{"id":1789,"date":"2019-10-23T20:47:44","date_gmt":"2019-10-23T18:47:44","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=1789"},"modified":"2021-05-31T09:13:31","modified_gmt":"2021-05-31T07:13:31","slug":"secretaire-estampille-martin-ohneberg","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2019\/10\/23\/secretaire-estampille-martin-ohneberg\/","title":{"rendered":"Secretary stamped Martin Ohneberg"},"content":{"rendered":"
\"Eb\u00e9nisterie
Before restoration<\/figcaption><\/figure>\n\n\n\n

This week marks the completion of the restoration of a Louis XVI period secretary desk. <\/p>\n\n\n\n

Martin Ohneberg (Master in 1773), the cabinetmaker who crafted this piece, was an excellent marquetry artist and used very high-quality rosewood. He produced numerous pieces of furniture with very simple lines but exquisite marquetry, including an endless variety of drop-front secretaries.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Martin Ohenberg's stamp<\/figcaption><\/figure><\/div>\n\n\n\n

This particular piece is veneered with rosewood and amaranth, and features a mosaic marquetry of maple blossoms on a red satinwood background. The framing bands are made of carved maple, and the green fillets are stained hornbeam. The frame is constructed of oak, beech, and fir for the panels.<\/p>\n\n\n\n

Regarding the restoration, the main problems are as follows: the fir panels have shrunk and the joints have come unglued. For the marquetry, the glue is severely dehydrated and there are "bell-shaped" patches across all the mosaics. The mechanism of the drop-leaf door has become loose and no longer functions properly.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Minor problem with the toilet seat <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Split soul<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Dehydrated glue <\/figcaption><\/figure>\n\n\n\n
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Veneer deficiencies and detached assembly <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Detached internal structure<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veiled door <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer deficiencies<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer detached<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer torn off<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Veneer shortages<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
Poor restoration<\/figcaption><\/figure>\n\n\n\n

The restoration therefore consisted of re-gluing and restoring the structure of the piece of furniture. Once this was done, the missing veneer was filled, and all the veneers were re-glued using an infiltration technique. The following two photos show the before and after of the re-gluing process.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Veneer detached <\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
After regluing<\/figcaption><\/figure>\n\n\n\n

After the repairs were completed, the piece was stripped with an environmentally friendly stripper specifically designed for furniture restoration. It was then filled with pumice, the grafts were oxidized, and it was French polished. The bronze mounts were cleaned and reattached. The locks were serviced and made functional, and new leather was fitted.<\/p>\n\n\n\n

\"Eb\u00e9nisterie
Veneer grafts before oxidation<\/figcaption><\/figure>\n\n\n\n
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Stripped, filled, and ready-to-varnished piece of furniture<\/figcaption><\/figure>\n\n\n\n
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After restoration <\/figcaption><\/figure>\n\n\n\n
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Doors after restoration<\/figcaption><\/figure><\/div>\n\n\n\n
\"Eb\u00e9nisterie
New leather<\/figcaption><\/figure>\n\n\n\n
\"Eb\u00e9nisterie
After restoration<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

Cette semaine se termine la restauration d’un secr\u00e9taire d’\u00e9poque Louis XVI. Martin Ohneberg ( Ma\u00eetre en 1773 ), l’\u00e9b\u00e9niste qui \u00e0 r\u00e9alis\u00e9 ce meuble \u00e9tait un excellent marqueteur et employait un bois de rose de tr\u00e8s grande qualit\u00e9. Il a r\u00e9alis\u00e9 de nombreux meubles aux lignes tr\u00e8s simples mais admirablement marquet\u00e9s, dont une vari\u00e9t\u00e9 infinie de secr\u00e9taires \u00e0 abattant. En ce qui concerne celui-ci, il est plaqu\u00e9 de bois de rose et d’amarante ainsi que d’une marqueterie en mosa\u00efque de fleurons d’\u00e9rables sur fond de satin\u00e9 rouge. Les rubans d’encadrement […]<\/p>\n","protected":false},"author":1,"featured_media":1784,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[99,102,103,215,105,67,137,97,84],"tags":[49,92,3,138,15,21,30,38,37,10],"class_list":["post-1789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cuir","category-estampille","category-greffe","category-placage-marqueterie-2","category-restauration","category-restauration-de-mobilier","category-secretaire","category-style-louis-xvi","category-vernis-au-tampon","tag-amarante","tag-bois-de-rose","tag-conservation-restauration","tag-cuir","tag-ebenisterie-mathieu-vath","tag-marqueterie","tag-mathieu-vath","tag-restaurateur","tag-restauration-de-meubles","tag-vernis-au-tampon","clearfix"],"acf":[],"yoast_head":"\nSecr\u00e9taire estampill\u00e9 Martin Ohneberg • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ebenisterie-mathieuvath.fr\/en\/2019\/10\/23\/secretaire-estampille-martin-ohneberg\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Secr\u00e9taire estampill\u00e9 Martin Ohneberg • \u00c9b\u00e9nisterie Mathieu Vath\" \/>\n<meta property=\"og:description\" content=\"Cette semaine se termine la restauration d’un secr\u00e9taire d’\u00e9poque Louis XVI. Martin Ohneberg ( Ma\u00eetre en 1773 ), l’\u00e9b\u00e9niste qui \u00e0 r\u00e9alis\u00e9 ce meuble \u00e9tait un excellent marqueteur et employait un bois de rose de tr\u00e8s grande qualit\u00e9. Il a r\u00e9alis\u00e9 de nombreux meubles aux lignes tr\u00e8s simples mais admirablement marquet\u00e9s, dont une vari\u00e9t\u00e9 infinie de secr\u00e9taires \u00e0 abattant. En ce qui concerne celui-ci, il est plaqu\u00e9 de bois de rose et d’amarante ainsi que d’une marqueterie en mosa\u00efque de fleurons d’\u00e9rables sur fond de satin\u00e9 rouge. 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