis XV • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2019\/11\/29\/bureau-dos-dane-louis-xv\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bureau dos d'\u00e2ne Louis XV • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Voil\u00e0 deux semaines qu’a commenc\u00e9 la restauration d’un joli bureau dos d’\u00e2ne ou comme le dit Riesener dans ses m\u00e9moires d’un \u00ab\u00a0secr\u00e9taire \u00e0 tombeau\u00a0\u00bb. L’\u00e9tape de restauration \u00e9tant termin\u00e9e et le vernis commenc\u00e9, je prends le temps de faire un petit r\u00e9sum\u00e9 de cette restauration. Ce bureau est en ch\u00eane et en sapin pour le b\u00e2ti et plaqu\u00e9 de bois de rose et de bois de violette ainsi que d’une marqueterie florale sur l’abattant compos\u00e9e de buis, \u00e9rable naturel et teint\u00e9 et de charme. 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