{"id":10370,"date":"2025-10-02T14:37:07","date_gmt":"2025-10-02T12:37:07","guid":{"rendered":"https:\/\/ebenisterie-mathieuvath.fr\/?p=10370"},"modified":"2026-08-22T09:09:28","modified_gmt":"2026-08-22T07:09:28","slug":"poudreuse-louis-xvi-estampillee-jacob","status":"publish","type":"post","link":"https:\/\/ebenisterie-mathieuvath.fr\/en\/2025\/10\/02\/poudreuse-louis-xvi-estampillee-jacob\/","title":{"rendered":"Louis XVI powder compact stamped Jacob"},"content":{"rendered":"

Restoration of a powder table, also known as a dressing table, from the last quarter of the 18th century, stamped G. Jacob and JME. Opening with two drawers in the frieze, it is surmounted by a white Carrara marble top surrounded by an openwork brass gallery. The whole rests on four tapered solid mahogany legs ending in casters. The solid oak stretchers are veneered in mahogany.<\/p>\n\n\n

\n
\"Poudreuse
Before restoration<\/figcaption><\/figure>\n<\/div>\n\n\n

Georges Jacob (1739-1814)<\/h2>\n\n\n\n

Georges Jacob, born on July 6, 1739, in Cheny, Yonne, came from a family of farmers. At a young age, he left his native region for Paris, where he learned chair making in the workshop of Jean-Baptiste Lerouge. He was also influenced by the innovative style of Louis Delanois, a pioneer of Neoclassicism in furniture design. In 1765, at the age of 26, he was admitted to the Order of Architects. master chair maker<\/strong>, opening his own workshop on rue Mesl\u00e9e, in the heart of the furniture artisans' district.<\/p>\n\n\n\n

Jacob quickly established himself as one of the most talented craftsmen of his time. His chairs, armchairs, beds, and consoles captivated the royal court and the aristocracy. He became the preferred cabinetmaker of Marie Antoinette, the Count of Artois, and the Count of Provence (the future Louis XVIII), for whom he was appointed "cabinetmaker in ordinary" in 1781.<\/p>\n\n\n\n

His style evolved with the times: he introduced the\u2019mahogany<\/strong> in the manufacture of seats, inspired by English fashion, and fully adopts the neoclassicism<\/strong>. His creations are distinguished by straight lines, elegant proportions, and sculpted decorations inspired by Antiquity: garlands, pearls, palmettes, lion heads, and Greek friezes. His furniture combines sturdiness, comfort, and refinement, making it particularly sought after.<\/p>\n\n\n\n

The French Revolution disrupted his aristocratic clientele, but Jacob managed to maintain his business thanks to his reputation and the excellence of his workshop. In 1796, he retired and passed the business on to his two sons., George II<\/strong> and above all Fran\u00e7ois-Honor\u00e9-Georges Jacob<\/strong>, known as Jacob-Desmalter<\/em>. The latter would become the main furniture supplier to Napoleon I and the Empire. After the death of his eldest son, Jacob briefly came out of retirement to support the family workshop.<\/p>\n\n\n\n

Georges Jacob died in Paris on July 5, 1814, the day before his 75th birthday. Through his talent and that of his descendants, he founded a true dynasty of cabinetmakers<\/strong>, whose name remains associated with the Louis XVI, Directoire and Empire styles. His works, preserved today in numerous museums and collections, testify to the excellence of 18th-century French craftsmanship.<\/p>\n\n\n

\n
\"Estampille
Stamped G.JACOB<\/figcaption><\/figure>\n<\/div>\n\n\n

The Restoration <\/h2>\n\n\n\n

This piece of furniture underwent conservation restoration. The veneers were stabilized by rehydrating the adhesive and applying protein-based glue. The surfaces were lightened and cleaned using a suitable solvent, taking care to preserve the wood's natural oxidation. The surface finish was retained and reapplied with colorless shellac.<\/p>\n\n\n\n

Before restoration <\/h5>\n\n\n\n
\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n<\/figure>\n\n\n\n
After restoration <\/h5>\n\n\n
\n
\"Poudreuse<\/figure>\n<\/div>\n\n\n
\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n\n\n\n
\"Eb\u00e9nisterie<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\n
To see previous restorations<\/em><\/strong> <\/em><\/strong><\/a><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Restauration d\u2019une poudreuse, aussi appel\u00e9e table de toilette, du dernier quart du XVIIIe si\u00e8cle et estampill\u00e9e G.JACOB et JME. Ouvrant par deux tiroirs en ceinture, elle est surmont\u00e9e d\u2019un marbre blanc de Carrare entour\u00e9 d\u2019une galerie ajour\u00e9e en laiton. L\u2019ensemble repose sur quatre pieds fusel\u00e9s en acajou massif se terminant par des sabots \u00e0 roulette int\u00e9gr\u00e9e. Les traverses en ch\u00eane massif sont quant \u00e0 elles plaqu\u00e9es en acajou. Georges Jacob (1739-1814) Georges Jacob, n\u00e9 le 6 juillet 1739 \u00e0 Cheny dans l\u2019Yonne, est issu d\u2019une famille de paysans. Tr\u00e8s jeune, […]<\/p>\n","protected":false},"author":1,"featured_media":10364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[140,173,186,215,67,168],"tags":[63,80,3,15,348,135,349,38,37,36,10],"class_list":["post-10370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acajou","category-jacob","category-louis-xvi","category-placage-marqueterie-2","category-restauration-de-mobilier","category-xviiie-siecle","tag-acajou","tag-colle-animale","tag-conservation-restauration","tag-ebenisterie-mathieu-vath","tag-jacob","tag-louis-xvi","tag-poudreuse","tag-restaurateur","tag-restauration-de-meubles","tag-restauration-de-mobilier","tag-vernis-au-tampon","clearfix"],"acf":[],"yoast_head":"\nPoudreuse Louis XVI estampill\u00e9e Jacob • \u00c9b\u00e9nisterie Mathieu Vath<\/title>\n<meta name=\"description\" content=\"Restauration d'une poudreuse Louis XVI estampill\u00e9e G. 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