{"id":1505,"date":"2019-07-03T13:17:53","date_gmt":"2019-07-03T11:17:53","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=1505"},"modified":"2026-10-27T18:02:55","modified_gmt":"2026-10-27T17:02:55","slug":"encoignure-louis-xv-estampillee-j-m-chevallier","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2019\/07\/03\/encoignure-louis-xv-estampillee-j-m-chevallier\/","title":{"rendered":"Louis XV corner cabinet, stamped JM CHEVALLIER"},"content":{"rendered":"

Here is a corner cabinet stamped by Jean-Mathieu Chevallier. It is made of solid oak, veneered with rosewood<\/a> and violet wood with a boxwood net.<\/p>\n\n\n\n

\"Encoignure
Jean-Mathieu Chevallier (1694-1768) known as the Elder \u2013 cabinetmaker. Paris. Master on March 5, 1743.<\/figcaption><\/figure>\n\n\n\n
\"Encoignure
CHEVALLIER stamp<\/figcaption><\/figure>\n\n\n\n

Jean-Mathieu Chevallier<\/h2>\n\n\n\n

Jean-Mathieu Chevallier was already established on Rue de Grenelle, under the sign of "La Croix Chevallier," when he received his master craftsman's certificate in 1743. He subsequently expanded his business considerably. He notably collaborated with Andr\u00e9-Charles Boulle, one of the sons of the renowned cabinetmaker. Furthermore, he contributed to the furnishing of the H\u00f4tel du Duc de Talmont and the Ch\u00e2teau de Villeg\u00e9nis, purchased in 1744 by Louise-Anne de Bourbon-Cond\u00e9, known as Mademoiselle de Sens.<\/p>\n\n\n\n

He quickly acquired a good reputation and began making furniture for Parisian high society. Many of his grand Louis XV pieces are known: commodes, secretaries, and wardrobes. They are elegantly designed, classically shaped, and well-proportioned. Furthermore, marquetry of flowers, often with stems tied with ribbon, or geometric patterns, carefully adorns all his work. In contrast, he used rocaille bronzes sparingly.<\/p>\n\n\n\n

His workshop disappeared with him in 1768. However, his wife took over his furniture store and kept it for eight years, until her death.<\/p>\n\n\n\n

BIBLIOGRAPHY<\/h4>\n\n\n\n
    \n
  • French Furniture of the 18th Century \u2013 Pierre Kjellberg \u2013 Les Editions de l'Amateur \u2013 2008<\/li>\n\n\n\n
  • Cabinetmakers of the 18th Century \u2013 Count Fran\u00e7ois de Salverte \u2013 Art and History Publishers \u2013 1934<\/li>\n<\/ul>\n\n\n\n

    The Restoration<\/h2>\n\n\n\n

    On this corner piece, the work first involves reattaching and rehydrating the old glue, then replacing any damaged grafts. Next, the grafts will need to be stripped, cleaned, oxidized, and varnished with a French polish.<\/p>\n\n\n\n

    \"Encoignure
    First, a bad mahogany graft<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Then old violet wood grafts<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Thus, the surface condition before restoration<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Furthermore, a bad graft needs to be changed or oxidized<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Furthermore, the sign retracted.<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Next, a slot in the left rear panel<\/figcaption><\/figure>\n\n\n\n

    As with every restoration, I begin with the "soul": the structure of the piece of furniture. I re-glue the joints and tighten the panels if possible. Otherwise, I add material, for example, edge banding or filler strips.<\/p>\n\n\n\n

    \"Encoignure
    Then a flipot made of oak<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Thus, re-gluing and consolidation of the structure<\/figcaption><\/figure>\n\n\n\n

    Then, once the structure is reinforced and solidified, I begin the restoration of the veneer.<\/p>\n\n\n\n

    \"Encoignure
    Next, the veneer was re-glued on the left side.<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    In addition, thermo-molded wedges conform to the shape of the foot.<\/figcaption><\/figure>\n\n\n\n
    \"Encoignure
    Finally, vacuum re-gluing<\/figcaption><\/figure>\n\n\n\n

    That's all for this week.<\/p>","protected":false},"excerpt":{"rendered":"

    Voici une encoignure estampill\u00e9e de Jean-Mathieu Chevallier. Elle est en ch\u00eane massif, plaqu\u00e9e de bois de rose et de bois de violette avec un filet en buis. Jean-Mathieu Chevallier Jean-Mathieu Chevallier est d\u00e9j\u00e0 install\u00e9 rue de Grenelle, \u00e0 l\u2019enseigne de \u00ab la Croix Chevallier \u00bb, quand il obtient ses lettres de ma\u00eetrise en 1743. Ensuite, il d\u00e9veloppe beaucoup son commerce. Il est notamment en affaires avec Andr\u00e9-Charles Boulle, l\u2019un des fils du c\u00e9l\u00e8bre \u00e9b\u00e9niste. De plus, il participe \u00e0 l\u2019ameublement de l\u2019h\u00f4tel du duc de Talmont et du ch\u00e2teau de […]<\/p>\n","protected":false},"author":1,"featured_media":1416,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[90,91,106,101,78,102,104,103,100,19,215,83,105,67],"tags":[92,93,3,15,21,38,37,36],"class_list":["post-1505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bois-de-rose","category-bois-de-violette","category-chene","category-chevallier","category-collage-sous-vide","category-estampille","category-flipot","category-greffe","category-louis-xv","category-marqueterie","category-placage-marqueterie-2","category-presse","category-restauration","category-restauration-de-mobilier","tag-bois-de-rose","tag-bois-de-violette","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-marqueterie","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","clearfix"],"acf":[],"yoast_head":"\nEncoignure Louis XV 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